Dance

Over the last twenty years the boundaries of dance have been radically redrawn. There has been an explosion of new activity within traditional forms like ballet, a stream of new dance languages invented by fresh generations of choreographers, and there is a growing appreciation in the West of dance forms from the rest of the world. Fans today are likely to attend performances in classical ballet, Spanish flamenco, Indian Bharata Natyam, Japanese Butoh, jazz, modern and post-modern dance. In classical ballet they may see companies as varied as the New York City Ballet, Bolshoi, or Paris Opera. In modern dance they may see work that stems from the Graham or the Cunningham schools of movement; while in post-modern dance they may be watching choreographers who mix influences as varied as folk dance, T’ai Chi, Balanchine, and Mary Wigman, or who may be practitioners of Eurocrash, minimalism, contact improvisation or release. This new dictionary by two leading and authoritative writers on dance will provide the information necessary for dance fans to navigate the diverse modern dance scene. With an emphasis on performance the dance we see in theatres today – readers will find both fact and analysis on a wide range of subjects from dancers and choreographers to dance styles and technical terms.

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The Essential Guide to Contemporary Dance Techniques explores the multifaceted learning processes and underlying principles behind the technical skills and abilities of a contemporary dancer. The depth and complexity of this challenging sensorial, intellectual, reflective and creative process is presented with clarity, to support every training dancer in achieving the most from their learning experiences. Insights into three major technical forms: Graham technique, Cunningham technique and Release-based technique, reveal the distinct approaches, processes and experiences possible in contemporary dance training. Essential technical and performance considerations are covered, including: breath; alignment; core activation; connectivity; dynamic qualities of motion; use of the body; use of space; action and finally, relationships to the audience. With personal contributions from respected teachers at top dance institutions, this practical guide offers a unique insight into the expectations and processes of professional training classes as well as the success you can achieve with them. With images from real-life technique classes and dynamic performances, this is an essential companion for all contemporary dance students.

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This book is a perceptive and critical account of the first 75 years of The Royal Ballet, tracing the company’s growth, and its great cultural importance – an indispensable book for all lovers of ballet.

In 1931, Ninette de Valois started a ballet company with just six dancers. Within twenty years, The Royal Ballet – as it became – was established as one of the world’s great companies. It has produced celebrated dancers, from Margot Fonteyn to Darcey Bussell, and one of the richest repertoires in ballet.

The company danced through the Blitz, won an international reputation in a single New York performance and added to the glamour of London’s Swinging Sixties. It has established a distinctive English school of ballet, a pure classical style that could do justice to the 19th-century repertory and to new British classics.

Leading dance critic, Zoë Anderson, vividly portrays the extraordinary personalities who created the company and the dancers who made such an impact on their audiences. She looks at the bad times as well as the good, examining the controversial directorships of Norman Morrice and Ross Stretton and the criticism fired at the company as the Royal Opera House closed for redevelopment.

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A in depth look at acting .

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This is a paperback journal with 125 blank pages. Each page is lined with hearts on the top of bottom to perfectly frame all of your ideas!

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‘We come for the glitter, but instead we get the grit, in stories told with insight, tenderness and joy.’ – Russell T Davies

With a foreword by Steph McGovern

‘I never thought I’d write a memoir. I never thought I’d do a lot of the things I have done in my thirty-four years, but life has a wonderful way of surprising us.’

Well-known as the winner of the third series of The Great British Bake Off and runner up of Strictly Come Dancing with his same-sex dance partner Johannes Radebe, John Whaite’s personal story is a complicated narrative of contradictions, highs and lows, told with tenderness, joy, insight and wit, but also unflinching honesty.

A shy little boy from rural Lancashire, who was sacred to sleep alone and danced a little ‘too gay’ at family weddings, he was also an unruly teen who shaved a checkerboard pattern into his hair and refused to conform.

From childhood his life has revolved around food – his parents owned a fish and chip shop where John worked in the back peeling potatoes – but for long periods he has been haunted by bulimia and body dysmorphia and not a day goes by when he doesn’t worry about what or how much he eats.

He achieved TV fame but then seemingly wilfully chose to self-destruct, before finding the strength to pull back when he woke up in a car with half a kebab at his feet and chilli sauce on his shoes.

Through it all, his essential optimism has meant that he has chosen to take every step back as a chance to reassess and begin again, finally arriving at the realisation that external validation and fulfilment is transient – a distraction from the sometimes painful pilgrimage we make as we gain wisdom from our experiences.

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