History

A unique look at the craft of writing from a bestelling master of storytelling.

In this engaging book, the internationally best-selling author shares with readers what he thinks about being a novelist; his thoughts on the role of the novel in our society; his own origins as a writer; and his musings on the sparks of creativity that inspire other writers, artists, and musicians.

Readers who have long wondered where the mysterious novelist gets his ideas and what inspires his strangely surreal worlds will be fascinated by this highly personal look at the craft of writing.

‘An insightful collection of essays on his work and methods… You end this collection of beautiful essays vowing to never let life, or writing, get so complicated again’ Guardian

‘Murakami is like a magician who explains what he’s doing as he performs the trick and still makes you believe he has supernatural powers’ New York Times Book Review

‘A fascinating glimpse of the peculiar writerly life’ Sunday Times

** A TIMES, SUNDAY TIMES and NEW STATESMAN BOOK OF THE YEAR**

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This beautiful book presents one hundred great works from the National Gallery Collection, each by a different artist. Arranged in chronological order and accompanied by Louise Goviers lively text, full-page reproductions of these selected highlights introduce you to some of the most inspiring paintings ever made. From the earliest Italian altarpiece of around 1265, to the most recent – Paul Cézannes great Bathers, of about 18941905 – each painting has been chosen for its unique significance; whether representing a particular artist, a place or a time, or simply for its beauty and the pleasure it provides.

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A stunning new volume which tells the story of Paula Rego’s extraordinary life, exploring the personal and socio-political contexts in which her work is rooted.
Since the 1950s, Paula Rego has played a key role in redefining figurative art in the UK and internationally. An uncompromising artist of extraordinary imaginative power, she has revolutionised the way in which women are represented. This stunning voulme tells the story of Rego’s extraordinary life, highlighting the personal nature of much of her work and the socio-political context in which it is rooted. It also reveals the artist’s broad range of references, from comic strips to history painting. Featuring over 100 illustrations, including collage, paintings, largescale pastels, ink and pencil drawings, etchings and sculpture, including including early work from the 1950s in which Rego first explored personal as well as social struggle, her large pastels of single figures from the acclaimed Dog Women and Abortion series and her richly layered, staged scenes from the 2000-10s. The range of texts reflects the themes explored in the exhibition, relating to the artist’s childhood memories and everyday life, the experience of love and the loss of the beloved. It also addresses broader socio-political issues, such as the policing of women’s bodies, the struggle to legalise abortion, and the fight against authoritarianism and war, from the dictatorship in Portugal to the Iraq War. The book reflects the richness of Rego’s work, from the socio-political context to the biographical, from her many literary references to her vast knowledge and referencing of key historical paintings from the Western tradition.

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‘How wonderful that one of those exciting and innovative women artists of the 60s should be recovered and celebrated in this way.’– JULIE CHRISTIE

‘Brings the British pop artist, Pauline Boty, into vivid focus’ – VANITY FAIR

Pauline Boty (1938 –1966) was a founding member of the British Pop Art movement and one of its very few women. She attended London’s Royal College of Art at a watershed moment when its students included David Hockney,Peter Blake, R.B. Kitaj and Allen Jones. Dying tragically young at the age of 28, she is now seen as central to British Pop Art and an icon of Sixties culture.

As well as her work as an artist, she appeared on the stage, TV and in film (including alongside Michael Caine in Alfie) and was a regular contributor on BBC radio. She was photographed by David Bailey and other society photographers and became a key player in 1960s London’s golden age.

Outspoken, provocative and charismatic, she refused to accept the oppositions between sexual woman and serious artist, between celebration and critique, between high and low culture. Observer and participant, feminist and hedonist, subject and object, Boty’s ‘double vision’ was decades ahead of its time, and prefigured a diversity of artists—everyone from Cindy Sherman to Madonna.

Having been largely forgotten after her death, her reputation has been growing steadily since the rediscovery and exhibition of her works in the early 1990s. As well as cropping up regularly in various books, documentaries and newspaper articles since then, she features as a central character in Ali Smith’s novel Autumn (2016) and one of her works sold for $1.4m at auction in June 2022.

After seeing her work at an auction in 2013, author Marc Kristal has spent almost ten years researching her life, interviewing the people who knew her and delving into archives and libraries.  This is the definitive biography of her life and work, appealing to both those interested in art but in this creative period of British culture.

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A sweeping retrospective of Philip Guston’s influential work, from Depression-era muralist to abstract expressionist to tragicomic contemporary master A Wall Street Journal 2020 holiday gift guide pick Philip Guston―perhaps more than any other figure in recent memory―has given contemporary artists permission to break the rules and paint what, and how, they want. His winding career, embrace of “high” and “low” sources, and constant aesthetic reinvention defy easy categorization, and his 1968 figurative turn is by now one of modern art’s most legendary conversion narratives. “I was feeling split, schizophrenic. The war, what was happening in America, the brutality of the world. What kind of man am I, sitting at home, reading magazines, going into a frustrated fury about everything―and then going into my studio to adjust a red to a blue?” And so Guston’s sensitive abstractions gave way to large, cartoonlike canvases populated by lumpy, sometimes tortured figures and mysterious personal symbols in a palette of juicy pinks, acid greens, and cool blues. That Guston continued mining this vein for the rest of his life―despite initial bewilderment from his peers―reinforced his reputation as an artist’s artist and a model of integrity; since his death 50 years ago, he has become hugely influential as contemporary art has followed Guston into its own antic twists and turns. Published to accompany the first retrospective museum exhibition of Guston’s career in over 15 years, Philip Guston Now includes a lead essay by Harry Cooper surveying Guston’s life and work, and a definitive chronology reflecting many new discoveries. It also highlights the voices of artists of our day who have been inspired by the full range of his work: Tacita Dean, Peter Fischli, Trenton Doyle Hancock, William Kentridge, Glenn Ligon, David Reed, Dana Schutz, Amy Sillman, Art Spiegelman and Rirkrit Tiravanija. Thematic essays by co-curators Mark Godfrey, Alison de Lima Greene and Kate Nesin trace the influences, interests and evolution of this singular force in modern and contemporary art―including several perspectives on the 1960s and ’70s, when Guston gradually abandoned abstraction, returning to the figure and to current history but with a personal voice, by turns comic and apocalyptic, that resonates today more than ever.

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Never-before-seen North Korea – a rare glimpse into the country behind the politics and the creativity behind the propaganda

This incredible collection of prints dating from the 1950s to the twenty-first century is the only one of its kind in or outside North Korea. Depicting the everyday lives of the country’s train conductors, steelworkers, weavers, farmers, scientists, and fishermen, these unique lino-cut and woodblock prints are a fascinating way to explore the culture of this still virtually unknown country. Together, they are an unparalleled testament to the talent of North Korea’s artists and the unique social, cultural, and political conditions in which they work.

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• The complete ‘codex’ of one of the greatest street art artists in the world
• Includes text by art critic Lucy Lippard and philosopher Johan Braeckman
• Works are found on walls around the world, and in travelling exhibitions

“Although the street art is generally conveyed in a very natural matter, even his dead animal paintings seem at peace.” – Streetartbio.com “Detached from the artist’s identity, his detailed, illustrative animal paintings have brought him back to the world. With local species of animals as his main focus, ROA inevitably starts a dialogue about human interaction with nature and the environment, whether it is painting on the walls of a museum or in an abandoned rural factory.” – Hi Fructose – The New Contemporary Magazine

“One of the most influential acts of street art around the world.” – The Huffington Post

Fascinated by nature, the anonymous muralist and street artist ROA is inspired by the beauty of its non-human inhabitants. With great attention to detail, ROA draws over-sized black and white creatures of endemic or endangered species on buildings around the world, from Moscow to Mexico City, and from Los Angeles to London. His subjects are frequently survivors; scavengers, rodents, and unusual animals that thrive in their particular milieu.

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Resisting interpretation or classification, Mark Rothko (1903–1970) was a prominent advocate for the artist’s consummate freedom of expression. Although identified as a key protagonist of the Abstract Expressionist movement, first formed in New York City, Rothko rejected the label and insisted instead on “a consummated experience between picture and onlooker.” Following a repertoire of figurative works, Rothko developed his now iconic canvases of bold color blocks in red, yellow, ochre, maroon, black, or green. With these shimmering, pulsating color masses, Rothko stressed that he had not removed the human figure but rather put symbols or shapes in its place. These intense color forms contained all the tragedy of the human condition. At the same time, Rothko explicitly empowered the viewer in the expressive potential of his work. He believed “A picture lives by companionship, expanding and quickening in the eyes of the sensitive observer.” From his early development through to his most famous color fields, this book introduces the intellect and influence of Rothko’s dramatic, intimate, and revolutionary work.

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• The first book (and exhibition) ever to present a focused study on Rubens’ depictions of women, with an exhibition at Dulwich Picture Gallery that will run from October 2023 to January 2024
• This will challenge the popular assumption that Rubens only painted one type of woman
• Instead, it will show the varied and essential role that women played in the artist’s life and work
• A chance for readers to get to know the real man behind some of his most famous works – we meet not only Rubens the artist, but Rubens the father, husband, lover, diplomat, friend
• Includes the latest scholarly developments in subjects such as the identities of Rubens’ sitters, 17th century artistic theory and practice, and Rubens’ treatment of the human body
• Featuring beautiful illustrations of artworks from international and private collections, many of which will be appearing in the UK for the first time in 2023
• Provides a complete catalogue for works in this groundbreaking accompanying exhibition, as well as contextual essays that raise current debates around sexuality, power and feminism

The art of Peter Paul Rubens (1577-1640) is synonymous with the female nude, with the term ‘Rubenesque’ first coined in the 19th century to describe a voluptuous female body. Yet remarkably, there has never been a focused study of Rubens’ depictions of women, making this book, and the exhibition that it will accompany, a first.

Bringing together a diverse range of paintings and drawings from throughout the artist’s career and from a range of international lenders, the exhibition at Dulwich Picture Gallery (October 2023 – January 2024) will challenge the popular assumption that Rubens only painted one type of woman. Instead, it will present a more nuanced view of the varied and essential role that women played in the artist’s life and work, uniting and contributing to recent scholarly developments in subjects such as the identities of Rubens’ sitters, 17th century artistic theory and practice, and Rubens’ treatment of the human body.

Rubens evidently enjoyed painting the female figure, especially in its sensual and unclothed form. But his women are never mere bodies trapped by the male gaze, on the contrary; they are proud and complex heroines, full of character and gravitas. No other male artist has created such potent images of female power, assurance, determination, commitment, and beauty. Providing a catalogue for the works in the exhibition and featuring three introductory essays that contextualise Rubens’ work, this publication will both contribute to the existing corpus of scholarly literature on Rubens and introduce his masterpieces to new audiences, discussing them in the context of current debates around sexuality, power and feminism.

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The seminal surrealist

Exploring Dalí’s grandiose and grotesque oeuvre

Picasso called Dalí “an outboard motor that s always running.” Dalí thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter, sculptor, writer, and filmmaker, Salvador Dalí (1904-1989) was one of the century s greatest exhibitionists and eccentrics and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination.

This publication presents the entire painted oeuvre of Salvador Dalí. After many years of research, Robert Descharnes and Gilles Néret finally located all the paintings of this highly prolific artist. Many of the works had been inaccessible for years in fact so many that almost half the illustrations in this book had rarely been seen.

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The internationally bestselling author on how art can help us appreciate life in all its strange and exhilarating beauty

Artists have learnt to pay attention. The rest of us spend most of our time on autopilot, rushing from place to place, our overfamiliarity blinding us to the marvellous, life-affirming phenomena of our world. But it doesn’t have to be this way.

In his typically engaging style, Will Gompertz takes us into the minds of artists – from emerging stars to old masters – to show us how to look at and experience the world with their heightened powers of perception.

In See What You’re Missing we learn, for example, how Rembrandt can help us see ourselves, how David Hockney helps us to see nature, and how Frida Kahlo can help us see through pain. Each artist has their own unique way of looking, which when applied to our own lives stimulates our senses so we might know the intoxicating feeling of being truly alive.

‘Art can amaze us into changing our minds. This remarkable book teaches us how’ Es Devlin

‘Highly engaging and thought-provoking’ Philip Hook, author of Breakfast at Sotheby’s

‘Lucid and revealing’ Michael Prodger, The Times

‘Will Gompertz is the best teacher you never had’ Guardian

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This visually rich survey – the first of its kind – showcases the work of over 200 artists and celebrates the explosion of street art in Africa over the last decade. Including twelve in-depth interviews with street artists active in Africa today as well as coverage of the continent’s major street art projects, collectives and festivals, it takes the reader on an introductory tour of the many African street art scenes, with a deeper focus on the most prominent players in Kenya, Morocco, Senegal, South Africa and Tunisia.

Topics and projects covered include the monumental project Murais da Leba in Angola, which saw 6,000 square metres of wall covered by local graffiti and visual artists in the Serra da Leba mountain range; the cultural influences and idiosyncrasies of individual street art scenes, and how they mesh with local communities; and eL Seed’s project ‘Perception’, a huge multi-part mural stretching across more than fifty buildings in Cairo’s Zaraeeb neighbourhood, revealing a message of hope to its marginalized community in the artist’s distinctive ‘calligraffiti’ style.

Text commentaries elaborating on styles and processes, and social and cultural context, are peppered throughout the book, giving the reader further insight into a wealth of striking contemporary visual cultures – and helping make this a must-have for street art fans and practitioners.

Table of Contents

Introduction • Eastern Africa • Central Africa • North Africa • West Africa • Southern Africa

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In 1984, photographers Martha Cooper and Henry Chalfant captured the imagination of a generation with Subway Art, a groundbreaking book documenting the work of graffiti writers who illegally painted subway cars in New York City. The 2009 edition of the book is now available in a new, slightly reduced format. Henry Chalfant’s images of the trains retain their impact, while Martha Cooper’s narrative pictures tell the story. In the introductions, the authors recall how they gained entry to the New York graffiti community in the 1970s and 1980s and describe the techniques that they used to photograph it. Afterwords report how the lives of the original subway artists have unfolded, and chronicle the end of the subway graffiti scene in the late 1980s and its unexpected rebirth as a global art movement. This is an essential book for all fans of graffiti, stunning photography and 1980s-cool.

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***

‘An indispensable volume’
Vogue

‘As rabid admirers and collectors of contemporary art and photography we wholeheartedly recommend this passionate and joyous book. Without art the human soul is unfulfilled. This collection by Russell and Robert fully explains why.’
Sir Elton John and David Furnish

‘Russell and Robert have made talking art not just pleasurable but necessary.’
Lena Dunham

‘As witty, wise and well informed as Russell and Robert’s excellent podcast.’
Edward Enninful, OBE

When launching the Talk Art podcast in 2018, actor Russell Tovey and gallerist Robert Diament had one clear aim: to make the art world more accessible. Since then, the podcast has grown to be a global hit, featuring exclusive interviews with leading artists, curators, gallerists, actors, musicians and fellow art lovers such as Lena Dunham, Sir Paul Smith, David Shrigley, Noel Fielding, Edward Enninful, Rose Wylie and Sir Elton John.

Talk Art, the book, is a beautiful and accessible celebration of contemporary art, and a guidebook to navigating and engaging with the art world. Covering a range of different media from photography and ceramics to performance and sound art, the book explores the way art interacts with our society, highlights lesser-known artists, and provides a snapshot of the art world as it is today.

With a wealth of imagery – some never before seen in print and some created exclusively for the book – and an informative, engaging narrative, Talk Art will become the must-have book art lovers return to again and again.

The book features highlights from interviews with: Tracey Emin, Jordan Casteel, Jerry Saltz, Elton John, Grayson Perry, Ian McKellen, Alasdair McLellan, Helen Cammock, Somaya Critchlow and many more.

Praise for the podcast:
‘Lively, accessible and enthusiastic’ – Financial Times
‘As fast-paced and gossipy as it is genuinely interesting’ – Dazed
‘Trendy, gossipy, fast-paced conversational fun’ – New York Times
‘It’s an education, but not in an alienating highbrow way’ – NME

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Twenty-five years ago, Namco released Tekken and redefined the fighting game genre in three dimensions. Known for its deep gameplay, cutting edge graphics, and operatic lore, Tekken has become synonymous with the PlayStation brand while remaining one of the last vestiges of the arcade. The Art of Tekken: A Complete Visual History follows the series history through a visual feast of iconic games and characters, as well as in-depth interviews with the Bandai Namco developers who made it a reality and the players who made it a phenomenon on its way to becoming one of the best-selling fighting game series in history. It’s a complete visual retrospective of one of the most indispensable parts of gaming history, over a quarter century in the making, including art from all seven games of the franchise and more.

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This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass.

“Although Maritime Asia in mediaeval times was not as densely populated as the agrarian hinterland, Asia’s coasts were highly urbanized. The region from southern India to south China was a heterogeneous blend of cultures, leavened with a strong interest in trade. This cosmopolitan society afforded plentiful opportunities for artists to find patrons and develop individual styles and aesthetic sensibilities. In the bustling ports of Asia’s south coast, rulers sought to embellish their prestige and attract foreign merchants by sponsoring the development of monumental complexes and centres of learning and debate. These educational institutions attracted teachers from all over Asia, and in their cloisters they developed new intellectual frameworks which were reflected in works of art and architecture. Scholars moved frequently by sea, influencing and being influenced by other foreigners such as Japanese and central Asians who were also attracted to these places.

This very variety has hindered scholarly research in the past. This volume contributes to the endeavour to show how Maritime Asia was not an incoherent jumble of misunderstood influences from better-known civilizations; there was a pattern to this creativity, which the authors in this collection clarify for us. The maritime world of Asia may have lain on the margins of the land, but it provided a physical and intellectual medium through which artistic ideas from east and west flowed freely. Maritime Asia also made significant original contributions which hold their own with those of the hinterland of the Asian continent. Unconstrained by the burden of static hierarchical courts, the peoples of Maritime Asia built on the inspiration provided by a hybrid society to demonstrate a high degree of artistic originality while testing but not breaking the link with conventional iconography.”– Professor John Miksic, Department of Southeast Asian Studies, Faculty of Arts and Social Sciences, National University of Singapore (NUS)

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