Styles

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Travel the world exploring the cities that have influenced dance music and DJ culture and discovering the cutting-edge scenes taking club culture in new directions.

Featuring incredible photography, insider recommendations, and some of the biggest names in dance music, Destination Dancefloor reveals how DJ culture swept the globe and 40 cities where you can immerse yourself in the best electronic music culture has to offer.

Whether you want to know more about the start of house music in Chicago, the club that started Berlin on the road to becoming the global epicentre of club culture, the French Touch scene in Paris that influenced the early years of Daft Punk, why Ibiza became the world’s summer party destination of choice, or are looking for new destinations to add to your own clubbing bucket list, this unique book leans on Mixmag’s position and expertise as one of the foremost names in club culture to present an overview of global dance music, making it a must-read for all clubbers, past, present, and future. See you on the dancefloor.

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**THE SUNDAY TIMES BESTSELLER**

Celebrate the 50th anniversary of Roxy Music’s iconic first album with this collection of Bryan Ferry’s evocative lyrics of aspiration and romantic longing, introduced by the author.

‘Lyrics is a book any Roxy fan would be proud to have on their shelf’ The Telegraph

Bryan Ferry’s work as a singer and songwriter, both as a solo artist and with Roxy Music, is legendary.

Lyrics collects the words written for music across seventeen albums, from the first iconic Roxy album of 1972 via the masterpiece of Avalon to 2014’s reflective Avonmore, introduced by the author, and with an insightful essay by James Truman.

All the classic Roxy anthems are here – ‘Virginia Plain’, ‘Do the Strand’, ‘Love is the Drug’ – songs in which the real and the make-believe blend in a kaleidoscopic mix, shot through with cinematic allure.

Also included are the evocative lyrics of romantic longing and lost illusions for which Ferry is rightly revered: ‘Slave to Love’, ‘Mother of Pearl’, ‘More Than This’. As he writes in his preface, ‘The low points in life so often produce the most keenly felt and best-loved songs.’ And, it might be added, some of the best poetry.

Discover this unforgettable collection of Bryan Ferry’s work today.

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A Rough Trade Book of the Year

The much-anticipated first book from Black Sabbath bassist Geezer Butler

With over 70 million records sold, heavy metal pioneers Black Sabbath are one of the most influential bands of all time. From the very beginning, Geezer Butler was at the heart of their success. He named the group, provided the bass behind their distinctive sound and wrote the lyrics that resonated so powerfully with fans around the world.

At long last, Geezer is ready to tell his side of the Sabbath story, from early days as a scrappy blues quartet through to the many lineup changes, the record-breaking tours and the international hell-raising with Ozzy Osbourne, Tony Iommi and Bill Ward.

Featuring Geezer’s candid reflections on his working-class childhood in Luftwaffe-battered Birmingham, his almost-life as an accountant and his fascination with horror, religion and the occult, Into the Void reveals the softer side of the heavy metal legend, while holding nothing back.

Like Geezer’s bass lines and the story of Black Sabbath themselves, Into the Void is original, dramatic and one hell of a ride.

Geezer Butler’s book ‘Into the Void’ was a Sunday Times bestseller w/c 05-06-2023.

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This book is about the kind of ordinary dancing you and I might do in our kitchens when a favourite tune comes on. It’s more than a social history: it’s a set of interconnected histories of the overlooked places where dancing happens . . .

Why do we dance together? What does dancing tells us about ourselves, individually and collectively? And what can it do for us? Whether it be at home, ’80s club nights, Irish dancehalls or reggae dances, jungle raves or volunteer-run spaces and youth centres, Emma Warren has sought the answers to these questions her entire life.

Dancing doesn’t just refract the music and culture within which it evolves; it also generates new music and culture. When we speak only of the music, we lose part of the story – the part that finds us dancing as children on the toes of adults; the half that triggers communication across borders and languages; the part that finds us worried that we’ll never be able to dance again, and the part that finds us wondering why we were ever nervous in the first place.

At the intersection of memoir, social and cultural history, Dance Your Way Home is an intimate foray onto the dancefloor – wherever and whenever it may be – that speaks to the heart of what it is that makes us move.

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‘The greatest book ever written on British independent music’ Guardian
‘One of the best British music books of the last ten years’ Mojo

Founded by Alan McGee in 1983, Creation Records achieved notoriety as the home of Primal Scream, the Jesus and Mary Chain and other anti-Establishment acts. During the Britpop boom of the mid-90s, the astonishing success of Oasis brought Creation fame on the world stage. In 1999, however, McGee announced his shock departure as his label’s influence over a generation of British music came to a confusing and disappointing end. Containing interviews with Creation musicians, employees, supporters and detractors, this is the inside story of Creation Records – and of British music since the 1980s.

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Record covers are a sign of our life and times. Like the music on the discs, they address such issues as love, life, death, fashion, and rebellion. For music fans the covers are the expression of a period, of a particular time in their lives. Many are works of art and have become as famous as the music they stand for―Andy Warhol’s covers, for example, including the banana he designed for The Velvet Underground. This edition of Record Covers presents a selection of the best rock album covers of the 60s to 90s from music archivist, disc jockey, journalist, and former record-publicity executive Michael Ochs’s enormous private collection. Both a trip down memory lane and a study in the evolution of cover art, this is a sweeping look at an underappreciated art form.

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The Cover Art of Blue Note Records is Graham Marsh and Glyn Callingham’s classic collection of the unparalleled record sleeves produced by the celebrated Blue Note record label.

Around January 1956 the photographer Francis Wolff and Alfred Lion of Blue Note Records met Reid Miles, a commercial artists and a devout classical music fan. After establishing a rapport, Reid Miles became the designer for the Blue Note label for the next eleven years creating wonderful graphic covers that were both unique and also retaining the indefinable Blue Note look. Featuring iconic covers for artists such as Herbie Hancock, Thelonious Monk, Miles Davis, John Coltrane, Sonny Rollins and Art Blakey, this anthology is an evocative piece of Jazz history.

Alongside over 400 of the record label’s best album covers is a selection of short essays written by leading industry figures. Both a comprehensive guide to an acclaimed label, and an insightful snapshot of graphic design history, The Cover Art of Blue Note Records is a must-have for all Jazz fans.

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With extensive, first hand collections from Geddy Lee, Alex Lifeson and Neil Peart, as well as from family, friends, and fellow musicians, Anthem: Rush in the 70s is a detailed portrait of Canada greatest rock ambassadors. The first of three volumes, Anthem puts the band catalogue, from their self titled debut to 1978 Hemispheres (the next volume resumes with the release of Permanent Waves) into both Canadian and general pop culture context, and presents the trio of quintessentially dependable, courteous Canucks as generators of incendiary, groundbreaking rock roll. Fighting complacency, provoking thought, and often enraging critics, Rush has been at war with the music industry since 1974, when they were first dismissed as the Led Zeppelin of the north. Anthem, like each volume in this series, celebrates the perseverance of Geddy, Alex, and Neil: three men who maintained their values while operating from a Canadian base, throughout lean years, personal tragedies, and the band eventual worldwide success.

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