Communication Studies

A dazzling look at modern videogame worlds seen through an architectural lens, utilizing maps, diagrams and graphic illustrations to offer new perspectives on the art of virtual world building.

Videogame Atlas presents a journey through twelve well-known videogame worlds via panoramic maps, intricate exploded diagrams and detailed illustrations. The book offers a playful new way of seeing these beloved virtual worlds using the practices and academic rigour that underpins real-world architectural theory.

Titles such as Minecraft, Assassin’s Creed Unity and Final Fantasy VII are explored in exhaustive detail through over 200 detailed illustrations of the micro and macro, each with supporting commentary and architectural theory. Taking influence from high-end architectural monographs, the book is carefully designed to the smallest of details and its production is intricately executed.

This book, printed in five colours, with neon ink throughout, is a culmination of Luke and Sandra’s work, which includes founding the Videogame Urbanism studio at the Bartlett School of Architecture, UCL that promotes the use of game technologies in architectural education.

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Vision On narrates the turbulent yet distinguished history of one of the fundamental pillars of British broadcasting–the arts. This volume chronicles the years of dynamic and often controversial collaboration between broadcasters and the Arts Council, a key player in bringing art films to the wider public audience. Beginning with the earliest TV documentaries, the arts became central to the remit of public broadcasters, and by the 1980s Channel 4 and the Arts Council were boldly redefining the relationship of the arts and the media by commissioning and airing exclusive and innovative films. With detailed discussion of the cultural role of television programmes such as Civilisation (1966) and Arena (1974 onwards), close analysis of over 25 films and exclusive access to the Arts Council’s collection of the 450 films supported between 1953 and 1999, this volume illuminates the vanguard role the arts have played in the proud history of British public broadcasting, and attempts to locate the place of arts broadcasting in today’s multi-channel, multi-media world.

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In this official centennial history of the greatest studio in Hollywood, unforgettable stars, untold stories, and rare images from the Warner Bros. vault bring a century of entertainment to vivid life.

The history of Warner Bros. is not just the tale of a legendary film studio and its stars, but of classic Hollywood itself, as well as a portrait of America in the last century. It’s a family story of Polish-Jewish immigrants-the brothers Warner-who took advantage of new opportunities in the burgeoning film industry at a time when four mavericks could invent ways of operating, of warding off government regulation, and of keeping audiences coming back for more during some of the nation’s darkest days.
Innovation was key to their early success. Four years after its founding, the studio revolutionized moviemaking by introducing sound in The Jazz Singer (1927). Stars and stories gave Warner Bros. its distinct identity as the studio where tough guys like Humphrey Bogart and strong women like Bette Davis kept people on the edge of their seats. Over the years, these acclaimed actors and countless others made magic on WB’s soundstages and were responsible for such diverse classics as Casablanca, A Streetcar Named Desire, A Star Is Born, Bonnie & Clyde, Malcolm X, Caddyshack, Purple Rain, and hundreds more.

It’s the studio that put noir in film with The Maltese Falcon and other classics of the genre, where the iconic Looney Tunes were unleashed on animation, and the studio that took an unpopular stance at the start of World War II by producing anti-Nazi films. Counter-culture hits like A Clockwork Orange and The Exorcist carried the studio through the 1970s and ’80s. Franchise phenomena like Harry Potter, the DC universe, and more continue to shape a cinematic vision and longevity that is unparalleled in the annals of film history. These stories and more are chronicled in this comprehensive and stunning volume.

Copyright © 2023 Warner Bros. Entertainment Inc.

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‘You will love this book.’ – RICHARD OSMAN

Shortlisted for the Penderyn Music Book Prize
A Rough Trade Book of the Year
A Resident Book of the Year
A Monorail Book of the Year
A Virgin Radio Book of the Year

In 1986, the NME released a cassette that would shape music for years to come. A collection of twenty-two independently signed guitar-based bands, C86 was the sound and ethos that defined a generation. It was also arguably the point at which ‘indie’ was born.

But what happened next to all those musical dreamers?

Some of the bands, like Primal Scream, went on to achieve global stardom; others, such as Half Man Half Biscuit and The Wedding Present, cultivated lifelong fanbases that still sustain their careers today. Then there were the rest – the ones who endured general indifference from the record-buying public and ultimately returned to civvy street.

Now, thirty-five years on, journalist Nige Tassell tracks down the class of C86, unearthing members of all twenty-two bands and sharing the stories, both tragic and uplifting, of these long-lost musicians.

Told with warmth, compassion and humour, this is a very human account of ambition, hope, varying degrees of talent and what happens after you give up on music – or, more accurately, after music gives up on you. It’s a world populated by bike-shop owners, dance-music producers, record-store proprietors, ornithologists, driving instructors, solicitors, caricaturists and possibly even an Olympic sailor. And let’s not forget the musician-turned-actor gainfully employed as Jeremy Irons’ body double…

More than simply the tale of the tape, Whatever Happened to the C86 Kids? is an exploration of C86’s wide-reaching and often surprising legacy.

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‘A tour de force’ – Guardian

‘Forensic … Strong on financial detail’ – Financial Times

The untold story of post-war Britain. Told through the lives of the two men who helped shape it: Sir David Barclay and Sir Frederick Barclay.
You May Never See Us Again is the only definitive story of David and Frederick Barclay – commonly known as the Barclay brothers. Born poor, these enigmatic twins built one of the biggest fortunes in Britain together from scratch and spent six decades at the epicentre of British business, media and politics. Their empire, said to be worth £7bn at its height, included Littlewoods, the Ritz Hotel, The Daily Telegraph and the channel island of Brecqhou. They were major advocates for Brexit and well-connected with influential politicians including Margaret Thatcher, Boris Johnson and Nigel Farage.
And yet despite their fortune and influence, their fiercely guarded desire for privacy has meant that their story remained largely unknown – until a very public family dispute pitched Barclay against Barclay in the High Court.
Journalist Jane Martinson unravels the fascinating story of these once inseparable billionaire brothers. Through their lives she offers compelling insights into post-war Britain, from the conditions that enabled their way of doing business to thrive through to the tightly enmeshed webs of influence between capitalism, politics and the media that shape Britain today.

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