• Collins Ireland Film and TV Location Map

    08

    Full-colour, handy guide to more than 50 of the most popular film and TV locations in Ireland.

    Striking images and detailed descriptions allow for a comprehensive guide to Ireland’s most recognisable filming sites in a convenient, travel-sized guide.

    Follow the journeys your favourite characters undertook in world-famous productions such as Game of Thrones and Star Wars as this guide covers the best Ireland has to offer Hollywood and Bollywood.

    This map features:

    • Clear mapping at a scale of 8.7 miles to 1 inch.
    • Scenic images and detailed descriptions of famous filming locations.
    • More than 50 Film and Television locations, including: Game of Thrones, Harry Potter, Star Wars, Derry Girls, Vikings, and P.S. I Love You.
    • Ideal companion to a sat-nav – it enables route planning and route sense-checking.

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    £3.40£3.80
  • A British Picture: An Autobiography

    04
    With a foreword by Melvyn Bragg. The updated autobiography of Britain’s most controversial film director. Moving with astonishing assurance through time and space, Russell recreates his life in a series of interconnected episodes – his 30s childhood in Southampton, his first sexual experience (watching Disney’s Pinocchio), his schooldays at the Nautical College, Pangbourne and early careers in the Merchant Marines and the Royal Air Force. Full of marvellously funny anecdotes and fascinating insights, this is a remarkable autobiography.

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    £19.00
  • The Ultimate French Vocabulary Codeword Collection: Make learning French vocabulary fun. The complete French Vocabulary code word puzzle book for … clever kids (French…

    01

    Test your French vocabulary in an exciting puzzle format!

    This book contains 45 themed Codeword puzzles on a variety of French vocabulary topics.

    Can you name Weather terms?
    How about the parts of the Human Body?
    Do you know your Food vocabulary?

    Codeword’s (also known as Codecracker, Codebreaker, Cross Reference and Cipher Crosswords) are a challenging alternative to Sudoku and traditional Crosswords. A completed crossword is provided with each square corresponding to a letter. You are given three decoded starter letters and your task is to complete the puzzles using your skills, judgement and knowledge of your favorite vocabulary.

    Each puzzle includes a tracking grid and an alphabetical list to keep track of the matched letters and the remaining letters that still need to be found.

    Note: This is level 3 (challenging) in our French Vocabulary puzzle collection. The topics and answers are in French. Level 1 and 2 will be available soon

    This book makes an ideal gift for:

    Mum, Dad, Grandma, Grandpa, Cousins, Brother, Sister, Aunt, Uncle, Niece, Nephew and Teacher
    Christmas stocking filler
    Travel book to occupy some time for long trips

    Cover: Softcover Glossy

    Layout: 68 White Pages including 45 puzzles and solutions

    Size: 6 X 9 inches

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    £6.60
  • Your Face Here: British Cult Movies Since the Sixties

    04

    ‘The film book of the year. Reserve your copy now.’ HOTDOG

    The definitive guide to the history and location of Britain’s most famous cult movies, from A Hard Day’s Night to Trainspotting, with dozens of new interviews, unseen photographs, maps and film sites – and how to find them.

    “You’re a big man, but you’re in bad shape”; “I demand to have some booze!”; “Choose Life…”

    A Hard Day’s Night, If, Performance, A Clockwork Orange, Get Carter, The Wicker Man, Quadrophenia, Withnail & I, Naked, Trainspotting…

    In the 1990s an industry has grown up around certain British cult movies – soundtracks, videos, internet sites and fully-fledged cinema reissues. The makers of these films have become icons of cool, revered throughout the worlds of film, music and fashion. But what makes these films into lifestyles? Your Face Here will tell you why and how.

    Ali Catterall and Simon Wells have talked to writers, filmmakers and eyewitnesses, and scouted dozens of location sites to create the definitive history of and guide to over thirty years of British cult movies. Fully illustrated.

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    £0.40
  • Sex, Class and Realism: British Cinema 1956-1963 (British Film Institute)

    01
    Hugely impressive in its scope, with introductory chapters on social history, the film industry and theories of realism, this indispensable history of these vital years contains unusually fresh discussions of films justly regards as important, alongside those unjustly ignored. The extensive filmography which accompanies Sex, Class and Realism will also prove to be an invaluable reference source in the teaching of British cinema history.

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    £26.60
  • You’re Him aren’t You

    08
    Paul Darrow’s career has encompassed theatre, television and film. Famed for his portrayal of Kerr Avon, a ruthless and calculating computer expert, in Terry Nation’s science fiction series Blake’s 7, Darrow has also appeared in Coronation Street, Emergency Ward 10 and many other productions – including two guest appearances in Doctor Who. Populated by familiar names and productions, You’re Him, Aren’t You? is Paul’s own story of his life and career. It tells of his association with Blake’s 7 – how he was cast, his experiences of making the show, what has happened since and his memories of Terry Nation, the cast and the crew. It also tells of his childhood, his time playing Elvis Presley and his near miss with James Bond. An extended audio reading, with new chapters written by Paul since the publication of the original book. Paul Darrow returned to the role of Kerr Avon in Blake’s 7 for two series of new full-cast audios with Big Finish Productions. CAST: Paul Darrow (reader).

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    £21.10£23.80
  • The Hammer Story: Revised and Expanded Edition

    02

    The only authorised history of Hammer Films draws on exclusive access to the company’s archive of stills and paperwork to give the complete history of the company and its leading figures, a film-by-film analysis of its horror and fantasy titles, and the most complete Hammer filmography ever published.

    Established in 1934, Hammer Films is one of the most renowned and prolific independent production companies in the world. Hammer’s productions encompass almost every genre, but it remains best known for the groundbreaking reinvention of cinematic horror that was a phenomenon on both sides of the Atlantic in the 1950s. The unique formula that became known as Hammer Horror was perfected in such classics as The Curse of Frankenstein (1957), Dracula (1958) and The Mummy (1959). Over the next 20 years numerous sequels and similarly acclaimed films such as The Devil Rides Out (1968) made Hammer one of the most recognisable filmmaking brands in the world. The Hammer Story is the only authorised history of the company and was compiled with unlimited access to its archive. The book is lavishly illustrated with rare promotional material and previously unpublished photographs. Now with an additional 32 pages continuing the story of Hammer as it came back from the dead in 2007 and began producing new horror films for a modern audience, including:

    • Wake Wood (2009) – Hammer Films’ first theatrical release for 30 years
    • Let Me In (2010) – directed by Matt Reeves
    • The Resident (2011) – starring Oscar-winner Hilary Swank and Hammer legend Sir Christopher Lee
    • The Woman in Black (2012) – starring Daniel Radcliffe
    • The Quiet Ones (2014) – starring Jared Harris
    • The Woman in Black: Angel of Death (2015) – starring Helen McCrory
    • The Lodge (2019) – directed by Veronika Franz and Severin Fiala

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    £26.20£28.50
  • Missing Believed Wiped: Searching for the Lost Treasures of British Television (BFI Film Classics)

    03
    A volume for collectors and enthusiasts of British television that explores the history and destruction of celebrated British television programmes. It lists in detail some of the most important missing material, such as ‘A for Andromeda’, ‘Dr Who’, ‘The Avengers’ and ‘The Likely Lads’.

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    £28.50
  • Quadrophenia a Way of Life (Inside the Making of Britain’s Greatest Youth Film)

    08
    It’s nearly 35 years since the film Quadrophenia hit the world’s cinema screens. Jimmy the Mod’s search for identity against the backdrop of the May Bank Holiday riots of the 1960’s, is regarded as the finest example of a British “youth” movie and a warmly remembered timepiece for a generation. Set against the backdrop of the Mods and Rockers riots of 1964, the film took its lead from The Who’s classic rock opera of 1973. With a stellar cast including Phil Daniels, Leslie Ash, Toyah Wilcox and Police front man Sting, the film launched a whole generation of Britain’s finest actors. Even in 2013, the word Quadrophenia still resonates as a buzzword for youthful exuberance and Modernist imagery. As the generation that first saw it now approach their fifties with teenagers of their own, Quadrophenia has become a glorious benchmark for their own youthful excesses, hopes, dreams and nostalgia. To critics, admirers and casual observers, it’s intriguing: what makes a 30 plus year-old film like Quadrophenia still appealing? And similarly, why do people return to it time and time again? For the first time, QUADROPHENIA….A WAY OF LIFE explores the making of Britain’s great cult film and its subsequent influence on popular culture. With interviews with principal cast members, director Franc Roddam, scriptwriter Martin Stellman and other involved in the creation of the film, this is the definitive account of Britain’s greatest youth movie. Although most would credit Quadrophenia as a “Mod” film, it displays more of the fury of the late 1970’s than 1960’s post-war austerity. Nonetheless, this slightly surreal, timeless atmosphere the film exudes, adds to its charm. Ultimately, Mod and 1960’s references aside, Quadrophenia is a classic “boy meets girl, loses girl” parable; a theme which is perennially identifiable with.

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    £17.00
  • BRITISH FILM STUDIOS REVISED: An Illustrated History

    01
    This is a comprehensive and systematic history of British film studios, arranged in alphabetical order and cross-referenced throughout. It also studies the roles of directors, producers and stars including Henry Fonda, Marilyn Monroe and Liz Taylor.

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    £4.40
  • British Trash Cinema

    02
    BRITISH TRASH CINEMA is the first overview of the wilder shores of British exploitation and cult paracinema from the 1950s onwards. From obscure horror, science fiction and sexploitation, to art-house camp, Hammer’s prehistoric fantasies and the worst British films ever made, author I.Q. Hunter draws on rare archival material and new primary research to take us through the weird and wonderful world of British trash cinema. Beginning by outlining the definitions of trash films and their place in British film history, Hunter explores topics including: Hammer’s overlooked fantasy films, the emergence of the sexploitation film in the 1950s and 60s, the sex industry in the 1970s, Ken Russell’s high camp Gothic and erotic adaptations since the 1980s, gross-out comedies, revenge films, and contemporary straight-to-DVD horror and erotica.

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    £23.70£24.70

    British Trash Cinema

    £23.70£24.70
  • British Film Noir Guide

    02
    This work presents 369 British films produced between 1937 and 1964 that embody many of the same filmic qualities as those “”black films”” made in the United States during the classic film noir era. This reference work makes a case for the inclusion of the British films in the film noir canon, which is still considered by some to be an exclusively American inventory. In the book’s main section, the following information is presented for each film: a quote from the film; the title and release date; a rating based on the five-star system; the production company, director, cinematographer, screenwriter, and main performers; and a plot synopsis with author commentary. Appendices categorize films by rating, release date, director and cinematographer and also provide a noir and non-noir breakdown of the 47 films presented on the Edgar Wallace Mystery Theatre, a 1960s British television series that was also shown in the United States.

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    £28.50£30.90

    British Film Noir Guide

    £28.50£30.90
  • From Le Pigeonnier (Penguin 60s S.)

    05
    This is an extract from Bogarde’s “A Short Walk from Harrods.”

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    £3.60
  • The Ultimate Hollywood Greats Codeword Collection Volume 1: The complete Hollywood movie code word puzzle book for adults and clever kids

    Celebrating all that is great about the classic movie actors and actresses from Hollywood’s Golden Age of the Silver Screen!

    This book contains 45 themed Codeword puzzles with each puzzle focussing on the films of a different Hollywood Great.

    Do you have a good knowledge of the films Audrey Hepburn starred in?
    How about Sean Connery’s film catalogue?
    Or Ginger Rogers’ forays on the Silver Screen?

    Codeword’s (also known as Codecracker, Codebreaker, Cross Reference and Cipher Crosswords) are a challenging alternative to Sudoku and traditional Crosswords. A completed crossword is provided with each square corresponding to a letter. You are given three decoded starter letters and your task is to complete the puzzles using your skills, judgement and knowledge of Hollywood Movies.

    Each puzzle includes a tracking grid and an alphabetical list to keep track of the matched letters and the remaining letters that still need to be found.

    This book makes an ideal gift for:

    Mom, Dad, Grandma, Grandpa, Cousins, Brother, Sister, Aunt, Uncle, Niece, Nephew and Teacher
    Thank you gift
    Christmas stocking filler
    Travel book to occupy some time for long trips
    Teacher gifts

    Cover: Softcover Glossy

    Layout: 66 White Pages including 45 puzzles and solutions

    Size: 6 X 9 inches

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    £6.60
  • Gaumont: British Cinemas

    07
    From rundown halls to the sumptuous Gaumont Palaces and the huge Gaumont State at Kilburn, the Gaumont circuit had cinemas in most high streets. The name was lost after a merger with the Odeon circuit, but many former Gaumonts are still operating today. Others are now listed buildings put to different uses, such as the New Victoria (an Apollo theatre) and the Troxy Stepney (a bingo hall). This text describes the often turbulent history of the Gaumont cinemas, their methods of operation and the work of their chief architect, W.E. Trent. It includes data on all 400 Gaumont buildings, titles of films given a release in the circuit and numerous illustrations of cinemas and advertising.

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    £26.50
  • Sixties British Cinema Reconsidered

    Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes.

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    £19.70£23.70
  • Brief Encounters: Lesbians and Gays in British Cinema, 1930-71 (Film studies)

    04
    An examination of lesbian and gays in British cinema, this book explores a range of lesbian and gay screen images from such diverse films as “Soldiers of the King”, “Pygmalion”, “Dangerous Moonlight”, “Blithe Spirit”, “Brief Encounter”, and “The Servant”, revealing a vital, varied and sensuous cinema. Arranged chronologically, and examining performers, directors and over 150 famous, half-remembered and forgotten films, the book forms a celebration of the contribution of gays and lesbians to British cinema culture. It includes an appendix of gay men’s reactions to “Victim”, the landmark Dirk Bogart film.

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    £8.20
  • Martin Scorsese Film Studies Notebook: The Journal for Serious Movie Buffs

    Are You Looking for a Brilliant Gift For a Movie Buff or Filmmaker?
    Imagine a director specific notebook to help capture all of the masterful techniques from the greatest directors of all time — Imagine building a collection on your bookshelf of personal film journals for each of the directors you’ve studied!

    Are You Passionate About Learning From the Masters of Cinema?
    Embark on a journey into film history and capture what you learn about writing, directing, cinematography, editing, special effects, scores and sound design in this gift-quality notebook.

    What is a Film Studies Notebook?

    • It’s a structured film journal, to write down everything you’ve learnt while studying each film.
    • This notebook begins with the director’s core filmography for you to check off the films as you watch them.
    • From there, it’s structured film by film with production credits for quick reference.
    • Then a critique sheet for you to score the core aspects of each film.
    • Followed by lined pages for each film to record all you’ve learnt as well as your thoughts and ideas.

    Imagine looking back proudly years from now at the wealth of filmmaking knowledge you’ve acquired!

    Essential for serious movie buffs, movie critics and filmmakers.

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    £8.50
  • Stranger Than Fiction: The Life of Edgar Wallace, the Man Who Created King Kong

    08

    ‘It is impossible not to be thrilled by Edgar Wallace.’ So said the blurbs of Wallace’s own books.

    Indeed, he was a prolific author of over 170 books, translated into more than thirty languages. More films were made from his books than any other twentieth-century writer, and in the 1920s a quarter of all books read in England were written by him. His success is written in black and white, but his life got off to an inauspicious start.

    Edgar Wallace, the illegitimate son of a travelling actress, rose from poverty in Victorian England to become the most popular author in the world and a global celebrity of his age.

    Famous for his thrillers, with their fantastic plots, in many ways Wallace did not write his most exciting story: he lived it, and here Neil Clark eloquently tells his tale to allow you to live it too.

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    £15.40£17.10
  • Cinemas in Britain: 100 Years of Cinema Architecture

    01
    Despite an uneven history in terms of its popularity, the cinema continues to play an important role in British culture and cinema buildings are a vital part of communities across the country. This fascinating book is a comprehensive examination of the history of the cinema building in Britain, from its 19th-century origins right up to the present day.

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    £10.00
  • Sixties British Cinema (The History of British Film)

    01
    British films of the 1960s are undervalued. Their search for realism has often been dismissed as drabness and their more frivolous efforts can now appear just empty-headed. Robert Murphy’s ‘Sixties British Cinema’ is the first study to challenge this view. He shows that the realist tradition of the late ’50s and early ’60s was anything but dreary and depressing, and gave birth to a clutch of films remarkable for their confidence and vitality: ‘Saturday Night and Sunday Morning, A Kind of Loving,’ and ‘A Taste of Honey’ are only the better known titles. ‘Sixties British Cinema ‘revalues key genres of the period – horror, crime, and comedy – and takes a fresh look at the ‘swinging London’ films, finding disturbing undertones that reflect the cultural changes of the decade. Now that our cinematic past is constantly recycled on television, Murphy’s informative, engaging, and perceptive review of these films and their cultural and industrial context offers an invaluable guide to this neglected era of British cinema.

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    £26.60
  • Come and See: The Beguiling Story of the Tyneside Cinema

    01
    ‘It might be the most beautiful cinema I ‘ve ever seen’ The writer Jon Ronson recently put into words what many people feel about the Tyneside Cinema. Build as a News Theatre in the 1930s, it contains myriad examples of recently restored Persian and art deco design, but its beauty isn t merely physical. It also has the most striking history, people by some extraordinary characters. This richly illustrated book recreates that history not just of the Tyneside, but the first 100 years of cinema itself. It is a beguiling story.

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    £7.50
  • London Film Location Guide

    06

    This intriguing guide to London locations used in movies covers the whole of the metropolis area by area, so you’ll be able to find streets where you live, work or play, whether in Chelsea, Greenwich or Whitechapel. The book reveals the cinematic moments of a range of named streets, pubs, libraries, shops and offices that Londoners know and love. The book includes ‘then’ and ‘now’ photographs – stills from the films and the same locations photographed recently. A comprehensive index enables you to easily find the streets and areas that you know.

     

    The films featured include those famously set in London – ‘Notting Hill’, ‘Love Actually’, ‘Patriot Games’, ‘Alfie’, ‘Basic Instinct 2’ – as well as those that contained seminal scenes set in the capital. Some interesting shots of London mocked up to look like foreign climes, from Amsterdam to Vietnam. The author’s painstaking research covers films from the 1940s and 1950s – including the great Ealing productions – right up to the recent Shaun of the Dead.

     

    The book offers delights for both film buffs and London enthusiasts. 

     

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    £3.30
  • An Autobiography of British Cinema (Methuen film)

    02
    This volume of first-hand reminiscences, celebrating 50 years of British filmmaking, records the Golden Age of British Cinema as remembered by 180 great and best-loved names of the British cinema, including Lindsay Anderson, Dirk Bogarde, Julie Christie, Alec Guinness, Thora Hird, Richard Attenborough, Glenda Jackson, Sarah Miles, Richard Todd, Michael Caine, Moira Shearer and Norman Wisdom, plus a whole new generation of British filmmakers and actors like Sally Potter, Kenneth Branagh, Derek Jarman, Peter Greenaway, Emma Thompson and Stephen Frears.

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    £3.20
  • Seventies British Cinema

    01
    Seventies British Cinema provides a comprehensive re-evaluation of British film in the 1970s. The decade has long been written off in critical discussions as a ‘doldrums’ period in British cinema, perhaps because the industry, facing near economic collapse, turned to ‘unacceptable’ low culture genres such as sexploitation comedies or extreme horror. The contributors to this new collection argue that 1970s cinema is ripe for reappraisal: giving serious critical attention to populist genre films, they also consider the development of a British art cinema in the work of Derek Jarman and Peter Greenaway, and the beginnings of an independent sector fostered by the BFI Production Board and producers like Don Boyd. A host of highly individual directors managed to produce interesting and cinematically innovative work against the odds, from Nicolas Roeg to Ken Russell to Mike Hodges. As well as providing a historical and cinematic context for understanding Seventies cinema, the volume also features chapters addressing Hammer horror, the Carry On films, Bond films of the Roger Moore period, Jubilee and other films that responded to Punk rock; heritage cinema and case studies of key seventies films such as The Wicker Man and Straw Dogs. In all, the book provides the final missing piece in the rediscovery of British cinema’s complex and protean history. Contributors: Ruth Barton, James Chapman, Ian Conrich, Wheeler Winston Dixon, Christophe Dupin, Steve Gerrard, Sheldon Hall I. Q. Hunter, James Leggott, Claire Monk, Paul Newland, Dan North, Robert Shail, Justin Smith and Sarah Street.

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    £28.50
  • Banned in the U.S.A.: British Films in the United States and Their Censorship, 1933-1960 (Cinema and Society)

    Making use of the recently-opened files of the US Production Code Administration, this is a study of the way in which British films were censored in the USA between 1933 and 1960. Film by film, it tells the story of the continuing dialogue between the British film-making industry and the American censors, shows how the Production Code system operated and how the censors viewed moral issues, violence, bad language and matters of “decorum”, and highlights natural differences such as American concern over what was perceived as the British preoccupation with lavatories. The book also seeks to dispel myths, depicting chief censor Joseph Breen and his staff as knowledgeable people who sympathized with and admired the British film industry.

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    £1.80
  • A Mirror for England: British Movies from Austerity to Affluence (BFI Silver)

    Raymond Durgnat’s classic study of British films from the 1940s to the 1960s, first published in 1970, remains one of the most important books ever written on British cinema. In his introduction, Kevin Gough-Yates writes: ‘Even now, it astounds by its courage and its audacity; if you think you have an ‘original’ approach to a filmor a director’s work and check it against A Mirror for England, you generally discover that Raymond Durgnat had said it already.’ Durgnat himself said about the book that ‘the main point was arranging a kind of rendezvous between thinking about movies and thinking, not so much about sociology, as about the experiences that people are having all the time.’ Durgnat used Mirror to assert the validity of British cinema against its dismissal by the critics of Cahiers du cinéma and Sight and Sound. His analysis takes in classics such as In Which We Serve (1942), A Matter of Life and Death (1946) and The Blue Lamp (1949), alongside ‘B’ films and popular genres such as Hammer horror. Durgnat makes a cogent and compelling case for the success of British films in reflecting British predicaments, moods and myths, at the same time as providing some disturbing new insights into a national character by whose enigmas and contradictions we continue to be perplexed and fascinated.

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    £23.70
  • Winston Churchill’s Greatest Speeches: Volume 2: The End Of The Beginning

    05

    In this collection of digitally remastered recordings from the BBC archive we hear first-hand how, in 1940, Chamberlain resigned, Hitler invaded the Low Countries, and Winston Churchill was summoned to the greatest challenge of his long political career. Using digitally remastered BBC archive recordings, you can hear his legendary use of language – in context – with a linking script by Mark Jones (writer, ‘Churchill Remembered’). His speeches from 1939 to 1954 include: ‘Sinking of the Graf Spee’ / ‘Battle of the Atlantic’ / ‘Fall of Singapore’ / ‘Victory in North Africa’ / ‘Review of the war’ / ‘Tribute to George VI.’ Hear how Churchill’s speeches raised the country’s morale, and demonstrated Britain’s determination to fight on to eventual victory. ‘Words are the only things that last forever’- Winston Churchill.

    2 CDs. 2 hrs.

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    £12.40
  • New British Cinema from ‘Submarine’ to ’12 Years a Slave’: The Resurgence of British Film-making

    Over the past year the success of British films at international film festivals – as well as the numerous awards bestowed on 12 Years a Slave – have demonstrated that British cinema has undergone a genuine renaissance that has caused new voices to emerge. At the same time, directors whose work have enthralled over the past five years have also continued to develop and expand their visions.

    The boundaries of British film-making are being redefined.

    Beginning with an Introduction exploring some of the factors that have led to this fertile environment, New British Cinema features in-depth interviews with the film-making voices at the vanguard of this new wave. Figures such as Clio Barnard, Richard Ayoade, Steve Mcqueen, Jonathan Glazer, Carol Morley, Yann Demange, Peter Strickland and Ben Wheatley provide a valuable insight into their work and working methods.

    Collectively, the film-makers who feature in this book symbolize the incredible breadth and diversity to be found in British cinema today.

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    £12.40£17.10
  • British Film Editors: The Heart of the Movie

    01
    ‘Most of the Directors I’ve worked with needed someone to talk to who is deep inside the heart of the movie’ – Mick Audsley, Film Editor. Film editing is understood by the industry to be one of the most crucial contributions to film-making. World-class British editors such as Antony Gibbs and Anne Coates have received recognition of their importance in Hollywood and experienced British Editors have important roles in a surprising number of major American movies.This book attempts to explain this most elusive of roles by allowing editors to describe in their own words what they do and to bring them into the critical and public spotlight. It is the most comprehensive survey of its kind to date and is based upon interviews with many distinguished editors who have worked on films as diverse as “Blade Runner” and “Carry on Up the Khyber”, “Die Hard 2” and “Blow Up”, “American Beauty” and “Performance”. “The British Film Editor” also provides a detailed history of editing, together with extensive filmographies.

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    £30.30
  • British Social Realism: From Documentary to Brit Grit (Short Cuts)

    02

    From its beginnings in the documentary movement of the thirties, to its more stylistically eclectic and generically hybrid contemporary forms, socialrealism in British cinema remains a rich and diverse tradition. Samantha Lay examines the movements, moments, and cycles of British social realist texts through a detailed consideration of practice, politics, form, style, and content. It also includes case studies of key texts including Listen To Britain, Saturday Night and Sunday Morning, Letter To Brezhnev, and Nil By Mouth. The book considers the challenges for social realist film practice and production in Britain, now and in the future.

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    £14.20
  • The Ultimate Modern Movie Greats Wordsearch Collection Volume 1: The complete movie themed word search for adults and clever kids (The Ultimate Themed Wordsearch)

    Celebrating the Modern Movie Greats and their films.

    This book contains 75 themed wordsearch puzzles based on the films of the most successful Hollywood actors in recent years

    Actors & Actresses included in this volume are:

    Robert De Niro, Meryl Streep, Jack Nicholson, Kate Winslet, Dustin Hoffman, Julia Roberts, Brad Pitt and many more!

    This book makes an ideal gift for:

    Mom, Dad, Grandma, Grandpa, Cousins, Brother, Sister, Aunt, Uncle, Niece, Nephew, film trivia fans, movie trivia lovers and Teacher
    Thank you gift
    Christmas stocking filler
    Travel book to occupy some time for long trips
    Teacher gifts

    Cover: Softcover Glossy

    Layout: 105 White Pages including 75 puzzles and solutions

    Size: 6 x 9 inches

    Read more

    £3.80
  • Contacts 2016: Stage, Film, Television, Radio 2016

    08
    The essential handbook for everyone working or wanting to work in the UK entertainment industry. Published by Spotlight since 1947 it contains over 5000 listings for companies, services and individuals across all branches of Television, Stage, Film and Radio. Additionally, information and advice pages are also included together with a range of advertisers from photographers to agents, drama coaches to showreel companies.

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    £0.90
  • A Divided Life

    06
    An autobiography of Bryan Forbes, describing his turbulent years as head of production of EMI. The author also recollects his friendships with such stars as Graham Greene, Peter Sellers, Katharine Hepburn, Bette Davis and Terence Rattigan.

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    £3.40
  • Ealing Revisited (Bfi)

    05
    Ealing Revisited provides a major reappraisal of one of British cinema’s best-loved institutions, Ealing Studios.

    During its heyday, Ealing produced a string of classic comedies, including Kind Hearts and Coronets (1949), The Lavender Hill Mob (1951) and The Ladykillers (1955), but there is much more to Ealing than these films, as this volume of new writing on the studio shows.

    Addressing both known and less familiar aspects of Ealing’s story, its films, actors and technicians, the contributors uncover what has gone unexplored, or unspoken, in previous histories of the studio, and consider the impact that Ealing has had on British cultural life from the 1930s to the present.

    Listed in the Independent on Sunday’s Cinema books of 2012

    http://www.independent.co.uk/arts-entertainment/books/reviews/ios-books-of-the-year-2012-cinema-8373713.html

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    £13.60
  • Taryn Simon: Birds of the West Indies

    01
    In 1936, an ornithologist called James Bond released the definitive taxonomy of birds found in the Caribbean, titled Birds of the West Indies. Ian Fleming, an active bird watcher living in Jamaica, subsequently appropriated the name for his novel’s lead character. He found it to be perfectly “ordinary”, “brief”, “Anglo-Saxon” and “masculine”. This co-opting of names was the first replacement in a series of substitutions that would become central to the construction of the Bond narrative. In a meticulous and comprehensive dissection of the Bond films, artist Taryn Simon (*1975 in New York) inventoried women, weapons and vehicles in Bond. The contents of these categories function as essential accessories to the narrative’s myth of the seductive, powerful, and invincible western male. In Birds of the West Indies, Simon presents a visual database of interchangeable variables used in the production of fantasy, through which she examines the economic and emotional value generated by their repetition.Exhibition schedule: 2013 Carnegie International, Pittsburgh October 5, 2013–March 16, 2014

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    £36.80£57.00
  • Food For Ravens: A Film for Television (Oberon Modern Plays)

    Winner of a Royal Television Society Award, this is the text of the television drama broadcast by the BBC starring Brian Cox and Sinead Cusack. Food for Ravens is a powerful political drama about one of the great politicians of the Twentieth Century, Aneurin (Nye) Bevan.

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    £11.40
  • Ralph Richardson: The Authorized Biography

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    Ralph Richardson was a contradictory genius who remains a legendary power and presence dominated stage and screen for over 50 years. Richardson eschewed most of the romantic heroes that made his two friends, Olivier and Gielgud, famous; he was the only one of the three thought capable of playing the ordinary man. In his search for the man behind the actor’s make-up, the author has talked to Ralph Richardson’s friends and colleagues. From their memories and Richardson’s own words, John Miller has woven a portrait which shows Richardson in all his complexity and reveals the inner drive which took him, against the odds, to the heights of public and critical acclaim. John Miller also disentangles the real from the apocryphal stories of the eccentricity that contributed to the Richardson legend, discovering most to be true and finding new ones. Sir Ralph believed in keeping the secrets of his art from the public, but those secrets he did show to his fellow players are now told in this biography.

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    £0.60
  • Rock ‘N’ Film: Cinema’s Dance With Popular Music

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    For two decades after the mid-1950s, biracial popular music played a fundamental role in progressive social movements on both sides of the Atlantic. Balancing rock’s capacity for utopian popular cultural empowerment with its usefulness for the capitalist media industries, Rock ‘N’ Film explores how the music’s contradictory potentials were reproduced in various kinds of cinema, including major studio productions, minor studios’ exploitation projects, independent documentaries, and the avant-garde.

    These include Rock Around the Clock and other 1950s jukebox musicals; the films Elvis made before being drafted, especially King Creole, as well as the formulaic comedies in which Hollywood abused his genius in the 1960s; early documentaries such as The T.A.M.I. Show that presented James Brown and the Rolling Stones as the core of a black-white, US-UK cultural commonality; A Hard Day’s Night that marked the British Invasion; Dont Look Back, Monterey Pop, Woodstock, and other Direct Cinema documentaries about the music of the counterculture; and avant-garde films about the Rolling Stones by Jean-Luc Godard, Kenneth Anger, and Robert Frank.

    After the turn of the decade, notably Gimme Shelter, in which the Stones appeared to be complicit in the Hells Angels’ murder of a young black man, 1960s’ music-and films about it-reverted to separate black and white traditions based respectively on soul and country. These produced blaxploitation and Lady Sings the Blues on the one hand, and bigoted representations of Southern culture in Nashville on the other. Ending with the deaths of their stars, both films implied that rock ‘n’ roll had died or even, as David Bowie proclaimed, that it had committed suicide. But in his documentary about Bowie, Ziggy Stardust and the Spiders from Mars, D.A. Pennebaker triumphantly re-affirmed the community of musicians and fans in glam rock.

    In analyzing this history, David E. James adapts the methodology of histories of the classic film musical to show how the rock ‘n’ roll film both displaced and recreated it.

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    £19.00
  • Last Man Standing: Tales from Tinseltown

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    In a career that spanned over seven decades, Roger Moore was at the very heart of the show-business scene.

    We all knew him as an actor who starred in films that made him famous the world over, but he was also a tremendous prankster, joker and raconteur – in fact, he was well known as one of the nicest guys in the business, and someone who was always up for some fun.

    In this fabulous collection of true stories from his stellar career, Roger lifts the lid on the movie business, from Hollywood to Pinewood. It features outrageous tales from his own life and career as well as those told to him by a host of stars and filmmakers, including Tony Curtis, Sean Connery, Michael Caine, David Niven, Frank Sinatra, Gregory Peck, John Mills, Peter Sellers, Michael Winner, Cubby Broccoli and many more.

    Wonderfully entertaining, laugh-out-loud funny and told with his characteristic wit and good humour, Last Man Standing is vintage Moore at his very best.

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    £8.60£9.50

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