Film, Television & Music

‘There’s never been a more honest or raw memoir … and it may just save lives’ Daily Mail

‘Funny, fascinating, compelling … also a wonderful read for fans of Friends’ The Times

The beloved star of Friends takes us behind the scenes of the hit sitcom and his struggles with addiction in this candid, funny, and revelatory memoir that delivers a powerful message of hope and persistence.

This is the riveting story of acclaimed actor Matthew Perry, who takes us along on his journey from childhood ambition to fame to addiction and recovery in the aftermath of a life-threatening health scare. Before the frequent hospital visits and stints in rehab, there was five-year-old Matthew, who travelled from Montreal to Los Angeles, shuffling between his separated parents; fourteen-year-old Matthew, who was a nationally ranked tennis star in Canada; twenty-four-year-old Matthew, who nabbed a coveted role as a lead cast member on the talked-about pilot then called Friends Like Us. . . and so much more.

In an extraordinary story that only he could tell – and in the heartfelt, hilarious, and warmly familiar way only he could tell it – Matthew Perry lays bare the fractured family that raised him (and also left him to his own devices), the desire for recognition that drove him to fame, and the void inside him that could not be filled even by his greatest dreams coming true. But he also details the peace he’s found in sobriety and how he feels about the ubiquity of Friends, sharing stories about his castmates and other stars he met along the way. Frank, self-aware, and with his trademark humour, Perry vividly depicts his lifelong battle with addiction and what fuelled it despite seemingly having it all.

Friends, Lovers, and the Big Terrible Thing is an unforgettable memoir that is both intimate and eye-opening – as well as a hand extended to anyone struggling with sobriety. Unflinchingly honest, moving, and uproariously funny, this is the book fans have been waiting for.

‘An unflinching and often harrowing must-read for 90s pop culture fans’ Guardian

‘Written with Chandler’s trademark sarcasm and self-deprecation’ Telegraph

‘A hopeful read … I started to think of [it] not as a celebrity memoir about addiction, but as an addiction memoir written by a man who understands his own history through the prism of showbiz’ Independent

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‘A wickedly entertaining new memoir’ Daily Mail

According to the Daily Mail Ian Ogilvy was ‘the undisputed star of 1970s TV as the dashing Simon Templar in Return Of The Saint’. The show turned him into a household name, causing him to be touted as the next James Bond.

From a liberal upbringing in post-war Britain, boarding school escapades and life at RADA, Ogilvy enjoyed an acting career spanning more than fifty years, including TV show Upstairs, Downstairs and films Witchfinder General, No Sex Please: We’re British and Death Becomes Her. His story plays host to a spectacular all-star cast including Boris Karloff, Hayley Mills, Penelope Keith, Derek Nimmo, Timothy Dalton, Derek Jacobi and Meryl Streep, and Ogilvy gives a vivid account from behind the scenes of the Golden Age of television and film.

Once a Saint is an amusing and unvarnished story: a tremendously endearing tale from a working actor. His story is modest and endlessly charming, told in such a way that opens a reader’s heart to him.

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Stanley Baxter delighted over 20 million viewers at a time with his television specials. His pantos became legendary. His divas and dames were so good they were beyond description.

Baxter was a most brilliant cowboy Coward, a smouldering Dietrich. He found immense laughs as Formby and Liberace. And his sex-starved Tarzan swung in a way Hollywood could never have imagined. But who is the real Stanley Baxter?

The comedy actor’s talents are matched only by his past reluctance to colour in the detail of his own character. Now, the man behind the mischievous grin, the twinkling eyes and the once- Brylcreemed coiffure is revealed.

In a tale of triumphs and tragedies, of giant laughs and great falls from grace, we discover that while the enigmatic entertainer could play host to hundreds of different voices, the role he found most difficult to play was that of Stanley Baxter.

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At the age of twenty-two, Lisa Jakub had what she was supposed to want: she was a working actor in Los Angeles. She had more than forty movies and TV shows to her name, she had been in blockbusters like Mrs. Doubtfire and Independence Day , she walked the red carpet and lived in the house she bought when she was fifteen. But something was missing. Passion. Purpose. Happiness. Lisa had been working since the age of four, after a man approached her parents at a farmer’s market and asked her to audition for a commercial. That chance encounter dictated the next eighteen years of her unusual and frequently awkwardlife. She met Princess Diana… and almost fell on her while attempting to curtsy. She filmed in exciting locations… and her high school asked her not to come back. She went to fancy parties… and got kind of kidnapped that one time. Success was complicated. Making movies, traveling the world, and meeting intriguing people was fun for a while, but Lisa eventually realized she was living a life based on momentum and definitions of success that were not her own. She battled severe anxiety and panic attacks while feeling like she was living someone else’s dream. Not wanting to become a child actor stereotype, Lisa retired from acting and left L.A. in search of a path that felt more authentic to her. In this funny and insightful book, Lisa chronicles the adventures of growing up in the film industry and her difficult decision to leave behind the only life she had ever known, to examine her priorities, and write the script for her own life. She explores the universal question we all ask ourselves: what do I want to be when I grow up?

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As seen in The Last Movie Stars documentary – the raw, candid, unvarnished memoir of an icon. The greatest movie star of the past 75 years covers everything: his traumatic childhood, his career, his drinking, his thoughts on Marlon Brando, James Dean, Elizabeth Taylor, his greatest roles, acting, his intimate life with Joanne Woodward, his innermost fears and passions and joys. With thoughts/comments throughout from Joanne Woodward, Tom Cruise and many others.

In 1986, Paul Newman and his closest friend, screenwriter Stewart Stern, began an extraordinary project. Stuart was to compile an oral history, to have Newman’s family and friends and those who worked closely with him, talk about the actor’s life. And then Newman would work with Stewart and give his side of the story. The only stipulation was that anyone who spoke on the record had to be completely honest. That same stipulation applied to Newman himself. The project lasted five years.

The result is an extraordinary memoir, culled from thousands of pages of transcripts. The book is insightful, revealing, surprising. Newman’s voice is powerful, sometimes funny, sometimes painful, always meeting that high standard of searing honesty. The additional voices – from childhood friends and Navy buddies, from family members and film and theater collaborators such as Tom Cruise, George Roy Hill, Martin Ritt, and John Huston – that run throughout add richness and color and context to the story Newman is telling.

Newman’s often traumatic childhood is brilliantly detailed. He talks about his teenage insecurities, his early failures with women, his rise to stardom, his early rivals (Brando and Dean), his first marriage, his drinking, his philanthropy, the death of his son Scott, his strong desire for his daughters to know and understand the truth about their father. Perhaps the most moving material in the book centers around his relationship with Joanne Woodward – their love for each other, his dependence on her, the way she shaped him intellectually, emotionally and sexually.

THE EXTRAORDINARY LIFE OF AN ORDINARY MAN is revelatory and introspective, personal and analytical, loving and tender in some places, always complex and profound.

Praise for Paul Newman
‘One of the greatest screen actors of all time and a beautiful man.’ Daniel Craig

‘He set the bar too high for the rest of us. Not just actors, but all of us.’ George Clooney

”He was my hero.’ Julia Roberts

‘Paul was an American Icon.’ President Bill Clinton

‘The ultimate cool guy, who men wanted to be like and women adored. He was an American icon, a brilliant actor, a Renaissance man and a generous but modest philanthropist … Newman entertained millions in some of Hollywood’s most memorable roles ever, and brightened the lives of amny more, especially seriously ill children, through his charitable works.’ Arnold Schwarzenegger

‘Sometimes God makes perfect people and Paul Newman was one of them.’ Sally Field

‘One of the very finest screen actors of our time. Newman spanned the gap between the golden days of Hollywood, the 40s and 50s with actors like Cary Grant and James Stewart and Clark Gable, and the present lot represented by Brad Pitt, Tom Cruise’ Sir Michael Parkinson

‘Newman was a fine driver, who was famous in Hollywood for doing his own stunt driving as often as not.’ Ron Dennis, Formula 1’s McLaren Chief

‘To say he was an extraordinary man would be an understatement. he saw himself as a working actor, not a movie star, and insisted that everyone else did the same. There was no ego, no entourage, no hangers on. Only Paul, his script and his incredible spirit. One can say this about very few people, but he was a truly great man. It seems to me to be one of the great 20th-century lives: he was famously generous, with his extraordinary and unstinting work for his charities, he was a shining example of how to use global fame for the greater good, and most of all he was one of the great movie actors of this or any other age. [Directing Newman] was the highlight of my professional life.’ Sam Mendes

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Jamie Oliver is Britain’s best-loved chef. His matey charm and down-to-earth approach to cooking – from The Naked Chef to 30-Minute Meals – have made him a household favourite the length and breadth of the country. Jamie rose from humble pastry chef to television superstar by catching the eye of producers during a documentary about the River Cafe, where he was working at the time. His on-screen charisma meant that he featured heavily in the final programme, the offers came flooding in …and so The Naked Chef was born. The programme was a huge success, offering an initmate and fresh approach to cooking on TV. Jamie’s passion shone through and a whole generation of young people were captivated by his enthusiasm. Cooking was cool! His television series and books gave Jamie fame and fortune the world over, but he always wanted to do something positive with his success. Through his Fifteen charity restaurants and campaigns to revolutionise school dinners and get Britain cooking again, Jamie had proved himself to be more than simply a celebrity chef. His desire to bring about radical change has seen him meet with top politicans and raise millions of pounds for good causes. But deep down it’s all about the cooking – after the launch of his spectacularly successful 30-Minute Meals TV series and two record-breaking books n 2010 and 2011 – Jamie’s 30-Minute Meals and Jamie’s Great Britain, he has showed that he’s still the nation’s favourite chef.

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Miriam Hopkins (1902–1972) first captured moviegoers’ attention in daring precode films such as Dr. Jekyll and Mr. Hyde (1931), The Story of Temple Drake (1933), and Ernst Lubitsch’s Trouble in Paradise (1932). Though she enjoyed popular and critical acclaim in her long career — receiving an Academy Award nomination for Becky Sharp (1935) and a Golden Globe nomination for The Heiress (1949) — she is most often remembered for being one of the most difficult actresses of Hollywood’s golden age. Whether she was fighting with studio moguls over her roles or feuding with her avowed archrival, Bette Davis, her reputation for temperamental behavior is legendary. In the first comprehensive biography of this colorful performer, Allan R. Ellenberger illuminates Hopkins’s fascinating life and legacy. Her freewheeling film career was exceptional in studio-era Hollywood, and she managed to establish herself as a top star at Paramount, RKO, Goldwyn, and Warner Bros. Over the course of five decades, Hopkins appeared in thirty-six films, forty stage plays, and countless radio programs. Later, she emerged as a pioneer of TV drama. Ellenberger also explores Hopkins’s private life, including her relationships with such intellectuals as Theodore Dreiser, Dorothy Parker, Gertrude Stein, and Tennessee Williams. Although she was never blacklisted for her suspected Communist leanings, her association with these freethinkers and her involvement with certain political organizations led the FBI to keep a file on her for nearly forty years. This skillful biography treats readers to the intriguing stories and controversies surrounding Hopkins and her career, but also looks beyond her Hollywood persona to explore the star as an uncompromising artist. The result is an entertaining portrait of a brilliant yet underappreciated performer.

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