This catalogue accompanies a major exhibition of work by British artist Claudette Johnson (b. 1959) at The Courtauld Gallery. A founding member of the Black British Arts Movement, Johnson is considered one of the most significant figurative artists of her generation. For over 40 years she has created large-scale drawings of Black women and men that are at once intimate and powerful.

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Eighty-three moving works from the four great print cycles ― The Weavers, The Peasant War, War, Death ― and more. “To see the beautiful examples of her work reproduced in this well-printed, reasonably priced volume is to sit at the feet of a great modern master.” ― School Arts.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year.

BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table.

PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy.

THE ARTIST. Angela Harding is a fine art painter and illustrator based in Rutland, UK. The Salt Path was featured on the cover of the bestselling book (of the same name) by Raynor Winn, shortlisted for the 2018 Wainwright Prize and the 2018 Costa Book Awards in the biography category.

THE FINAL WORD. As William Morris said, “Have nothing in your houses that you do not know to be useful, or believe to be beautiful.”

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This is a crash-course on printing with techniques, materials and surfaces that can all be done in the home. Every project features Yellow Owl Workshop’s sought-after motifs and the author’s art-school style illustrations. This title is full of original ideas for things to make and use, such as jar labels, pillows and a stationary set. “Print Workshop” grabs readers hand and leads them through a crash-course on printing with techniques, materials and surfaces they never dreamed they could take on at home. It can be as simple as carving a potato or as complex as a chemical bath, but no matter the skill level, these printing techniques never require expensive equipment or lots of space. Everything in this book is easily do-able at home; and every project features Yellow Owl Workshop’s sought-after motifs and Christine’s art-school style illustrations. The book is full of original ideas for things to make and use. There’s jar labels for your canning and pickling needs. There’s pillows inspired by YOW’s famous city and bicycle stamps. There’s everything from a stationary set (complete with wax seal) to a dartboard, from a deck of cards to a fine art print.

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From Edouard Manet’s portrait of naturalist writer Émile Zola sitting among his Japanese art finds to Van Gogh’s meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. In all its sensuality, freedom, and effervescence, the woodblock print is single-handedly credited with the wave of japonaiserie that first enthralled France and, later, all of Europe―but often remains misunderstood as an “exotic” artifact that helped inspire Western creativity.

The fact is that the Japanese woodblock print is a phenomenon of which there exists no Western equivalent. Some of the most disruptive ideas in modern art―including, as Karl Marx put it, that “all that is solid melts into air”―were invented in Japan in the 1700s and expressed like never before in the designs of such masters as Hokusai, Utamaro, and Hiroshige in the early 19th century.

This book lifts the veil on a much-loved but little-understood art form by presenting the 200 most exceptional Japanese woodblock prints in their historical context. Ranging from the 17th-century development of decadent ukiyo-e, or “pictures of the floating world,” to the decline and later resurgence of prints in the early 20th century, the images collected in this edition make up an unmatched record not only of a unique genre in art history, but also of the shifting mores and cultural development of Japan.

From mystical mountains to snowy passes, samurai swordsmen to sex workers in shop windows, each piece is explored as a work of art in its own right, revealing the stories and people behind the motifs. We discover the four pillars of the woodblock print―beauties, actors, landscapes, and bird-and-flower compositions―alongside depictions of sumo wrestlers, kabuki actors, or enticing courtesans―rock stars who populated the “floating world” and whose fan bases fueled the frenzied production of woodblock prints. We delve into the horrifying and the obscure in prints where demons, ghosts, man-eaters, and otherworldly creatures torment the living―stunning images that continue to influence Japanese manga, film, and video games to this day. We witness how, in their incredible breadth, from everyday scenes to erotica, the martial to the mythological, these works are united by the technical mastery and infallible eye of their creators and how, with tremendous ingenuity and tongue-in-cheek wit, publishers and artists alike fought to circumvent government censorship.

Three years in the making, this XXL edition presents reproductions of the finest extant impressions from the vaults of museums and private collections across the globe―many newly photographed especially for this project. Some 17 stunning fold-outs invite us to study even the subtlest details, while extensive descriptions guide us through this frantic period in Japanese art history.

Features:

The work of 89 artists, from the world-renowned to the unfamiliar

7 chapters organized chronologically to trace the history of the medium from 1680 to 1938

17 fold-outs, hand-folded due to their size and specifications

Exclusive reproductions from museums and private collections

An appendix listing all artists and works

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A FLAME TREE POCKET NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year.

BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table.

PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy.

THE ARTIST. Angela Harding is a fine art painter and illustrator based in Rutland, UK. She specialises in lino prints and her work is inspired by British birds and countryside.

THE FINAL WORD. As William Morris said, “Have nothing in your houses that you do not know to be useful, or believe to be beautiful.”

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Prints have played a unique and important role in the history of art and image. This engaging book explores the numerous ways artists have embraced printmaking over the course of three centuries. Each of the works illustrated has been selected to reflect the broad spectrum of techniques and purposes, which are explained in clear and concise terms. The featured artworks are among the highlights of Tate’s extensive but little-known print collection, a remarkable grouping no book has previously attempted to survey. Among the leading artists for whom printmaking has been an important and experimental part of their practice are William Hogarth, George Stubbs, William Blake, J.M.W. Turner, Pablo Picasso, Barbara Hepworth, Andy Warhol, Lucian Freud, Bridget Riley, Paula Rego, William Kentridge and Kara Walker. Yet printmaking remains somewhat mysterious as a topic, perhaps because original prints are often understood as ‘reproductions’, or wrongly given a similar status to preparatory sketches and archival material. In fact, prints are finished artworks, often the result of highly considered creative experimentation with print processes. Chapters are structured around different types of printmaking, allowing each section to reveal the various ways artists have engaged with the different techniques. In addition to complete reproductions of over 120 works, carefully selected details enable the reader to examine closely some of the remarkable visual effects seen in the prints.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year.

BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table.

PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy.

THE FINAL WORD. As William Morris said, “Have nothing in your houses that you do not know to be useful, or believe to be beautiful.”

Read more

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they’re powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Annie Soudain’s Midsummer Morning.

Born in Kent, Annie Soudain spent her early childhood years in Truro, Cornwall, where her interest in plants and nature began. Now settled by the sea in Sussex, much of her work continues to be inspired by the beautiful landscapes surrounding her. This colourful linoprint was created using the reduction method, which involves progressively cutting, inking up, and printing from the same block. The picturesque scene was taken from the view across the field overlooking Rye Bay in Hastings Country Park.

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Artisan Art Diaries from Flame Tree come in a range of hues to suit the moment, with well-known art on the embossed cover and beautifully decorated edges. The standard format has a week to view on one page and a lined page opposite for note-taking. And, with flexible, soft touch vegan leather covers, they’re easy to slip into your bag and a pleasure to use. This diary features Hokusai’s iconic The Great Wave, off Kanagawa, from his’Thirty-six Views of Mount Fuji’ series.

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Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they’re powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features William Morris: Seaweed.

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Learn to create unique, contemporary works of art with traditional carving tools and printmaking techniques. Step-by-step projects and creative lino prints make it fun and easy.

Aspiring artists, illustrators, art students, and art hobbyists will discover how to use basic carving tools and techniques to design and create custom lino prints for distinctive works of art. Practical instruction combined with approachable step-by-step projects and inspirational imagery guide readers on an engaging, easy-to-follow exploration of block printing.

Following an introduction to essential materials, such as printmaking inks, linoleum blocks, carving tools, and papers, Block Print for Beginners demonstrates how to get from uncarved block to finished print, including transferring a drawing, carving the block, working with inks, and achieving the best print results. Once comfortable with the basics, aspiring printmakers can move on to explore a series of step-by-step tutorials for creating a variety of lino prints with blocks they can use over and over again.

From basic block prints to more advanced techniques, such as printing in repeated patterns and creating stationery, wrapping paper, wallpaper, and more, Block Print for Beginners provides a fresh, contemporary, and enjoyable approach to learning this time-treasured art form.

The Inspired Artist series invites art hobbyists and casual art enthusiasts to have fun learning basic art concepts, relaxing into the creative process to make art in a playful, contemporary style. Also from the series, find even more artistic inspiration with: Draw Every Little Thing, Paint Every Little Thing, and Watercolor Painting at Home.

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A beautifully packaged, affordable introduction to the perennially popular subject of Japanese prints

In Edo Japan, woodblock prints known as ukiyo-e (“pictures of the Floating World”) captured the entertainment culture of the urban elite and eventually many other subjects as well. These beautiful prints were the result of a meticulous craft process, in which an artist’s initial drawing was translated by expert carvers into multiple printing blocks for different colours.

In this attractive volume, Sarah E. Thompson, curator of Japanese art at the Museum of Fine Arts, Boston, provides a highly readable overview of the cultural and artistic history of ukiyo-e, showcasing 120 exceptional prints from the museum’s world-class collection, by masters including Utamaro, Hokusai, and Hiroshige. She explores each of the principal genres in turn: beauty and fashion, the kabuki theatre, landscape, nature, history and literature, and fantasy.

Pictures of the Floating World features a traditional Japanese stab binding and is housed in a durable slipcase together with three remarkable prints, suitable for framing. It will be a must-have for all art lovers.

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Discover Japanese art like no other. Originally created by the artists of the ukiyo-e ‘school of the floating world’ to advertise brothels in 17th-century Yoshiwara, these popular ‘spring pictures’ (shunga) transcended class and gender in Japan for almost 300 years. These tender, humorous and brightly coloured pieces celebrate sexual pleasure in all its forms, culminating in the beautiful, yet graphic, work of iconic artists Utamaro, Hokusai and Kunisada. This catalogue of a major international exhibition aims to answer some key questions about what shunga is and why was it produced. Erotic Japanese art was heavily suppressed in Japan from the 1870s onwards as part of a process of cultural ‘modernisation’ that imported many contemporary western moral values. Only in the last twenty years or so has it been possible to publish unexpurgated examples in Japan and this ground-breaking publication presents this fascinating art in its historical and cultural context for the first time. Within Japan, shunga has continued to influence modern forms of art, including manga, anime and Japanese tattoo art. Drawing on the latest scholarship and featuring over 400 images of works from major public and private collections, this landmark book sheds new light on this unique art form within Japanese social and cultural history. Shunga: sex and pleasure in Japanese art is published to accompany an exhibition at the British Museum from October 2013 to January 2014.

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