Graphic Arts

Published to accompany the major exhibition at the Musée des Arts Décoratifs, Paris, this book is destined to become a must-have work of reference for all fashion lovers.

The couturière Elsa Schiaparelli (1890–1973) was a key figure in Paris fashion between the two World Wars. Following in the footsteps of her mentor Paul Poiret, she designed her first knitwear collection in January 1927. Decorated with trompe-l’oeil motifs in black and white, her sweaters were an immediate success in both France and the USA. In 1935, the Maison Schiaparelli opened in the Place Vendôme in Paris, selling collections designed for sports, city and evening wear.

Like her arch-rival Gabrielle Chanel, Schiaparelli also worked closely with artists, including Man Ray, Jean Cocteau and Salvador Dalí, with whom she created a lobster dress. Taking a cue from Surrealism, her creations were hugely imaginative and made use of innovative new materials. The ‘Schiap’ style continued to develop through the 1930s. Her most famous collections had themes including the circus (summer 1938) and astrology (winter 1938–39). In 1937, Schiaparelli launched the fragrance Shocking, named after shocking pink, which had become her signature colour.

Alongside vintage photographs, sketches and contemporary features from Harper’s Bazaar and Vogue, this volume presents specially photographed masterpieces from the collection of the Musée des Arts Décoratifs in Paris. All 120 garments and accessories from the Schiaparelli archive are illustrated, along with a selection of her drawings dating from 1933 to 1953.

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This comprehensive, beautiful book delves deep into the complex but fascinating story of our relationship with colour throughout human history.

Colour is fundamental to our experience and understanding of the world. It crosses continents and cultures, disciplines and decades. It is used to convey information and knowledge, to evoke mood, and to inspire emotion.

This book explores the history of our understanding of colour, from the ancient world to the present, from Aristotle to Albers. Interspersed in the historical story are numerous thematic essays that look at how colour has been used across a wide range of disciplines and fields: in food, music, language and many others.  

The illustrations are drawn from the Royal College of Art’s renowned Colour Reference Library which spans six centuries of works and nearly 2,000 titles, from a Gothic manuscript on the composition of the rainbow to hand-painted Enlightenment works on colour theory and vibrant 20th-century colour charts, including many fascinating examples not  seen in other books.

Delving far and wide in this fascinating and varied subject, this book will help readers find new layers of meaning and complexity in their everyday experiences and teach them to look closer at our colourful lives.

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This irresistible, authorized, illustrated gift book from the luxury brand Hermès is an homage, in stories and drawings, to the artisans and craftsmen who have been the foundation of the iconic brand since its beginnings as a saddle-maker for the carriage trade in 19th-century Paris. The stories are short, pithy, often quite witty, and they include first-person accounts from the leather artisans, silk manufacturers, and goldsmiths, gardeners, window dressers, designers, and electricians who have plied their craft at Hermes.We learn about quirky characters in the atelier who refuse to share their tools, of an elevator ride with a visiting President Nixon that went badly wrong, of a life-sized white rhinoceros made for a window display that disappears in Switzerland, reappears in Colorado, and returns, eventually, to Paris. A concise and witty company history, the book shares genuine love for the craft of producing luxury goods of the highest quality. Even if you can’t afford to buy your partner a Hermès bag or wallet, you can afford to give them this enchanting book.

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• Britain’s industrial age is often perceived through a black-and-white filter as the ‘funereal’ age of coal pollution and bleak working class slums. This catalogue will dispel that perception, demonstrating how the industrial revolution transformed colour, and focus on the central role it played in art, culture and technology
• As opposed to approaches favouring a long history of colour, the catalogue focuses on the second half of the 19th century and argues that this was a crucial chromatic turn, which has been significantly ignored by prominent historians of colour and previous publications
• Several essays in the catalogue offer new research into key chromatic events of the period including the 1862 International Exhibition
• Accompanies an exhibition at the Ashmolean Museum from 21 September 2023 to 18 February 2024

Contrary to the monochrome vision of Queen Victoria’s mourning dresses and the coal-polluted streets of Charles Dickens’ London, Victorian Britain was, in fact, a period of new and vivid colours. The Industrial Revolution had transformed the Victorians’ perception of colour and, over the course of the second half of the 19th century, it became the key signifier of modern life.

Colour Revolution: Victorian Art, Fashion & Design charts the Victorians’ new attitudes to colour through a multidisciplinary exploration of culture, technology, art and literature. The catalogue explores key ‘chromatic’ moments that inspired Victorian artists and writers to think anew about the materiality of colour. Rebelling against the bleakness of the industrial present, these figures learned from the sacred colours of the past, the sumptuous colours of the Middle East and Japan and looked forward towards the decadent colours that defined the end of the century.

Section 1: Glowing Colour: Introduction; Ruskin and Colour Pedagogy; Turner, Ruskin and the Lure of Venetian Colour; The Colour of the Middle Ages; Unweaving the Rainbow: Nature’s Colours in Art and Fashion; Pretty Plant Photographers or Pioneering Women?; Object in Focus: Hummingbird Necklace by Harry Emanuel;

Section 2: Colour for All: The Aniline Revolution; The International Exhibition of 1862; Object in Focus: Technical Analysis of the Great Bookcase; Sculpture and Race; The Colours of the Ancient Past; Orientalism; Object in Focus: Joseph and his Brethren by Owen Jones; India and Colour;

Section 3: Colour for Colour’s Sake: The Colours of Decadence: Yellow, Green and Blue; Object in Focus: St. Mark’s Venice by James McNeill Whistler; Queering Colour; Object in Focus: Tanagra; Object in Focus: Japanese Boardgame; Loie Fuller.

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From the No. 1 international bestselling author, film producer and Wattpad platform icon Anna Todd – the continuation of her bestselling love story AFTER in Volume Two of After: The Graphic Novel.

Fall in love all over again in volume two of the graphic novel adaptation of the global phenomenon AFTER! Uncover Tessa and Hardin’s love story as you’ve never seen it before . . .

GOOD INTENTIONS . . . BAD HABITS . . . SOMETHING UNMISTAKABLE . . . AND EVERYTHING AFTER.

As Freshman year continues, Tessa and Hardin’s chemistry is impossible to ignore. After taking a leap and ending things with her boyfriend from back home, Tessa desperately wants to make something work with Hardin, whose troubled eyes and tattooed arms make her swoon. The magnetism between them is undeniable, and now they have nothing standing in their way.

Despite their new freedom, the road is bumpy. The closer they become, the quicker Hardin’s walls come up and block Tessa out. But no matter how angry they get at each other, how many times he pushes her too far and she is disappointed by him, they are still drawn to one another. Their romance has consumed them both, and their passion is hot enough to burn everything down.

Anna Todd’s original story comes to life with breathtaking illustrations by Pablo Andres. Featuring twelve pages of behind-the-scenes and character profile bonus content, Volume Two of After: The Graphic Novel is the ultimate collector’s item for fans everywhere!

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A true Scandinavian classic, the Moomins, created by Tove Jansson, have been captivating audiences for decades. This slim-format calendar features 12 touching colour illustrations of the much-loved characters Moomintroll and Snorkmaiden, depicting their adventures through the year in Moominvalley. Printed on FSC-certified paper, with plastic-free packaging.

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NOT FOR THE NERVOUS!

Celebrating 40 years since IPC launched the UK’s most iconic ‘horror’ anthology, this single volume collects all of the strips included in the 15-issue run of Scream!

Produced ‘from the depths’ of King’s Reach Tower by the mysterious ‘undead’ editor Ghastly McNasty, the first issue of Scream! was unleashed on 24th March 1984. More tongue-in-cheek than horrific, the comic was an immediate hit with younger fans as it included a pair of fake vampire fangs attached to the cover and a number of fantastic new strips from such talents as Alan Moore, John Wagner, Jose Ortiz, Cam Kennedy, Tom Tully, Alan Grant and Eric Bradbury.

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A comprehensive, genre-defining survey of children’s product and furniture design from Bauhaus to today

Design for Children, a must-have book for all style-conscious and design-savvy readers, documents the evolution of design for babies, toddlers, and beyond. The book spotlights more than 450 beautiful, creative, stylish, and clever examples of designs created exclusively for kids – from toys, furniture, and tableware, to textiles, lights, and vehicles.

Contemporary superstars and twentieth-century masters, including Philippe Starck, Nendo, Marc Newson, Piero Lissoni, Kengo Kuma, and Marcel Wanders, are showcased.

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The Designers Republic™ is the design group that changed design. But there’s never been a book that tells its story – until now.

Led by founder and born rebel, Ian Anderson, The Designers Republic™ has shaped graphic communication over the past thirty years through rule-defying music work, provocative self-initiated projects and a fierce commitment to conceptual thinking over style. Now, for the first time in book form, Anderson explores the studio’s output, and its influence on a generation of graphic designers.

AZTDR™ spans over three decades of work – from the studio’s earliest designs for the FON label in the mid-1980s and sleeves for Age of Chance, Chakk and Cabaret Voltaire, right up to its recent projects for The Cinematic Orchestra, Led Bib and the Gulbenkian Foundation. Alongside classic self-initiated TDR™ projects, the 512-page book features an A to Z of everything from campaigns for Evolution Print, Coca-Cola and Nike, through to the studio’s celebrated designs for video games such as Wipeout and Formula Fusion.

TDR™’s special relationship with print is explored through its celebrated contributions to IDEA and Emigre magazines and its 3D>2D book, alongside its work for Manchester School of Art, Gatecrasher, NY Sushi and the studio’s array of music clients. Here, TDR™’s work with Autechre is examined via ten key releases, while the studio’s involvement with Pop Will Eat Itself focuses on some twenty-eight different singles and albums. There are also expansive sections devoted to TDR™’s designs for Aphex Twin, Moloko, Sun Electric and The Orb, alongside sleeve designs for R&S Records, New Atlantis, a range of Berlin-based labels and, of course, Warp Records.

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An Official Companion to the Downton Abbey Films and TV Series: An exclusive inside look at the intricate and glamorous costuming of the popular PBS series, with complete historical detail and beautiful imagery.

An inside look at the intricate costuming of the popular PBS series, including character costume choices and the historic fashion trends characteristic of the aristocracy during the Edwardian era.

Appealing to Anglophiles, costume and sewing aficionados, and fans of the hit series, The Costumes of Downton Abbey presents–with comprehensive historical detail and beautiful imagery–the design decisions and wardrobe intricacies that shaped the glamour and elegance of the characters of Downton Abbey.

Featuring the fashion of both upstairs and downstairs cast members, this title explores the unique daytime, evening, special occasion, and wedding wardrobes that led to a 2011 Emmy and several Emmy nominations for Outstanding Costumes for a Series. Detailed photographs, fan-favorite stills from the television series, and designer notes and insights make this a delightful and informative guide to the role costumes played in the character portrayal, story development, and art direction of the series.

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Have you ever been grappling with your creative work, but found yourself hitting a wall?
 
Here’s the thing—sometimes you push through a wall. And sometimes, you need to reset your mind so that you can attack the problem with fresh eyes. That’s where Joke in a Box comes in!

Designed as an at-home version of New Yorker cartoonist Emily Flake’s popular workshop, Joke in a Box will provide a gateway into the craft of joke writing and construction, with modular prompts designed to help you see the world in a more playful and inventive way. Presented with care, empathy, and a sense of joy, this 70-card deck full of exercises and ideas is useful not just to gag writing and drawing, but to any form that speaks to you as a creator. Exercises focus on idea generations techniques such as making lists to force comic juxtapositions, drawing exercises (why not mine your junk mail for visual reference and inspiration!), and encouragement.

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