• The Warner Bros. Story: The Complete History of Hollywood’s Great Studio : Every Warner Bros. Feature Film Described and Illustrated

    02
    This liberally illustrated retrospective covers every feature film ever produced by Warner Brothers, tracing the history of the star-studded studio from its beginnings in the early 1920s to its current status in the “New Hollywood”

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    £20.00
  • Shocking Cinema of the 70s

    01
    This collection focuses on 1970s films from a variety of countries, and from the marginal to the mainstream, which, by tackling various ‘difficult’ subjects, have proved to be controversial in one way or another. It is not an uncritical celebration of the shocking and the subversive but an attempt to understand why this decade produced films which many found shocking, and what it was that made them shocking to certain audiences. To this end it includes not only films that shocked the conventionally minded, such as hard core pornography, but also those that outraged liberal opinion – for example, Death Wish and Dirty Harry. The book does not simply cast a critical light on a series of controversial films which have been variously maligned, misinterpreted or just plain ignored, but also assesses how their production values, narrative features and critical receptions can be linked to the wider historical and social forces that were dominant during this decade. Furthermore, it explores how these films resonate in our own historical moment – replete as it is with shocks of all kinds.

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    £23.70£27.50
  • The Universal Story: The Complete History of the Studio and All Its Films

    02
    In the form of a year-by-year presentation of all their feature films, this book looks at how Universal won, lost and regained their position as one of Hollywood’s greatest studios. The story spans 87 years, and boasts a cast of thousands and includes all the films released by the studio – including box-office hits such as “Notting Hill”, “Jurassic Park”, “Schindler’s List”, “American Graffiti”, “Jaws”, “E.T. The Extra-Terrestrial”, and “The Birds.” There is also a section recording every Universal movie to have won an Academy Award or nomination, in any category.

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    £18.00
  • The International Film Business: A Market Guide Beyond Hollywood

    03

    The International Film Business considers the independent film sector as a business, and the specific skills and knowledge that it requires. It describes both the present state of the independent film industry and the significant technological developments that have begun to take place, and what changes these might effect.

    The International Film Business:

    • describes the present organization of the entirety of the film industry as a business
    • discusses how digital technology is currently and how it potentially may change the structure of the industry in the future
    • gives information and advice on the different business skills that are necessary to navigate what is a very high-risk, pyrotechnical industry.

    Taking an entrepreneurial perspective on what future opportunities will be available to prepared and informed business students and emerging practitioners, this text includes case studies that take students through the successes and failures of a variety of real film companies/projects and exclusive interviews with leading practitioners in all sectors of the industry, from production to exhibition.

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    £7.10
  • The Star System: Hollywood’s Production of Popular Identities (Short Cuts)

    Looks at the development and changing organization of the star system in the American film industry. Tracing the popularity of star performers from the early “cinema of attractions” to the Internet universe, Paul McDonald explores the ways in which Hollywood has made and sold its stars. Through focusing on particular historical periods, case studies of Mary Pickford, Bette Davis, James Cagney, Julia Roberts, Tom Cruise, and Will Smith illustrate the key conditions influencing the star system in silent cinema, the studio era and the New Hollywood.

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    £12.30
  • Complete Idiot’s Guide to Filmmaking

    The Complete Idiot’s Guide® to Filmmaking will do for aspiring filmmakers what The Complete Idiot’s Guide® to Screenwriting is doing for aspiring screenwriters. In fact, this book should have the added luxury of also appealing to aspiring screenwriters, especially those who have struggled to get their work purchased, who have considered trying to produce and direct their own screenplays. Regardless of motivation for picking up The Complete Idiot’s Guide® to Filmmaking readers will find it to be the most comprehensive book on the subject–and on two different levels. First, it will cover every aspect of the filmmaking process, from script to pre-production, to directing, to post-production, to distribution. Secondly, it will cover virtually every form of filmmaking, including independent features, Hollywood films, television movies, documentaries, corporate and educational films, “reality films,” digital/Internet films, and music videos.

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    £9.30
  • Pinewood: The Story of an Iconic Studio

    08

    For eighty years, Pinewood Studios has made dreams a reality. Billions of people across the globe, of all ages, from all walks of life have read six words on cinema or television screens: ‘Made at Pinewood Studios, London, England’. From hosting super spies and superheroes, Pinewood has been home to a galaxy far, far away, helping create the movies that have made audiences laugh and cry in equal measure. Some of the most glittering careers on both sides of the camera have been launched behind the iconic gates of Pinewood.

    From James Bond to Star Wars, the modern age of Marvel and the re-imagining of the Disney classics, Pinewood Studios and Shepperton Studios have played host to the greatest and most cherished movies of all time. Complete with many exclusive behind-the-scenes images from those classic movies, this beautiful new book offers insight, anecdotes and interviews with some of the producers, directors and acting talent who have worked at the studios, including Ridley Scott, Barbara Broccoli, Tim Burton and Sir Roger Moore.

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    £29.80£38.00
  • Minghella on Minghella

    05

    Anthony Minghella, the writer and director behind films like Truly Madly Deeply, The English Patient and The Talented Mr Ripley, here explores his own work and the art of film-making. He offers candid commentary and fascinating insights with chapters on subjects from the practical – ‘Writing’ or ‘The Business of Film’ – to the philosophical – ‘Structure’ or ‘Theories, Poetry and Mortality’.

    With a preface by Sydney Pollack, this book is essential for admirers of the director’s work, or indeed for anyone enthusiastic about cinema in general. Minghella on Minghella is an opportunity to know what went on behind the camera – and the eyes – of one of the genre’s greatest modern practitioners.

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    £12.30
  • Hollywood Babylon: The Legendary Underground Classic of Hollywood’s Darkest and Best Kept Secrets

    08
    Originally published in Paris, this is a collection of Hollywood’s darkest and best kept secrets from the pen of Kenneth Anger, a former child movie actor who grew up to become one of America’s leading underground film-makers.

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    £8.70
  • Story and Character: Interviews With British Screenwriters

    03
    ‘Owen’s thorough research and penetrating questions are what make this book … the conversation is hilarious as well as informative, and budding screenwriters should pay close attention to extraordinary nuggets’ GUARDIAN

    ‘A fascinating, insightful collection’ INDEPENDENT ON SUNDAY

    Covering the creamof British screenwriters, this gives a deep insight into the film industry and the way that classic British films came to be.

    Featuring conversations with the writers of, among other films, The Full Monty, Billy Elliot, Four Weddings and a Funeral, 24-Hour Party People, The Wings of a Dove, The World is Not Enough and A World Apart, this is an in-depth study of ten of the top names in British screenwriting.

    Lively and funny, challenging and revealing, this series of exclusive interviews with the unsung heroes of contemporary British cinema provides a unique behind-the-scenes look at the movie business, essential both for aspiring writers, industry insiders and film fans.

    Featured are interviews with Shawn Slovo, William Boyd, Rupert Preston, Richard Curtis, Lee Hall, Simon Beaufoy, Hossein Amini, Frank Cottrell-Boyce and Neal Purvis & Robert Wade.

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    £8.80
  • Hit and Run: How Jon Peters and Peter Guber Took Sony for a Ride in Hollywood

    03
    Hit and Run tells the improbable and often hilarious story of how two film packagers well known for spending other people’s money and ripping off credit for other people’s work went on a deliberate campaign to reinvent themselves as studio executives. With the exception of Batman, Jon Peters and Peter Guber were barely involved with the most successful films they “produced.” Steven Spielberg wouldn’t allow them on the set of The Color Purple, and they werre on the set of Rain Man only once, briefly. With the help of one of Michael Milken’s top lieutenants, they succeeded. It was the most audacious sales job of their careers: This unlikely team got Sony to give them the richest deal in Hollywood history.

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    £27.80
  • British Cinema and the Cold War: The State, Propaganda and Consensus (Cinema and Society)

    01
    Cinema was one of the Cold War’s most powerful instruments of propaganda. Movies blended with literary, theatrical, musical and broadcast representations of the conflict to produce a richly textured Cold War culture. Now in paperback, this timely book fills a significant gap in the international story by uncovering British cinema’s contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. Tony Shaw focuses on an age in which the ‘first Cold War’ dictated international (and to some extent domestic) politics. This era also marked the last phase of cinema’s dominance as a mass entertainment form in Britain. Shaw explores the relationship between film-makers, censors and Whitehall, within the context of the film industry’s economic imperatives and the British government’s anti-Soviet and anti-Communist propaganda strategies. Drawing upon rich documentation, he demonstrates the degree of control exerted by the state over film output. Shaw analyses key films of the period, including High Treason, which put a British McCarthyism on celluloid; the fascinatingly ambiguous science fiction thriller The Quatermass Experiment; the dystopic The Damned, made by one of Hollywood’s blacklisted directors, Joseph Losey; and the CIA-funded, animated version of George Orwell’s novel “Animal Farm”. The result is a deeply probing study of how Cold War issues were refracted through British films, compared with their imported American and East European counterparts, and how the British public received this ‘war propaganda’.

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    £17.10
  • The Last Mogul: Lew Wasserman, Mca, and the Hidden History of Hollywood

    01
    The reviewer of the Boston Globe said point blank: “Over the years, I’ve read hundreds of books on Hollywood and the movie business, and this one is right at the top.” As the elusive, tyrannical head of the Music Corporation of America (MCA) until the 1990s, Lew Wasserman was the most powerful and feared man in show business for more than half a century. His career spanned the entire history of the movies, from the silent era to the present, and he was guru to Alfred Hitchcock, Marilyn Monroe, Marlon Brando, and Jimmy Stewart, and to a new generation of filmmakers beginning with Steven Spielberg and George Lucas. For more than four years, Dennis McDougal interviewed over 350 people who knew the man with the giant dark horn-rimmed glasses,colleagues, relatives, rivals,and drew on tens of thousands of pages of documents to produce this extraordinary and first-ever portrait of a legend and his times, a book that the New York Times Book Review called “thoroughly reported and engrossing” and that the Daily News called, simply, “a bombshell.”

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    £15.20
  • How to Crowdfund Your Film: Tips and Strategies for Filmmakers

    02

    Crowdfunding is a major source of funding for independent films and over $250 million has been raised for films just on Kickstarter alone. This book will guide you through every stage of planning, creating and running your film crowdfunding campaign. The book is based on extensive data research and interviews which include:

    • Data research on over 50,000 film crowdfunding campaigns
    • Interviews with over 50 filmmakers who have run crowdfunding campaigns
    • Interviews with some of the top people at major crowdfunding platforms and services

    Praise for Stephen Follows

    ‘Stephen drills down on data to discover truths about the film industry. Totally worth a read’ – Ted Hope, Head of Production, Amazon Original Movies

    ‘Stephen’s research is brilliant. No-one is doing data-driven analysis of the film industry quite like Stephen Follows. His detailed research and reporting about the film industry is unique and invaluable’ – Jonathan Wolf, Head of The American Film Market

    ‘Stephen is one of the most gifted producers I know. His mind operates at an entirely different speed to almost everyone I know, solving problems, offering solutions and innovating new opportunities at breakneck speed’ – Chris Jones, author of The Guerrilla Filmmakers Handbook

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    £17.30£19.00
  • The Movie Business Book

    02

    Tapping experts in an industry experiencing major disruptions, The Movie Business Book is the authoritative, comprehensive sourcebook, covering online micro-budget movies to theatrical tentpoles. This book pulls back the veil of secrecy on producing, marketing, and distributing films, including business models, dealmaking, release windows, revenue streams, studio accounting, DIY online self-distribution and more. First-hand insider accounts serve as primary references involving negotiations, management decisions, workflow, intuition and instinct. The Movie Business Book is an essential guide for those launching or advancing careers in the global media marketplace.

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    £40.80
  • The Whole Equation: A History of Hollywood

    08
    A book that sees Hollywood as an idea, a trick, a religion even that swept the world, a book that knows what the bosses did, and why and how, but which also feels the impact on the mass audiences in the dark auditoriums. There isn’t a book that explains – even at a basic level – how the business, the money, of pictures operates. THE WHOLE EQUATION takes the history and describes the grand panorama so that the reader knows how he or she fitted in, along with Bogart, the Marx Brothers and Daryl Zanuck. The business is the neglected aspect of the story, neglected because its truths threaten the alleged magic, the romance of the movies. Yet, the money is the true sexual secret of Hollywood, and David Thomson leaves the reader quite clear, that amid all the hype and pretension, we should always ‘follow the money’.

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    £21.40
  • Odeon Cinemas: Oscar Deutsch Entertains Our Nation: 1

    08
    The old saying does often seem to hold true: the rich get richer while the poor get poorer, creating a widening gap between those who have more and those who have less. The sociologist Robert K. Merton called this phenomenon the Matthew effect, named after a passage in the gospel of Matthew. Yet the more closely we examine the sociological effects of this principle, the more complicated the idea becomes. Initial advantage doesn’t always lead to further advantage, and disadvantage doesn’t necessarily translate into failure. Does this theory need to be revisited?Merton’s arguments have significant implications for our conceptions of equality and justice, and they challenge our beliefs about culture, education, and public policy. His hypothesis has been examined across a variety of social arenas, including science, technology, politics, and schooling, to see if, in fact, advantage begets further advantage. Daniel Rigney is the first to evaluate Merton’s theory of cumulative advantage extensively, considering both the conditions that uphold the Matthew effect and the circumstances that cause it to fail. He explores whether growing inequality is beyond human control or disparity is socially constructed and subject to change. Reexamining our core assumptions about society, Rigney causes us to rethink the sources of inequity.

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    £10.60
  • Bill & Ted’s Most Excellent Movie Book: The Official Companion

    04

    Bill S. Preston Esquire and Theodore ‘Ted’ Logan (Alex Winter & Keanu Reeves) were the stars of Bill & Ted’s Excellent Adventure and Bill & Ted’s Bogus Journey. The hotly anticipated Bill & Ted Face the Music releases August 2020 and stars Winter and Reeves as well as Samara Weaving (Ready or Not), Brigette Lundy-Paine (Atypical), William Sadler, Kid Cudi, Hal Landon Jr., Beck Bennett (Saturday Night Live), Anthony Carrigan (Barry), Amy Stoch, Jayma Mays, Erinn Hayes and more…

    With a foreword by Chris Matheson and Ed Solomon – the creators of Bill & Ted – this bodacious companion to all three movies features photographs, quotes and interviews: a most excellent publication.

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    £11.00£19.00
  • BOB IGER BOOK: The Life Story of Robert Allen Iger

    Robert Iger: The great times with Disney. Here is a man who has led one of the most famous entertainment companies in the world to a series of great successes. But behind the movie houses is a story that isn’t as well-known but is just as powerful: Iger’s deep commitment.
    In the fast-paced worlds of business leadership and Hollywood fame, Robert Iger is a mark of success in many areas. As the CEO of Disney, one of the biggest entertainment companies in the world, Iger has built a reputation that goes beyond meeting choices and box office hits. His legacies beyond the limelight go into great detail about Iger’s life and show how he affected business and many other people’s lives.
    That being said, it’s not all about Disney magic or events with lots of famous people. Learn more about Iger’s work with important people like Steven Spielberg, his support for organizations like the Obama Foundation, and the refinements that make his leadership style both powerful and caring. This book shows who Robert Iger is behind the business title by using interviews, first-hand stories, and thorough tales to show his heart, vision, and strength.
    It gives you a ride of a lifetime — a full picture of a man who, despite the difficulties and glamour of the business and entertainment worlds, stays true to his goal of making the world a better place.

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    £8.60
  • RKO Radio Pictures: A Titan Is Born

    02
    One of the “Big Five” studios of Hollywood’s golden age, RKO is remembered today primarily for the famous films it produced, from King Kong and Citizen Kane to the Astaire-Rogers musicals. But its own story also provides a fascinating case study of film industry management during one of the most vexing periods in American social history. RKO Radio Pictures: A Titan is Born offers a vivid history of a thirty-year roller coaster of unstable finances, management battles, and artistic gambles. Richard Jewell has used unparalleled access to studio documents generally unavailable to scholars to produce the first business history of RKO, exploring its decision-making processes and illuminating the complex interplay between art and commerce during the heyday of the studio system. Behind the blockbuster films and the glamorous stars, the story of RKO often contained more drama than any of the movies it ever produced.

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    £28.50
  • Cinema of Outsiders: The Rise of American Independent Film

    01

    A deep dive into the emergence and success of independent filmmaking in America
    A Los Angeles Times Bestseller
    The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood’s studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences.
    Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarentino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style.
    Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience.
    Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me, Stranger Than Paradise, Blood Simple, Blue Velvet, Desperately Seeking Susan, Slacker, Poison, Reservoir Dogs, Gas Food Lodging, Menace II Society, Clerks, In the Company of Men, Chasing Amy, The Apostle, The Opposite of Sex, and Happiness.
    Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of “outsiders”-the cinema of the “other America.”

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    £9.30
  • Ten Years With Guru Dutt: Abrar Alvi’s Journey

    02
    On the association of Indian filmmakers Gurudatta, 1925-1964 and Abrar Alvi, b. 1927.

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    £26.20
  • The Godfather Part II (BFI Film Classics)

    Francis Ford Coppola’s The Godfather, Part II (1974) is a magisterial cinematic work, a gorgeous, stylized, auteur epic, and one of the few sequels judged by many to be greater than its predecessor. This despite the fact that it consists largely of meetings between aspiring ‘Godfather’ Michael Corleone and fellow gangsters, politicians and family members. The meetings remind us that the modern gangster’s success is built upon inside information and on strategic planning. Michael and his father Vito’s days resemble those of the legitimate businessmen they aspire or pretend to be.

    Jon Lewis’s study of Coppola’s masterpiece provides a close analysis of the film and a discussion of its cinematic and political contexts. It is structured in three sections: “The Sequel,” “The Dissolve,” and “The Sicilian Thing” – accommodating three avenues of inquiry, respectively: the film’s importance in and to Hollywood history, its unique, auteur style and form; and its cultural significance. Of interest, then, is New Hollywood history, mise-en-scene, and a view of the Corleone saga as a cautionary capitalist parable, as a metaphor of the corruption of American power, post-Vietnam, post-Watergate.

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    £12.20
  • The Hammer Story: The Authorised History of Hammer Films

    08
    Fifty years ago, Hammer Films released their very first horror movie, The Quatermass Xperiment. The now-legendary British company went on to make such classics as The Curse of Frankenstein and Dracula (and their many sequels), making international stars out of Peter Cushing and Christopher Lee, changing the face of horror cinema, and inspiring a generation of Hollywood filmmakers, including the likes of George Lucas, Martin Scorsese and Tim Burton. Now, for the first time, Hammer have given their active backing to an authorised history of the company, and have provided unlimited access to their archives. The Hammer Story provides a film-by-film dissection, dripping with rare promotional material and previously unpublished photographs.

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    £22.90
  • Hollywood or Home

    Kathryn Gray’s long-awaited second collection Hollywood or Home, has as much ruthless glamour as any old Hollywood movie. These worldly-wise poems are seriously playful and playfully serious as they explore celebrity culture. Spectres of Hollywood – moguls, politicians, starlets, and monsters – leap from screen to page. Common tropes are observed, and industry secrets revealed.

    In decadent celebrity culture, where a star is born every minute and becomes a flop even more quickly, these fierce and funny poems open space for the writer to reassess failures and successes, to overcome writer’s block, and to remember that we never stop longing for our old dreams to come true. Writing at the top of her game, Gray manages to find spectacle – and survival – out of Hollywood’s brutal disdain for failure.

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    £8.70£9.50

    Hollywood or Home

    £8.70£9.50
  • The Men Who Created Gundam

    In 1978 animation director Yoshiyuki Tomino set forth to change the Japanese animation industry. For decades prior, Japanese science fiction had churned out numerous tales of semi-autonomous robots that would often come to the aide of humanity, but as someone who worked on a number of those works, Tomino came to the realization that he wanted to see a more realistic robot narrative. His vision was one where the robot while just slightly more human in appearance, was utilized more as a tool manipulated by man. With renowned artist Yoshikazu Yasuhiko by his side, and occasionally as his artistic rival, Tomino would change the way the whole world came to see Japanese animation and the broader toy and comics industries built around it. This evolution would be a war in its own right! Battles were fought in the offices of the animation studio! Conflicts were equally as heated in the recording booth!

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    £15.20£18.00
  • Easy Riders, Raging Bulls: 21 Great Bloomsbury Reads for the 21st Century

    02
    One of the most exhilarating periods in film history began with Dennis Hopper’s groundbreaking “Easy Rider” in 1969 and ended with Scorsese’s masterpiece “Raging Bull” in 1980, with Beverly Hills shrouded under a blanket of cocaine: at least, that’s how it seemed. Based on interviews with all the Hollywood players of the time, this is the story of creativity and excess in Hollywood, when Coppola, Bogdanovich, Scorsese, Lucas, Hopper, Altman and Spielberg were at the height of their powers. Recounted with refreshing candour, those involved talk about their rise to glory and the sex, drugs and money that made so many of them crash and burn.

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    £2.00
  • Unscripted: Conversations on Life and Cinema

    Starting in Wazir Bagh, a small mohalla in Kashmir, Vidhu Vinod Chopra’s life has been well and truly unscripted. Over the last thirty years, he has blazed a trail in Hindi cinema-even going on to direct a film in Hollywood. From someone who once released his student film though it was incomplete, because he ran out of money and film stock, he now has the distinction of heading one of the key production houses in India, VVC Films. The company has made some of the biggest blockbusters in recent times. Not only is he a film-maker par excellence, but he has also nurtured some of the brightest talents in the Hindi film industry, including directors Rajkumar Hirani, Pradeep Sarkar and Sanjay Leela Bhansali. In Unscripted , Vidhu Vinod Chopra speaks to his long-time collaborator and scriptwriter Abhijat Joshi about his exceptional journey. Engaging and illuminating, the book provides a glimpse into the mind, method and madness of one of contemporary Hindi cinema’s best film-makers.

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    £13.60£18.00
  • Robert De Niro at Work: From Screenplay to Screen Performance (Palgrave Studies in Screenwriting)

    04

    Robert De Niro at Work is the first critical study to examine how Robert de Niro, perhaps the finest screen actor of his generation, works with screenplays to imagine, prepare and denote his performance. In categorising the various ways in which De Niro works with a screenplay, this book will re-examine the relationship between actor and text. This book considers the screenplay as above all a working document and a material object, present at every stage of the filmmaking process. The working screenplay goes through various iterations in development and exists in many versions on set, each adapted and personalised for the specific use of the individual and their role. As the archive reveals, nobody works more closely with the script than the actor, and no actor works more on a script than De Niro.

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    £17.20£23.70
  • The Producer’s Business Handbook: The Roadmap for the Balanced Film Producer (American Film Market Presents)

    01

    Gain a comprehensive understanding of the business of entertainment and learn to successfully engage in all aspects of global production with the revised and updated 4th edition of The Producer’s Business Handbook. Learn how to cultivate relationships with key industry players including domestic and foreign studios, agencies, attorneys, talent, completion guarantors, banks, and private investors.

    This edition has been updated to include the latest opportunities presented by changing technology and their impact on the producer’s ability to brand, monetize, finance and globally release content. Also included is new information on audience, earning, distribution and funding opportunities created by the explosive growth of VR, AR, 360 and gaming, as well as the rapid conversion to OTT.

    Additional features include:

      • Completely updated production financing worksheets – an essential tool for producers;
      • Expanded information for low-budget independent producers, internationally-based producers, producers using government funding, and film school students alike;
      • Coverage of China’s changing entertainment landscape, including their entertainment consumption, their commitment to produce content for the big global territories, and more;
      • New, full-color illustrations and graphics that provide a visual representation of complex topics.

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      £41.80
    • Twentieth Century Fox: A Century of Entertainment

      04
      Here it is: the first-time look at the remarkable American multinational mass media empire and its century of entertainment―the story of Twentieth Century Fox (1915–2015). Or, to borrow the title of a classic 1959 Fox film, The Best of Everything. This is the complete revelatory story―bookended by empire builders William Fox and Rupert Murdoch―aimed as both a grand, entertaining, nostalgic and picture-filled interactive read and the ultimate guide to all things Twentieth Century Fox. The controversies and scandals are here, as are the extraordinary achievements. Among other firsts, the book offers fun tours of its historic production and ranch facilities including never-before-told stories about its stars and creative personalities (Marilyn Monroe, Elvis Presley, James Dean, and Shirley Temple got started there). Finally, it is the first such work approved by the company and utilizing its own unique resources. The authors primarily tell a celebratory tale, but most importantly, an accurate one.

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      £31.30
    • The International Film Business: A Market Guide Beyond Hollywood

      Examining the independent film sector as a business on an international scale, author Angus Finney addresses the specific skills and knowledge required to successfully navigate the international film business.

      Finney describes and analyses the present structure of the film industry as a business, with a specific focus on the film (and entertainment) value chain and takes readers through the status of current digital technology, exploring ways in which this is changing the structure and opportunities offered by the industry in the future. The textbook provides information and advice on the different business and management skills and strategies that students and emerging practitioners will need to effectively engage with the industry in an international context. Case studies of films and TV, including Squid Game (2021), Parasite (2019), Game of Thrones (2011-2019) and The Best Exotic Marigold Hotel (2011), are supplemented by company case studies on Redbus, Renaissance, Pixar, with additional new chapters focusing on Netflix, TikTok and the Metaverse.

      This third edition of The International Film Business includes up-to-date information on the status of the international film industry during and post COVID-19; expanded content looking at the TV industry and streaming services; new case studies and dedicated sections on the Streaming Wars and the Chinese Film Industry and a new chapter looking at the changes in digital production in the context of the global and territorial film and TV industry.

      Written for students of Film Business and emerging practitioners, this book will take readers through the successes and failures of a variety of real film companies and projects and features exclusive interviews with leading practitioners in all sectors of the industry, from production to exhibition.

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      £38.00£42.70
    • Isabelle Huppert: Stardom, Performance, Authorship

      Featuring a lineup of distinguished academics, this collection remedies the absence of scholarly attention to French cinematic legend Isabelle Huppert. This volume deconstructs Huppert’s star persona and public profile through critical and theoretical analysis of her various screen roles-from her very early appearances alongside Romy Schneider in César et Rosalie (Sautet, 1972) and Gérard Depardieu in Les Valseuses (1974) to a number of celebrated collaborations with high-profile European auteurs such as Catherine Breillat, Claire Denis, Jean-Luc Godard, Michael Haneke and Joseph Losey, and with more popular auteurs such as Claude Chabrol and François Ozon.

      Known for a cerebral internalization of characterization, a technical mastery of extreme emotions, and a singular brand of icy intellectualism, Huppert’s performances continue to impress, stun and surprise audiences. By focusing on several theoretical questions that relate to image, identity, sexuality and place, this volume situates Huppert’s star persona in the more practical creative contexts of performance, authorship, genre and collaboration. This volume contrasts complementary critical accounts of her stardom by working across the different periods and territories of her career.

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      £24.80
    • Heightened Genre and Women’s Filmmaking in Hollywood: The Rise of the Cine-fille

      Despite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address ‘intellectual’ cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, Heightened Genre reclaims women’s mainstream filmmaking for feminism through a recalibration of genre theory itself.

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      £64.10£95.00
    • 30-Second Cinema: The 50 most important ideas, genres, and people in the history of movie-making, each explained in half a minute (30 Second)

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    • Jaws in Space : Powerful Pitching for Film & TV Screenwriters: Powerful Pitching for Film and TV Screenwriters (Creative Essentials)

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      Two screenwriters once walked into a Hollywood producer’s office and said three words ‘Jaws in space.’ Those three words won them the contract for the blockbuster movie Alien.

      The ability to pitch well is essential for all writers, directors and producers in cinema and TV. Strong pitching skills will accelerate your career not only helping you sell your projects, but also developing them in the first place, focusing on what makes a story work, clarifying character and plot and working more successfully with industry collaborators.

      This book takes you from the essentials of what makes a good pitch to advanced skills that will help you in all kinds of pitching situations. Charles Harris gives a clear-sighted view of how pitching works in the industry and a series of very practical techniques for developing a gripping and convincing pitch. Drawing on his experience, he examines the problems that can arise with both mainstream and unconventional projects – from a range of different cultures – and explains how to solve them. He also analyses the process of taking a pitch meeting and shows you how to ensure you perform at your best.

      Author Charles Harris has written and directed for BBC and Channel 4, creating internationally award-winning documentaries and TV drama. The book uniquely covers not only conventional mainstream projects but also a wide range of other styles and cultures.

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      So You Want to Be a Producer is packed with information and advice from top Hollywood producers, writers and directors and is a must-read for anyone interested in what it really takes to get a film made, including: – Finding your story – Obtaining the rights – Developing the script – Hiring your cast and crew – Distributing your movie

      Lawrence Turman, the producer of more than forty films, including The Graduate, The River Wild, Short Circuit and American History X, offers an insider’s guide that covers every aspect of the role, from finding a story and hiring actors to developing a script and marketing the finished product.

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    • Bollywood: The Films! The Songs! The Stars!

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      Get the inside scoop on Bollywood movies including Mother India and Sholay with this spectacular visual celebration of Hindi cinema, with a foreword by Amitabh Bachchan.

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      With over 1,000 films produced every year, the glitz and charm of Bollywood is unrivalled anywhere else in the world. Bollywood takes you on a behind-the-scenes tour of Hindi cinema’s biggest blockbusters, with stunning film stills and plot timelines, as well as insightful biographies of iconic stars including Shahrukh Khan, Deepika Padukone, Aishwarya Rai, and Dev Anand.

      Bring the spectacle home and be enchanted by the glamour and colour of Indian cinema with this glittering guide to all things Bollywood!

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    • Rocliffe Notes : A Professional Approach to Being a Writer: A Professional Approach For Screenwriters and Writer-Directors (Creative Essentials)

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      This is a manual for screenwriters and filmmakers in the form of notes. These provide a step-by-step, common sense guide, with suggestions on how writers can best present themselves to the industry. This book does not explain how to write a screenplay. Instead, it provides insider confidences from established industry players and peers on how to have a professional approach to writing. A revelation for all would-be screenwriters, this is a guide to living the screenwriter’s life: the habits, creative processes and writing atmosphere.

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    • Hammer Complete: The Films, the Personnel, the Company

      08
      Think you know everything there is to know about Hammer Films, the fabled “Studio that Dripped Blood?” The lowdown on all the imperishable classics of horror, like The Curse of Frankenstein, Horror of Dracula and The Devil Rides Out? What about the company’s less blood-curdling back catalog? What about the musicals, comedies and travelogues, the fantasies and historical epics–not to mention the pirate adventures? This lavishly illustrated encyclopedia covers every Hammer film and television production in thorough detail, including budgets, shooting schedules, publicity and more, along with all the actors, supporting players, writers, directors, producers, composers and technicians. Packed with quotes, behind-the-scenes anecdotes, credit lists and production specifics, this all-inclusive reference work is the last word on this cherished cinematic institution.

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