Communication Studies

The new edition has been brought fully up to date with coverage of the Covid-19 pandemic, Russia’s invasion of Ukraine, and challenges to the global international order. A new chapter on the Nation-State and multicultural citizenship focuses on identity, community, ethnicity, migration, and regions. In addition to this, a new chapter 11, ‘Direct Democracy’, provides cutting-edge analysis of referendums, citizen assemblies, and other forms of democratic innovations. Additional analysis of gender equality, poverty, and climate change is provided from a global perspective in the new chapter 22, which examines the impact of public policies. And finally, a new chapter 25, ‘Promoting and Protecting Democracy’, draws on the latest developments, such as global shifts towards authoritarian regimes and autocracy, and international relations perspectives, to present a clear overview of democracy promotion.

An unrivalled amount of empirical material in the text illustrates the key similarities and differences across political systems. The wealth of empirical data also encourages students to go beyond the ‘what’ of comparison to the ‘how’. Combining cutting edge treatment of theories and truly global geographical coverage, this exciting textbook is essential reading for all comparative politics students.

The sixth edition includes a wealth of embedded digital resources, which are accessible through the enhanced e-book. These include:

– Multiple-choice questions for every section, designed to reinforce students’ understanding of key points through frequent and cumulative revision, and to assist with independent self-study
– Interactive graphs with live-updating data, which allow readers to manipulate and customise their own charts, to help reinforce understanding of empirical data in the context of each chapter
– A library of web links to relevant databases, blogs, debates, and videos, to help explore research interests and take learning further
– Answers to end of chapter questions, which contain useful hints and tips to help tackle the knowledge-based, critical thinking, and applied questions
– Videos of news reports, speeches, analysis, and key events to help bring theories and concepts to life
– A bank of comparative tables and country profiles, which illustrate ideas and concepts, but can also be used in students’ own research and analysis, giving readers a real sense of how comparative politics works in practice.
– An interactive flashcard glossary to test students’ knowledge and understanding of each chapter’s key terms

Teaching resources for adopting lecturers include:
– Seminar activities that lecturers can use to engage their students, based on the content of each chapter
– A bank of questions for lecturers to use to test students’ understanding of key concepts covered in the chapters

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The perfect Christmas gift for anyone with a shrewd sense of humour.

Decidedly absurd, and always entertaining, revel in the very best letters to The Times.

From umbrella protocol at the Coronation to growing cress in lunar soil, this collection lets you in on more than a few inside jokes from one of Britain’s longest-running correspondences.

While the other pages of the newspaper chronicle the pressing issues of the day, the Letters page often muses on the things that really matter.Sir: The year in letters is a selection of the best of these letters, an elegant and erudite display of Times readers at their most whimsical and droll.

The perfect gift for anyone with a shrewd sense of humour, this book features:
• An absurdly entertaining round up of the year’s happenings
• More than 400 letters featured in The Times, curated by Letters editor Andrew Riley
• Original cartoons by Royston Robertson

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I’ve Got Mail is the brand new book from Jeff Stelling, the Sunday Times bestselling author and host of Sky Sports’ iconic football show Soccer Saturday. Reproducing a selection of correspondence he has received down the years, Stelling tells some intriguing stories around his experiences in broadcasting and football. This charming book is by turns warm and funny, moving and poignant, and invariably underpinned by a deeply rooted love of football and people.

“It arrived while I was playing football. I remember my mum running towards me, dressed in pinny and slippers, waving a piece of flesh coloured paper, gripped in her hand, the print all in slightly faded block capitals. But the message from my new employer was clear and urgent.

BERNARD GENT UNWELL. GO TO LEEDS IMMEDIATELY. COVER LEEDS UNITED V MIDDLESBROUGH

It was the first and last telegram I ever received. It was a message that probably changed the course of my life. It was the first of many pieces of correspondence during my life which have made me laugh, cry or perhaps influenced my pathway in a more significant way.

Receiving letters by post or via e-mail has always been important to me. Even now I feel slightly disappointed if the postman passes the door without anything for me, even though I know the chances are it will be a bill, a parking fine, a bank statement or a catalogue offering me clothing or garden furniture. The same applies when my inbox is empty save for someone offering a deal on a used car or urging me to change my energy provider.

These days my mail is often from total strangers, usually with a simple birthday or autograph request. But at times the correspondence is emotional, and sometimes it is angry. Occasionally I’m entrusted with personal issues that the correspondents probably would not tell their closest friends. The only thing they all have in common is they start ‘Dear Jeff’. Or almost all do…”

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For more than thirty years, All You Need to Know About the Music Business has been universally regarded as the definitive guide to the music industry. Now in its eleventh edition, Passman leads novices and experts alike through what has been the most profound change in the music business since the days of wax cylinders and piano rolls: streaming. For the first time in history, music is no longer monetized by selling something—it’s monetized by how many times a listener streams a song. And also, for the first time, artists can get their music to listeners without a record company gatekeeper, creating a new democracy for music.

The “industry bible” (Los Angeles Times), now updated, is essential for anyone in the music business—musicians, songwriters, lawyers, agents, promoters, publishers, executives, and managers—and the definitive guide for anyone who wants to be in the business.

So, whether you are—or aspire to be—in the music industry, veteran music lawyer Passman’s comprehensive guide is an indispensable tool. He offers timely information about the latest trends, including the reasons why artists have more clout than ever in history, the massive influence of TikTok, the mega million dollar sales of artists’ songs and record catalogs, music in Web3 and the Metaverse, music created by AI, and a full update of the latest numbers and practices.

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**An Independent Book of the Month**

‘Why do we allow adverts that actively promote our own destruction? Halting climate catastrophe is hard enough without ads selling things that pollute more. With Badvertising, Simms and Murray have done the world an urgent favour. Funny and readable, it will make us all see advertising in a very different way’ Dr Chris van Tulleken, doctor, broadcaster and author of Ultra-Processed People

‘Hugely timely and important … Grapples with advertising’s role in enabling climate crimes – and sets out why and how we need to stop the industry’s complicity in its tracks, for the sake of a liveable future’ Caroline Lucas MP

‘Simms and Murray are clear-headed guides. Learn the history, be enraged at the tactics, and join the struggle for a less polluted public sphere’ Sam Knights, writer, actor and activist

‘A much-needed book whose time has come. The continued advertising of high-carbon products at a time of climate crisis is a form of insanity The authors are absolutely right’ Bill McGuire, Professor Emeritus of Earth Sciences, University College London

‘This book was a watershed moment for me. Since it can’t have an advertising campaign, we all need to tell our friends about it’ Jeremy Vine, broadcaster and journalist

Advertising is selling us a dream, a lifestyle. It promises us fulfilment and tells us where to buy it – from international flights to a vast array of goods we consume like there is no tomorrow. The truth is, if advertising succeeds in keeping us on our current trajectory, there may not be a tomorrow.

In Badvertising, Andrew Simms and Leo Murray raise the alarm on an industry that is making us both unhealthy and unhappy, and that is driving the planet to the precipice of environmental collapse in the process.

What is the psychological impact of being barraged by literally thousands of advertisements a day? How does the commercialisation of our public spaces weaken our sense of belonging? How are car manufacturers, airlines and oil companies lobbying to weaken climate action? Examining the devastating impact of advertising on our minds and on the planet, Badvertising also crucially explores what we can do to change things for the better.

Andrew Simms was called a ‘master at joined-up progressive thinking’ by New Scientist magazine. He co-authored the original Green New Deal, came up with Earth Overshoot Day, and jointly proposed the Fossil Fuel Non- Proliferation Treaty. He is the author of several books including Ecological Debt, Tescopoly, Cancel the Apocalypse and Economics: A Crash Course. He co-directs the New Weather Institute, is Assistant Director of Scientists for Global Responsibility, coordinates the Rapid Transition Alliance and is a Research Fellow at the University of Sussex.

Leo Murray co-founded climate action charity Possible, where he is currently Director of Innovation, as well as noughties direct action pressure group Plane Stupid and pioneering solar rail enterprise Riding Sunbeams. Murray is also the creator of the Frequent Flyer Levy and the brains behind the Trump Baby blimp which rose to global fame during Donald Trump’s US presidency.

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The Fall of Boris Johnson is the explosive inside account of how a prime minister lost his hold on power. From Sebastian Payne, former Whitehall Editor for the Financial Times and author of Broken Heartlands.

Winner of the Parlimentary Book Awards
A New Statesman, The Times, Daily Mail and FT Book of the Year
‘Revelatory’ – The Daily Telegraph
‘Delicious detail’ – The Times

Boris Johnson was touted as the saviour of the country and the Conservative Party, obtaining a huge commons majority and finally ‘getting Brexit done’. But, within three short years, he was deposed in disgrace and left the country in crisis.

Sebastian Payne tells the essential behind-the-scenes story, charting the series of scandals that felled Johnson: from the blocked suspension of Owen Paterson, through partygate and the final death blow: the Chris Pincher allegations. This is the full narrative of the betrayals, rivalries and resignations that resulted in the dramatic Conservative coup – and set in motion those events that saw the party sink to catastrophic new lows.

With unparalleled access to those who were in the room when key decisions were made, Payne tells of the miscalculations and mistakes that led to Boris Johnson’s downfall. This is a gripping and timely look at how power is gained, wielded and lost in Britain today.

‘Genuinely page-turning’ – Andrew Marr
‘Entertaining and illuminating’ – Tim Shipman

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Author and consultant Jennifer Garvey Berger has worked with all types of leaders―from top executives at Google to nonprofit directors who are trying to make a dent in social change. She hears a version of the same plea from every client in nearly every sector around the world: “I know that complexity and uncertainty are testing my instincts, but I don’t know which to trust. Is there some way to know what to do when I can’t know what’s next?”

Her newest work is an answer to this plea. Using her background in adult development, complexity theories, and leadership consultancy, Garvey Berger discerns five pernicious and pervasive “mind traps” to frame the book. These are: the desire for simple stories, our sense that we are right, our desire to get along with others in our group, our fixation with control, and our constant quest to protect and defend our egos. In addition to understanding why these natural impulses steer us wrong in a fast-moving world, leaders will get powerful questions and approaches that help them escape these patterns.

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Iconoclasm, Identity Politics and the Erasure of History surveys the origins, uses and manifestations of iconoclasm in history, art and public culture. It examines the various causes and uses of image/property defacement as a tool of political, national, religious and artistic process. This is one of the first books to examine the outbreak of iconoclasm in Europe and North America in the summer of 2020 in the context of previous outbreaks, and it examines the implications of iconoclasm as a form of control, censorship and expression.

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The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment.

It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process.

The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve.

The Everyday Practice of Public Art offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century.

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Videogame Atlas presents a journey through twelve well-known videogame worlds via panoramic maps, intricate exploded diagrams and detailed illustrations. The book offers a playful new way of seeing these beloved virtual worlds using the practices and academic rigour that underpins real-world architectural theory.

Titles such as Minecraft, Assassin’s Creed Unity and Final Fantasy VII are explored in exhaustive detail through over 200 detailed illustrations of the micro and macro, each with supporting commentary and architectural theory. Taking influence from high-end architectural monographs, the book is carefully designed to the smallest of details and its production is intricately executed.

This book, printed in five colours, with neon ink throughout, is a culmination of Luke and Sandra’s work, which includes founding the Videogame Urbanism studio at the Bartlett School of Architecture, UCL that promotes the use of game technologies in architectural education.

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More than 40 stories from the glory days of rock’n’roll, featuring Lou Reed, Elton John, Sting and The Clash.

Allan Jones brings stories – many previously unpublished – from the golden days of music reporting. Long nights of booze, drugs and unguarded conversations which include anecdotes, experiences and extravagant behaviour.

– A band’s aftershow party in San Francisco being gatecrashed by cocaine-hungry Hells Angels
– Chrissie Hynde on how rock’n’roll killed The Pretenders
– What happened when Nick Lowe and 20 of his mates flew off to Texas to join the Confederate Air Force
– John Cale on his dark alliance with Lou Reed

Allan Jones remembers a world that once was – one of dark excess and excitement, outrageous deeds and extraordinary talent, featuring legends at both the beginnings and ends of their careers.

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This essential and highly acclaimed guide, now updated and revised in its eighth edition, explains the business of the British music industry.

Drawing on her extensive experience as a media lawyer, Ann Harrison offers a unique, expert opinion on the deals, the contracts and the business as a whole. She examines in detail the changing face of the music industry and provides absorbing and up-to-date case studies.

Whether you’re a recording artist, songwriter, music business manager, industry executive, publisher, journalist, media student, accountant or lawyer, this practical and comprehensive guide is indispensable reading.

Fully revised and updated. Includes:
· The current types of record and publishing deals, and what you can expect to see in the contracts
· A guide to making a record, manufacture, distribution, branding, marketing, merchandising, sponsorship, band arrangements and touring
· Information on music streaming, digital downloads and piracy
· The most up-to-date insights on how the COVID-19 crisis has affected marketing
· An in-depth look at copyright law and related rights
· Case studies illustrating key developments and legal jargon explained.

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Shortlisted for the Penderyn Music Book Prize
A Rough Trade Book of the Year
A Resident Book of the Year
A Monorail Book of the Year
A Virgin Radio Book of the Year

In 1986, the NME released a cassette that would shape music for years to come. A collection of twenty-two independently signed guitar-based bands, C86 was the sound and ethos that defined a generation. It was also arguably the point at which ‘indie’ was born.

But what happened next to all those musical dreamers?

Some of the bands, like Primal Scream, went on to achieve global stardom; others, such as Half Man Half Biscuit and The Wedding Present, cultivated lifelong fanbases that still sustain their careers today. Then there were the rest – the ones who endured general indifference from the record-buying public and ultimately returned to civvy street.

Now, thirty-five years on, journalist Nige Tassell tracks down the class of C86, unearthing members of all twenty-two bands and sharing the stories, both tragic and uplifting, of these long-lost musicians.

Told with warmth, compassion and humour, this is a very human account of ambition, hope, varying degrees of talent and what happens after you give up on music – or, more accurately, after music gives up on you. It’s a world populated by bike-shop owners, dance-music producers, record-store proprietors, ornithologists, driving instructors, solicitors, caricaturists and possibly even an Olympic sailor. And let’s not forget the musician-turned-actor gainfully employed as Jeremy Irons’ body double…

More than simply the tale of the tape, Whatever Happened to the C86 Kids? is an exploration of C86’s wide-reaching and often surprising legacy.

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A powerful graphic novel, capturing the heart of day-to-day life in occupied Palestine.

In late 1991 and early 1992, at the time of the first Intifada, Joe Sacco spent two months with the Palestinians in the West Bank and Gaza Strip, travelling and taking notes.

Upon returning to the United States he started writing and drawing Palestine, which combines the techniques of eyewitness reportage with the medium of comic-book storytelling to explore this complex, emotionally weighty situation. He captures the heart of the Palestinian experience in image after unforgettable image, with great insight and remarkable humour.

The nine-issue comics series won a l996 American Book Award. It is now published for the first time in one volume, befitting its status as one of the great classics of graphic non-fiction.

‘The bar is set extremely high when it comes to graphic books and the Middle East: one thinks of Joe Sacco’s Palestine’ Guy Delise

‘Palestine is utterly compelling, and as affecting as the work of any war photographer or poet’ Varsity

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