On 23 May 1988, Paul Baker sat down with his family to eat cake on his sixteenth birthday while The Six O’Clock News played in the background. But something was not quite right. There was muffled shouting – ‘Stop Section 28!’ – and a scuffle. The morning papers would announce: ‘Beeb Man Sits on Lesbian’. The next day Section 28 passed into law, forbidding local authorities from teaching ‘the acceptability of homosexuality as a pretended family relationship’. It would send shockwaves through British society, silencing gay pupils and teachers while galvanizing mass protests and the formation of the LGBTQ+ rights groups OutRage! and Stonewall. Now available in paperback, Outrageous! tells the full story: the background to the Act, how the press fanned the flames and what politicians said during debates, how protestors fought back to bring about the repeal of the law in the 2000s, and its eventual legacy. Based on detailed research, interviews with key figures – including Ian McKellen, Michael Cashman and Angela Mason – and personal recollection, it is an impassioned, warm, often moving account of unthinkable prejudice enshrined within law, and of the power of community to overcome it.

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Opening with David Mancuso’s seminal “Love Saves the Day” Valentine’s party, Tim Lawrence tells the definitive story of American dance music culture in the 1970s—from its subterranean roots in NoHo and Hell’s Kitchen to its gaudy blossoming in midtown Manhattan to its wildfire transmission through America’s suburbs and urban hotspots such as Chicago, Boston, San Francisco, Los Angeles, Newark, and Miami.

Tales of nocturnal journeys, radical music making, and polymorphous sexuality flow through the arteries of Love Saves the Day like hot liquid vinyl. They are interspersed with a detailed examination of the era’s most powerful djs, the venues in which they played, and the records they loved to spin—as well as the labels, musicians, vocalists, producers, remixers, party promoters, journalists, and dance crowds that fueled dance music’s tireless engine.

Love Saves the Day includes material from over three hundred original interviews with the scene’s most influential players, including David Mancuso, Nicky Siano, Tom Moulton, Loleatta Holloway, Giorgio Moroder, Francis Grasso, Frankie Knuckles, and Earl Young. It incorporates more than twenty special dj discographies—listing the favorite records of the most important spinners of the disco decade—and a more general discography cataloging some six hundred releases. Love Saves the Day also contains a unique collection of more than seventy rare photos.

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Dad’s Army has been an enduring highlight of the small screen since its debut on British television in 1968. The show, which follows the exploits of the Home Guard of Walmington-on-Sea, a fictional seaside town on the south coast of England, ran for nine series in total, comprising 80 episodes, and regularly attracted viewing figures of over 18 million at the height of its popularity. Today, it is still shown weekly on BBC 2 and was recently placed fourth in a BBC poll of Britain’s Best Sitcoms Ever. The show has permeated British society, with the characters’ signature catchphrases (particularly Captain Mainwaring’s ‘Stupid boy!’) having entered the lexicon of popular culture. Such is its appeal that in August 2008 Jonathan Ross paid tribute to Dad’s Army with an hour-long special, looking back on the show’s success and reliving its funniest moments. Yet Dad’s Army is also credited with drawing attention to the important role that Local Defence Volunteers (later known as the Home Guard) played in the Second World War, in guarding coastal areas of Britain and other important industrial and military sites such as factories and explosives stores, and in observing and reporting enemy aircraft. Bill Pertwee found fame as ARP Warden Hodges in the series and has put together a comprehensive tribute to all aspects of the show. This book includes extensive features on the two creators of Dad’s Army, Jimmy Perry and David Croft, along with biographies of the whole cast of actors who brought this British comedy classic to life, paying particular attention to such memorable figures as Arthur Lowe (Captain Mainwaring), John Le Mesurier (Sergeant Wilson), Clive Dunn (Corporal Jones) and Ian Lavender (Private Pike). As an integral part of the show itself, Bill Pertwee is uniquely positioned to give an intimate view of his co-stars, their families and the supporting production team. His colourful account includes many hilarious incidents on and off the set, such as filming for Columbia Pictures and being invited to tea at 10 Downing Street. Numerous colour photos as well as a fine selection of well-reproduced original stills supplement the informative text, and a full episode listing is included, together with articles on the many Dad’s Army spin-offs and side projects, including the highly successful stage play, movie adaptation and radio series.

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Dennis Potter (1935-94) was Britain’s leading television dramatist for almost thirty years and remains an inspiration to today’s programme makers, as a result of such ground-breaking work as Pennies from Heaven, Blue Remembered Hills and The Singing Detective. But he also engaged with his audience through reviews, journalism, interviews, broadcasts and speeches. The Art of Invective, the first collection of its kind, brings together some of his finest non-fiction work. Published to mark 80 years since Potter’s birth, this book includes his merciless television columns, penetrating literary criticism and angry writings on class and politics, as well as his sketches for Sixties satire shows including That Was the Week That Was. From Frost-Nixon to Coronation Street, David Hare to Doctor Who, Orwell to Emu, this collection shows Potter’s distinctive voice at its entertaining, thought-provoking and uncompromising best.

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The underground has been a dominant image of modern life since the late eighteenth century. A site of crisis, fascination, and hidden truth, the underground is a space at once more immediate and more threatening than the ordinary world above. In Subterranean Cities, David L. Pike explores the representation of underground space in the nineteenth and early twentieth centuries, a period during which technology and heavy industry transformed urban life.The metropolis had long been considered a moral underworld of iniquity and dissolution. As the complex drainage systems, underground railways, utility tunnels, and storage vaults of the modern cityscape superseded the countryside of caverns and mines as the principal location of actual subterranean spaces, ancient and modern converged in a mythic space that was nevertheless rooted in the everyday life of the contemporary city. Writers and artists from Felix Nadar and Charles Baudelaire to Charles Dickens and Alice Meynell, Gustave Doré and Victor Hugo, George Gissing and Emile Zola, and Jules Verne and H. G. Wells integrated images of the urban underworld into their portrayals of the anatomy of modern society. Illustrated with photographs, movie stills, prints, engravings, paintings, cartoons, maps, and drawings of actual and imagined urban spaces, Subterranean Cities documents the emergence of a novel space in the subterranean obsessions and anxieties within nineteenth-century urban culture. Chapters on the subways, sewers, and cemeteries of Paris and London provide a detailed analysis of these competing centers of urban modernity. A concluding chapter considers the enduring influence of these spaces on urban culture at the turn of the twenty-first century.

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The reader – from beginner making their first short film, through to experienced producer packagin an international multi-million pound co-production – is guided through the entire process of raising finance, in a book packed with interviews, case studies, expert tips and details of more than 200 funds.

The UK Film Funding Guide 2003/04 was originally published by Shooting People and went on to sell almost 4,000 copies amongst the UKÂ’s guerilla filmmaking scene. This second edition – the UK Film Finance Handbook 2005/06 – from the same authors, is published by Netribution and has been fully revised, updated and expanded.

• All forms of production finance fully explained – including the new UK 20% tax credit
• International and co-production incentives for over 20 countries
• 101 tips and tricks from low-budget filmmakers for more affordable films
• Directory comprising over 400 film contacts across all sectors
• Top level interviews including UK Film Council execs, the head of BBC Films and Nik Powell, co-founder of Virgin and one of the UK’s most seasoned producers.

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Both an introduction to film study and a practical writing guide, this brief text introduces students to film terms and the major film theories to enable them to write more critically. With numerous student and professional examples along the way, this engaging and practical guide progresses from taking notes and writing first drafts to creating polished essays and comprehensive research projects. Moving from movie reviews to theoretical and critical essays, the text demonstrates how an analysis of a film becomes more subtle and rigorous as part of a compositional process.

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This book is about the practical realities of the film market today and how to make a film while minimizing financial risk. Film is a risky investment and securing that investment is a huge challenge. The best way to get investors is to do everything possible to make the film without losing money.

Featuring interviews with film industry veterans – sales agents, producers, distributors, directors, film investors, film authors and accountants – Daniel Harlow explores some of the biggest obstacles to making a commercially successful film and offers best practice advice on making a good film, that will also be a commercial success. The book explores key topics such as smart financing, casting to add value, understanding the film supply chain, the importance of genre, picking the right producer, negotiating pre-sales and much more. By learning how to break even, this book provides invaluable insight into the film industry that will help filmmakers build a real, continuing career.

A vital resource for filmmakers serious about sustaining a career in the 21st century film industry.

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LIMITED FIRST EDITION contains red foil gilded page edges and a black satin ribbon marker.

As featured in Pitchfork, Empire, MovieMaker, Nerdist, The Wall Street Journal, The A.V. Club, Mashable, Wired, Yahoo’s “It List,” IGN, SFX, The Wrap, Gizmodo and more!

“I see many things. I see plans within plans.”

Following his underground hit Eraserhead and critically acclaimed The Elephant Man, visionary filmmaker David Lynch set his sights on bringing Frank Herbert’s beloved sci-fi novel Dune to the screen. The project had already vexed directors such as Alejandro Jodorowsky (El Topo) and Ridley Scott (Alien). But by the early ‘80s Universal Pictures was prepared to give Lynch the keys to the kingdom – and the highest budget in the studio’s history at the time – so that he could lend his surrealistic chops to this sprawling story of feuding space dynasties. They would also hopefully be creating a “Star Wars for adults” franchise-starter.

As the hot young filmmaker commanded a cast with 42 major speaking parts as well as a crew of 1,700 (plus over 20,000 extras) on 80 sets built on 8 sound stages in Mexico, what happened next became as wild, complex, and full of intrigue as Herbert’s novel itself.

Film writer Max Evry goes behind the erratic ride of David Lynch’s Dune like never before, with a years-in-the-making oral history culled from a lineup of new interviews with the film’s stars (Kyle MacLachlan, Sean Young, Virginia Madsen, etc.), creatives, film executives, and insiders – not to mention Lynch himself.

David Lynch’s Dune initially left many filmgoers and reviewers scratching their heads, most dismissing the film upon its release. However, four decades and a big-budget remake later, Lynch’s Dune is finally poised to find its rightful place alongside the director’s other masterpieces such as Blue Velvet and Mullholland Drive.

Max Evry’s A Masterpiece in Disarray takes you back to 1984 with the deepest dive yet into the cult classic that is David Lynch’s Dune.

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