History
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A History of Photography. From 1839 to the Present
George Eastman’s career developed in a particularly American way. The founder of Kodak progressed from a delivery boy to one of the most important industrialists in American history, and a crucial innovator in photographic history.
Eastman died in 1932, and left his house to the University of Rochester. Since 1949 the site has operated as an international museum of photography and film, and today holds the largest collection of its kind in the world, containing over 400,000 images and negatives―among them the work of such masters as Alfred Stieglitz, Edward Steichen, and Ansel Adams.
Home also to 23,000 cinema films, five million film stills, one of the most important silent film collections, technical equipment and a library with 40,000 books on photography and film, the George Eastman House is a pilgrimage site for researchers, photographers, and collectors from all over the world. This volume curates the most impressive images from the collection in chronological order to offer an incomparable overview of photographic history.
About the series
Bibliotheca Universalis ― Compact cultural companions celebrating the eclectic TASCHEN universe!
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Alien – The Weyland -Yutani Report
For 100s of years, scientists at Weyland-Yutani Corp. have been monitoring the behaviour of an alien life-form whose potential for military application appears limitless. Though all attempts to harness its abilities have ended in bloodshed, acquisition of the Xenomorph remains a priority. As such, Weyland-Yutani has granted you access to their files on the alien in the hope that you will be able to help capture this fascinating, deadly creature.Read more
£25.70£28.50Alien – The Weyland -Yutani Report
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Girl on Girl: Art and Photography in the Age of the Female Gaze
A new generation of women is taking the art world – online and offline – by storm. In an image-obsessed culture saturated with social media, these 40 artists are using photography and the female gaze to redefine the fields of fashion, art, advertising and photojournalism, making a profound impact on our visual world.Read more
£13.60£16.10 -
Photographing Death: Representations of Death in Memorial and Art Photography in Victorian Britain
Death functioned as a marginal theme in the photographic culture of Victorian Britain, acknowledged to the extent that it could rely on an established language of death-related symbolism to communicate its message to a Victorian audience.Whether documented by private post mortem photography or explored in photographic art, death provided an exclusive entrée into aesthetic sublimity.
Photographing Death examines how both the studio photographer and the art photographer presented an idealised version of the corpse, with few reminders of the physical facts of death.
Whether given moralising undertones or attributed symbolism that signified spiritual purity, the results were always the deliberately manipulated children of their makers: the photographers.
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Victorian Giants: The Birth of Art Photography
Oscar Rejlander (1813–75), Julia Margaret Cameron (1815–79), Lewis Carroll (1832–98) and Clementina Hawarden (1822–65) embody the very best of photography from the Victorian era. They experimented with new approaches to picture making and shaped attitudes towards photography that have informed artistic practice ever since. Discover the images that made people think about the photograph as a work of art in this beautiful book.The idea of ‘art photography’ is nearly as old as photography itself, but it wasn’t until the 1850s that photographers began to claim fine-‐art status for their work. Debates about photography and its role raged internationally, but it was in England, through the work of Oscar Rejlander, Julia Margaret Cameron, Lewis Carroll and Clementina Hawarden in particular, that the new art found its fullest expression.
These four artists – a Swedish émigré with a mysterious past, a middle-‐aged Ceylonese expatriate, an Oxford academic and writer of fantasy literature, and a Scottish countess – formed the most unlikely of schools. Both Carroll and Cameron studied under Rejlander briefly, and maintained a lasting association based around intersecting approaches to portraiture and narrative. Influenced by historical painting and working in close association with the Pre-‐ Raphaelite brotherhood, they formed a bridge between the art of the past and the art of the future, standing as true giants in Victorian photography.
Separately, Cameron, Carroll, Hawarden and Rejlander produced some of the most spectacular images in history. Divided into three main sections, this book brings together many of these works for the first time, drawing heavily from the National Portrait Gallery Collection. The selection will be enriched with key works from other collections from around the globe. Of special interest is an exploration of historical and contemporary painters and their role in the young fine-‐art-‐photography movement.
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£21.80£28.50Victorian Giants: The Birth of Art Photography
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