A SUNDAY TIMES BESTSELLER

“a fascinating reflection on totalitarianism as refracted through Orwell’s times and our own” The Guardian

London, chief city of Airstrip One, the third most populous province of Oceania. It’s 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen – cheerfully cynical, believing in nothing and caring not at all about politics. She knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She’s very good at staying alive.

But Julia becomes intrigued by a colleague from the Records Department – a mid-level worker of the Outer Party called Winston Smith, she comes to realise that she’s losing her grip and can no longer safely navigate her world.

Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell’s Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.

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Can she escape her mother’s fate and find a connection that is more than skin deep?

A Most Anticipated Book of 2023 in The Guardian, i newspaper, The New York Times, Time, Globe and Mail, Bustle, The Millions, LitHub, TOR, Good Housekeeping, Our Culture Mag, and more!

‘You think, “She’s not going to go there…yes, she is.’ Margaret Atwood 

‘The trancelike, rhapsodic language and deepening atmosphere of unreality make for a narrative that oozes with unease.’ The Guardian

‘Rouge is a must-read for anyone who has found themselves obsessively, and even dangerously, fixated on self-improvement. […] Dreamline, hypnotic and enchanting in its language, Rouge proves Awad is a huge talent’ Stylist, Book of the Month

‘A tale of insidious damage of envy and our preoccupation with appearances. Anyone maintaining a ten-step Korean skincare regimen may feel seen. […] Awad ramps up the grand guignol hysteria rather splendidly, chucking in some film noir tropes for good measure as we hurtle towards a demonic denouement’ The Times

‘Rouge is a story in which dreams become nightmares and vice versa. Desire and danger walk hand-in-hand and Awad skilfully manipulates the vertiginous tension between them. The beauty industry is ripe for Awad’s signature treatment: gothic satire, bloody but beautifully done. Much of it is darkly hilarious. […] If you like your fairy tales dark and for adults only, then stick along for the wild ride.’  Daily Telegraph

‘[D]ark and seductive.’ i newspaper

‘An edgy fable on the perils of our modern fascination with beauty.’ Vogue 

‘Awad is a genius, preternaturally gifted at creating vicious, hilarious tales about the depravity inside us.’ Vulture

For as long as she can remember, Belle has been insidiously obsessed with her skin and skincare videos. When her estranged mother Noelle mysteriously dies, Belle finds herself back in Southern California, dealing with her mother’s considerable debts and grappling with lingering questions about her death. The stakes escalate when a strange woman in red appears at the funeral, offering a tantalizing clue about her mother’s demise, followed by a cryptic video about a transformative spa experience. With the help of a pair of red shoes, Belle is lured into the barbed embrace of La Maison de Méduse, the same lavish, culty spa to which her mother was devoted. There, Belle discovers the frightening secret behind her (and her mother’s) obsession with the mirror—and the great shimmering depths (and demons) that lurk on the other side of the glass.

Snow White meets Eyes Wide Shut in this surreal descent into the dark side of beauty, envy, grief, and the complicated love between mothers and daughters. With black humor and seductive horror, ROUGE explores the cult-like nature of the beauty industry—as well as the danger of internalizing its pitiless gaze. Brimming with California sunshine and blood-red rose petals, ROUGE holds up a warped mirror to our relationship with mortality, our collective fixation with the surface, and the wondrous, deep longing that might lie beneath.

‘A brilliant, biting critique of western beauty standards as well as a soaring, phantasmagoric, Angela Carter-esque fairy tale about trauma and the loss of self. Rouge is deeply unsettling, funny, obsessive, and unlike anything I’ve read. A truly mesmerizing read.’ Paul Tremblay, author of The Cabin at the End of the World

‘Rouge is a fever dream—a brilliant, intense, unforgettable horror story about a beauty cult with a deeply moving mother-daughter story at its core. Mona Awad’s signature and singular imagination and black humor and empathy are on full display here, and her wild-ride of a tale is masterfully grounded in the emotional devastation of childhood and grief. I loved every word of this.’ Laura Zigman, author of Small World

‘There is nobody else like Mona Awad, daring enough to plunge her hands—rings and all—into the viscera of story and discover an unsettling beauty within. ROUGE is her most magnetic work yet, a thrilling dystopian romp that knows that beneath the glossy, aspirational veneer of self-care lurks the same old gothic abyss.’ Alexandra Kleeman, author of Something New Under the Sun

‘Unsettling, whimsical, and moving, Rouge is an authentic, innovative kind of narrative magic that’s both surreal and absolute. A striking novel of incandescence and heart.’ Iain Reid, author of I’m Thinking of Ending Things

‘Awad’s latest is a dreamy (or perhaps nightmarish) gothic fairy tale about a mother, a daughter, and their shared obsession with their own beauty. Like all of Awad’s novels, it reels you in, shakes your brain until you’re not sure what you’re seeing, and then floats off cackling on a cloud of smoke. Metaphorically, that is. I’d forgive you for not being sure.’ Lit Hub (Most Anticipated Books of 2023)

‘Mona Awad, I will read everything you ever write. She is a writer of unbelievable talent.’ Tor.com

‘[A] hypnotic tour de force… Awad approaches the increasingly well-trod ground of sinister wellness gurus with aplomb, creating an atmosphere of creeping discomfort and surreality right from the start. This is the stuff of fairy tales—red shoes, ballrooms, mirrors, and thorns but also sincerity, poignancy, and terror.’ Kirkus (Starred Review)

‘[A] delightfully twisted fairy tale… The author’s acerbic wit radiates in this excoriating story of beauty’s ugly side.’ Publisher’s Weekly

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‘A beautiful, moving and thought provoking story, The Figurine is a stunning read . . . her love and passion for Greece comes through loud and clear with every word she writes’ Real Reader Review, ⭐ ⭐ ⭐ ⭐ ⭐

‘Her love for Greece shines through and transports readers to a brilliantly drawn world’ Independent

‘Family turmoil, unanswered questions, romance and betrayal, all served up against the backdrop of Greece and its enchanting history’ Daily Express

Feel the sun on your face and the sand of the Aegean islands beneath your feet as you uncover the fate of the Bronze Age figurines in the heart-pounding new novel from the No 1 bestselling author.*

When Helena inherits her grandparents’ apartment in Athens, she is overwhelmed with memories of the summers she spent there as a child in the 1960s. Her remote, cruel grandfather was a general in the brutal military dictatorship and as she sifts through the dusty rooms, Helena discovers an array of valuable objects and antiquities. How did her grandfather amass such a trove? What human price was paid for them?

Helena’s desire to find answers dovetails with a growing fascination for archaeology, ignited by a summer spent with volunteers on a dig on an Aegean island. Their finds fuel her determination to protect the precious fragments recovered from the baked earth – and to understand the origins of her grandfather’s collection.

Along the way, she falls in love with the narrow streets of Athens and the city’s big-hearted residents, who show her the murky underbelly of the antiques world – and help her understand the meaning of home. But can she finally make amends for her grandfather’s actions? And what price should be paid for the return of such ancient and beautiful artefacts?

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Victoria Hislop is back with another compulsive page-turner. Discover for yourself why 10 million readers and critics worldwide love Victoria Hislop’s books …

‘A tightly wrought excavation of family history’ Mail on Sunday

‘Searing and powerful’ Daily Express

‘Glorious Greek setting and rich historical detail’ Woman & Home

‘Hislop’s thyme-scented, Aegean-lapped fictional Greece’ The Sunday Times

‘Victoria Hislop has done it again! A truly captivating story . . . I wish I could give it more than 5*’ Real Reader Review, ⭐ ⭐ ⭐ ⭐ ⭐

‘There is no doubting Victoria Hislop is an incredible storyteller who has opened up the history of Greece to a wider contemporary world; her attention to detail and the creation of warm and sympathetic characters instantly grabs readers’ Real Reader Review, ⭐ ⭐ ⭐ ⭐ ⭐

‘This is the best novel I have read in a long time’ Real Reader Review, ⭐ ⭐ ⭐ ⭐ ⭐

‘A beautifully told story with fabulous characters and a vivid scenery that makes you believe you are in Greece’ Real Reader Review, ⭐ ⭐ ⭐ ⭐ ⭐

‘This was a wonderful read . . . a vivid picture of Greece and the people who live there’ Real Reader Review, ⭐ ⭐ ⭐ ⭐ ⭐

*Victoria Hislop’s One August Night was a Sunday Times Number One bestseller in paperback in the first week of August 2021; Those Who Are Loved was a Sunday Times Number One bestseller in paperback for four weeks in August and September 2020.

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