Social Sciences

  • Accident Report Book: Workplace Health & Safety | HSE Compliant Accident & Incident Record Log Book (Record All Incident In Your Business)

    HSE Accident Report Book to Record All Incident In Your Business

    Details:
    What Inside:

    Accident date and Accident time
    Location, Date and Time reported
    Person injured / involved
    Full name and Address
    Details of incident / accident
    Nature and extent of injuries
    What action was taken ?
    Witness: name, contact
    Actions which could have prevented the incident
    Form conpleted by / Approved by / Signature

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    £4.70
  • Pantheon: Gods and Goddesses of the Greco-Roman World (Wooden Books U.K. Series)

    How many Muses are there? Who were the original twelve Titans? Why is Zeus (Jupiter) associated with power stations, and Poseidon (Neptune) with salt-cellars? Who were Aphrodite’s (Venus’) handmaidens? In this beautiful little book, packed with helpful details and rare early illustrations, picture-researcher Philippa Lewis reveals the fabulous deities of the Classical world, their colourful characters, memorable stories and visual attributes, showing how the immortals live on even today.

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    £6.40£6.60
  • The Religion of the Landless: The Social Context of the Babylonian Exile

    Through brilliant new interpretations of biblical exiles, Daniel Smith-Christopher shows their experience as the most apt model for the Church as witnesses for the peace and justice of God in a strange land.

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    £22.80£29.50
  • Dinéjí Na`nitin: Navajo Traditional Teachings and History

    “A knowledgeable and sensitive description of some of the basic aspects of traditional Navajo teachings, thought, and language.” —Utah Historical Quarterly
     
    Traditional teachings derived from stories and practices passed through generations lie at the core of a well-balanced Navajo life. These teachings are based on a very different perspective of the physical and spiritual world than that found in general American culture. Dinéjí Na`nitin is an introduction to traditional Navajo teachings and history for a non-Navajo audience, providing a glimpse into this unfamiliar domain and illuminating the power and experience of the Navajo worldview.
     
    Historian Robert McPherson discusses basic Navajo concepts such as divination, good and evil, prophecy, and metaphorical thought, as well as these topics’ relevance in daily life, making these far-ranging ideas accessible to the contemporary reader. He also considers the toll of cultural loss on modern Navajo culture as many traditional values and institutions are confronted by those of dominant society. Using both historical and modern examples, he shows how cultural change has shifted established views and practices and illustrates the challenge younger generations face in maintaining the beliefs and customs their parents and grandparents have shared over generations.
     
    This intimate look at Navajo values and customs will appeal not only to students and scholars of Native American studies, ethnic studies, and anthropology but to any reader interested in Navajo culture or changing traditional lifeways.

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    £2.80
  • African Religion: Asarian Theology: Volume 4

    18.ASARIAN RELIGION: RESURRECTING OSIRIS The path of Mystical Awakening and the Keys to Immortality NEW REVISED AND EXPANDED EDITION! The Ancient Sages created stories based on human and superhuman beings whose struggles, aspirations, needs and desires ultimately lead them to discover their true Self. The myth of Aset, Asar and Heru is no exception in this area. While there is no one source where the entire story may be found, pieces of it are inscribed in various ancient Temples walls, tombs, steles and papyri. For the first time available, the complete myth of Asar, Aset and Heru has been compiled from original Ancient Egyptian, Greek and Coptic Texts.

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    £16.50£19.30
  • Why Study Religion?

    Can the study of religion be justified? Scholarship in religion, especially work in “theory and method,” is preoccupied with matters of research procedure and thus inarticulate about the goals that motivate scholarship in the field. For that reason, the field suffers from a crisis of rationale. Richard B. Miller identifies six prevailing methodologies in the field, and then offers an alternative framework for thinking about the purposes of the discipline. Shadowing these various methodologies, he notes, is a Weberian scientific ideal for studying religion, one that aspires to value-neutrality. This ideal fortifies a “regime of truth” that undercuts efforts to think normatively and teleologically about the field’s purpose and value. Miller’s alternative framework, Critical Humanism, theorizes about the ends rather than the means of humanistic scholarship.

    Why Study Religion? offers an account of humanistic inquiry that is held together by four values: Post-critical Reasoning, Social Criticism, Cross-cultural Fluency, and Environmental Responsibility. Ordered to such purposes, Miller argues, scholars of religion can relax their commitment to matters of methodological procedure and advocate for the value of studying religion. The future of religious studies will depend on how well it can articulate its goals as a basis for motivating scholarship in the field.

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    £27.10
  • Religion and Culture in Native America

    Religion and Culture in Native America presents an introduction to a diverse array of Indigenous religious and cultural practices in North America, focusing on those issues in which tribal communities themselves are currently invested. These topics include climate change, water rights, the protection of sacred places, the reclaiming of Indigenous foods, health and wellness, social justice, and the safety of Indigenous women and girls. Locating such contemporary challenges within their historical, religious, and cultural contexts illuminates how Native communities’ responses to such issues are not simply political, but deeply spiritual, informed by sacred traditions, ethical principles, and profound truths.

    In collaboration with renowned ethnographer and scholar of Native American religious traditions Inés Talamantez, Suzanne Crawford O’Brien abandons classical categories typically found in religious studies textbooks and challenges essentialist notions of Native American cultures to explore the complexities of Native North American life.

    Key features of this text include:

    • Consideration of Indigenous religious traditions within their historical, political, and cultural contexts
    • Thematic organization emphasizing the concerns and commitments of contemporary tribal communities
    • Maps and images that help to locate tribal communities and illustrate key themes.
    • Recommendations for further reading and research

    Written in an engaging narrative style, this book makes an ideal text for undergraduate courses in Native American Religions, Religion and Ecology, Indigenous Religions, and World Religions.

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    £16.70
  • Handbook of Conspiracy Theory and Contemporary Religion: 17 (Brill Handbooks on Contemporary Religion)

    The Handbook of Conspiracy Theories and Contemporary Religion is the first collection to offer a comprehensive overview of conspiracy theories and their relationship with religion(s), taking a global and interdisciplinary perspective.

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    £195.40
  • Religion: Rereading What Is Bound Together

    With this profound final work, completed in the days leading up to his death, Michel Serres presents a vivid picture of his thinking about religion―a constant preoccupation since childhood―thereby completing Le Grand Récit, the comprehensive explanation of the world and of humanity to which he devoted the last twenty years of his life.

    Themes from Serres’s earlier writings―energy and information, the role of the media in modern society, the anthropological function of sacrifice, the role of scientific knowledge, the problem of evil―are reinterpreted here in the light of the Old Testament accounts of Isaac and Jonah and a variety of Gospel episodes, including the Three Wise Men of the Epiphany, the Transfiguration, Peter’s denying Christ, the Crucifixion, Emmaus, and the Pentecost. Monotheistic religion, Serres argues, resembles mathematical abstraction in its dazzling power to bring together the real and the virtual, the natural and the transcendent; but only in its Christian embodiment is it capable of binding together human beings in such a way that partisan attachments are dissolved and a new era of history, free for once of the lethal repetition of collective violence, can be entered into.

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    £24.70
  • Badvertising: Polluting our Minds and Fuelling Climate Chaos

    **An Independent Book of the Month**

    ‘Why do we allow adverts that actively promote our own destruction? Halting climate catastrophe is hard enough without ads selling things that pollute more. With Badvertising, Simms and Murray have done the world an urgent favour. Funny and readable, it will make us all see advertising in a very different way’ Dr Chris van Tulleken, doctor, broadcaster and author of Ultra-Processed People

    ‘Hugely timely and important … Grapples with advertising’s role in enabling climate crimes – and sets out why and how we need to stop the industry’s complicity in its tracks, for the sake of a liveable future’ Caroline Lucas MP

    ‘Simms and Murray are clear-headed guides. Learn the history, be enraged at the tactics, and join the struggle for a less polluted public sphere’ Sam Knights, writer, actor and activist

    ‘A much-needed book whose time has come. The continued advertising of high-carbon products at a time of climate crisis is a form of insanity The authors are absolutely right’ Bill McGuire, Professor Emeritus of Earth Sciences, University College London

    ‘This book was a watershed moment for me. Since it can’t have an advertising campaign, we all need to tell our friends about it’ Jeremy Vine, broadcaster and journalist

    Advertising is selling us a dream, a lifestyle. It promises us fulfilment and tells us where to buy it – from international flights to a vast array of goods we consume like there is no tomorrow. The truth is, if advertising succeeds in keeping us on our current trajectory, there may not be a tomorrow.

    In Badvertising, Andrew Simms and Leo Murray raise the alarm on an industry that is making us both unhealthy and unhappy, and that is driving the planet to the precipice of environmental collapse in the process.

    What is the psychological impact of being barraged by literally thousands of advertisements a day? How does the commercialisation of our public spaces weaken our sense of belonging? How are car manufacturers, airlines and oil companies lobbying to weaken climate action? Examining the devastating impact of advertising on our minds and on the planet, Badvertising also crucially explores what we can do to change things for the better.

    Andrew Simms was called a ‘master at joined-up progressive thinking’ by New Scientist magazine. He co-authored the original Green New Deal, came up with Earth Overshoot Day, and jointly proposed the Fossil Fuel Non- Proliferation Treaty. He is the author of several books including Ecological Debt, Tescopoly, Cancel the Apocalypse and Economics: A Crash Course. He co-directs the New Weather Institute, is Assistant Director of Scientists for Global Responsibility, coordinates the Rapid Transition Alliance and is a Research Fellow at the University of Sussex.

    Leo Murray co-founded climate action charity Possible, where he is currently Director of Innovation, as well as noughties direct action pressure group Plane Stupid and pioneering solar rail enterprise Riding Sunbeams. Murray is also the creator of the Frequent Flyer Levy and the brains behind the Trump Baby blimp which rose to global fame during Donald Trump’s US presidency.

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    £17.50£19.00
  • Eyeliner: A Cultural History

    A dazzling exploration of the intersections of beauty and power around the globe, told through the lens of an iconic cosmetic

    ‘Awe-inspiring and fascinating’ Funmi Fetto
    ‘A treat to read’ Kassia St Clair

    From the distant past to the present day, humans have been drawn to lining their eyes. The aesthetic trademark of figures ranging from Nefertiti to Amy Winehouse, eyeliner is one of our most enduring cosmetic tools; ancient royals and Gen Z beauty influencers alike would attest to its uniquely transformative power. It is undeniably fun – yet it is also far from frivolous.

    Seen through Zahra Hankir’s (kohl-lined) eyes, this ubiquitous but seldom-examined product becomes a portal to history, proof both of the stunning variety among cultures across time and space and of our shared humanity. Through intimate reporting and conversations – with nomads in Chad, geishas in Japan, dancers in India, drag queens in New York, and more – Eyeliner embraces the rich history and significance of its namesake, especially among communities of colour. What emerges is a delightful, surprising, and unexpectedly moving journey through streets, stages, and bedrooms around the world, and a thought-provoking reclamation of a key piece of our collective history.

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    £14.60£18.00
  • Art inSight: Understanding Art and Why It Matters

    PREFACE     INTRODUCTION                                                                                       Chapter 1: The ORIGINAL SKYPE            Meet a cave dweller, an African king, an Egyptian pharaoh, a Greek goddess, a Christian saint, and others who let you know who they are and what matters. What would a Roman general and Elvis Presley have to say to one another? Chapter 2: Figure Things Out Art is traditional, innovative, noisy, silent, figurative, abstract, pretty, ugly, orderly or messy. Objects change meaning depending on where they are and what is around them. Chairs, windows, animals, people, and trees may show up in unfamiliar places. Understanding grows through dialogue. Chapter 3: STEP Back to Go Forward                      Images from ancient to contemporary art show views of time, nature, human relationships, and more. Artists transform invisible values into visible forms and reveal ways people and cultures make sense of their worlds.  Chapter 4: WHOSE LENS?            Labels and headlines lead you to expect certain ideas. Artists use their perspectives to manage yours. Your tastes, opinions, prejudices, and past experiences affect what you see. When you are alert to the difference between projecting and receiving, you can move from sight to insight.    Chapter 5: ART IN DIALOGUE                 Paintings from 16th century Iran and 20th century America talk to one another. They learn what is important to each by asking questions and modelling open-hearted dialogue. They see how artists in both cultures paint unreal scenes to seek what is real. Chapter 6: The CAPTURE            Students in communication and mediators in training meet modern art at the Hirshhorn Museum. They ask one another what they see and answer by describing. They discuss each others’ perceptions. Successful mediators must be fine observers and excellent listeners.  Chapter 7: QUESTION AND PLAY          Practice overhearing yourself through questions and play. Simple observations lead to complex ideas. Circles and lines make up pictures and provide metaphors in art and in life. Narrow categories limit understanding. Questioning art is a form of intercultural communication. Chapter 8: Travel  Go to new places through art without suffering culture shock. A bowl, etched with calligraphy, takes you on a journey to Iran, and a soup can goes with you to America. Both are more than their visual forms. Questioning them carries you from surface to depth.  Chapter 9: WHEN ART SPEAKS, LISTEN            Language of all kinds communicates, bewilders, clarifies, and obscures. Become fluent in the language of art and question its colours, materials, and forms – its titles, symbols, archetypes, and frames. “Speaking” the language of art leads to cultural fluency. Chapter 10: FOLLOW YOUR SENSES – SENSE MEANING     Body and mind work together. Your senses introduce you to art and to the rest of the world. Notice your first reactions, your thoughts and feelings. Then, return to the art by observing and describing. Open yourself to others’ stories. Chapter 11: MAKE SENSE OF THE SENSELESS         In the wake of the 9/11 attack on the World Trade Centre in New York, artists used small things to confront large ideas. Prayer rugs and cheeseburgers are filled with meaning. Find spiritual beliefs, patriotism, war, sex, and politics, along with fears, loves, desires, and angers. Chapter 12: IN OTHER WORLDS             In 2010, the world watched the rescue of trapped Chilean coal miners. Artists take you underground to their dark world. Go more deeply into yourself through detailed questions about what you see in places you may never enter except through art.

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    £15.20
  • Making Room: Cultural Production in Occupied Spaces

    Making Room: Cultural Production in Occupied Spaces is an anthology of texts on art, media and aesthetic practice in the context of squatting, occupation and urban space activism. It includes pieces by activist researchers working between the academy and the movements they write about, journalistic first-person narratives by squatters, original photography and interviews with artists, theorists and activists involved in struggles over urban space and creative production in the city. Focused primarily on the European context its international relations and connection, this diverse collection of material is organized into sections by country so as to highlight the contrast between different voices and frames of reference. While many of these voices assert accounts of a cohesive, international squatter movement or are committed to specific political projects the anthology, when taken as a whole, tells a more complex story about constellations of movements and practices intensely engaged with local conditions that have developed – sometimes independently, sometimes in dialog with one another – as people have struggled to survive, express themselves, carve out zones of autonomy and resistance, and push back against the dominance of capitalism in the city. In this, “cultural production” appears in a variety of forms ranging from conventional art practices, to the organizing of communities and networks, to the production of media and setting up of information systems. Likewise, squats, occupations and social centers are figured as art projects themselves, housing and workspaces for artists or, most significantly, constituent parts of an alternative infrastructure for the autonomous production of knowledge, discourse, and aesthetics. Making Room includes stories of the squatter movement in Germany both in the 1980s and ’90s as the Cold War was ending and Neoliberalism taking shape, and in its contemporary manifestations as resistance to gentrification and struggles for housing and the inclusion of migrants. In Northern Europe it recounts episodes in the emergence of militant autonomism from the softer counterculture of the 1960s and ’70s as struggles hardened and utopian exuberance faded in the face of the consolidation of global capitalism and was replaced by grim, determined holding actions. In Italy the housing struggles and social center movement of the 1980s appears as a more popular and pragmatic revival of activism following the decimation of the radical left in the dark years of the anni di piombo. This revival has found new resonance in the resurgence of squatting in Italy and the occupation and debt resistance movement in Spain that have taken much inspiration from it. Other texts in the anthology recount struggles to define the role of creativity as cities in Western Europe and North America have become post-industrial urban economies, organized around knowledge work and affective labor, and gentrification has replaced urban decay as a primary problem. Finally, another narrative thread runs through the anthology tracing a history of radical media from the underground printing and publishing practices of the 1960’s and ’70s through the proliferation of pirate radio and television projects and into contemporary hacker and internet activist culture.

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    £9.50£14.30
  • Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present

    ‘Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present’ sets out a fresh perspective on rock art by considering how ancient images function in the present. In recent decades, archaeological approaches to rock paintings and engravings have significantly advanced our understanding of rock art in regional and global terms. On the other hand, however, little research has been done on contemporary uses of rock art. How does ancient rock art heritage influence contemporary cultural phenomena? And how do past images function in the present, especially in contemporary art and other media? In the past, archaeologists usually concentrated more on reconstructing the semantic and social contexts of the ancient images. This volume, on the other hand, focuses on how this ancient heritage is recognised and reified in the modern world, and how this art stimulates contemporary processes of cultural identity-making. The authors, who are based all over the world, off er attractive and compelling case studies situated in diverse cultural and geographical contexts.

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    £28.50
  • Reading the Walls of Bogota: Graffiti, Street Art, and the Urban Imaginary of Violence (Pitt Illuminations)

    A cultural imaginary is a structuring space through which collective understandings of cultural and society phenomena are formed, reproduced, and accepted as the norm. Reading the Walls of Bogotá uses graffiti and street art to explore the urban imaginaries of violence in Bogotá, Colombia. These artistic forms are produced and received in different ways in different areas of the city and offer an insight into citizens’ everyday experiences and perceptions of violence from the political, to the personal, to that of structural inequality. Through graffiti, in which critiques of memory, space, politics, and aesthetics are embedded, artists and their viewers form vernacular theories through which they interpret the world and the spaces they inhabit. By focusing on creative expression, Alba Griffin shows how Bogotá’s residents respond to imaginaries of violence, how they critique the norms, how they appropriate space to challenge or negotiate violence, and how they push back against inequality.

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    £26.30
  • The Failures of Public Art and Participation

    This collection of original essays takes a multi-disciplinary approach to explore the theme of failure through the broad spectrum of public art and social practice.

    The anthology brings together practicing artists, curators, activists, art writers, administrators, planners, and educators from around the world to offer differing perspectives on the many facets of failure in commissioning, planning, producing, evaluating, and engaging communities in the continually evolving field of art in the public realm. As such, this book offers a survey of currently unexplored and interconnected thinking, and provides a much-needed critical voice to the commissioning of public and participatory arts. The volume includes case studies from the UK, the US, China, Cuba, and Denmark, as well as discussions of digital public art collections.

    The Failures of Public Art and Participation will be of interest for students and scholars of visual arts, design and architecture interested in how art in the public realm fits within social and political contexts.

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    £34.20
  • The Everyday Practice of Public Art: Art, Space, and Social Inclusion

    The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment.

    It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process.

    The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve.

    The Everyday Practice of Public Art offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century.

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    £30.10£35.10
  • I Wanna Do That!: The Magic of Mardi Gras Marching Krewes

    The move from spectator to participant is a quantum leap. Yet each Mardi Gras in New Orleans, thousands of people make that leap, abandoning inhibition and reveling in the ever-growing creative phenomenon of marching krewes.

    To celebrate this untold story, I Wanna Do That! Celebrating the Magic of Mardi Gras Marching Krewes, bursts with over 200 full color photographs that document this important New Orleans-centered cultural movement. As local arts critic Doug McCash says, “At this juncture, marching krewes are one of the best art stories in the city.”

    Ok…so, what is a marching krewe?

    Simply put, a marching krewe is a group of like-minded people who get together for the purpose of marching in parades that take place during the Carnival (Mardi Gras) season.

    These krewes come in all shapes, sizes, and variations, yet they all share the attributes of creativity, artistry, quirkiness, humor, inclusiveness, and accessibility. Krewes are composed of people who practice dance moves, sew costumes, and create “throws” to hand out to a covetous public. People for whom participation is a badge of civic identity. People who at one point stood on the curb and said “I wanna do THAT!!”

    Realizing that the marching krewe field has expanded exponentially, our team knew it was a story that must be told. Two incredibly talented local photographers worked tirelessly to document the creative energy of the 2020 Mardi Gras season for this book, to tell and share the unique story of the 300+ marching krewes in New Orleans. I Wanna Do That! is perfect gift for anyone who loves New Orleans.

    “‘I Wanna Do That!: The Magic of Mardi Gras Marching Krewes’ is a must-have book for Carnival aficionados. Leafing through the 272-page volume, illustrated with lusciously funky photos by Ryan Hodgson-Rigsbee and Patrick Niddrie, seems especially precious these days, since the coronavirus has put the kibosh on most upcoming Mardi Gras-season events.” – Doug MacCash, Staff Writer, The New Orleans Advocate

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    £27.50
  • 500 Years Later: An Oral History of Final Fantasy VII

    A thrilling deep dive into the creation of the revered PlayStation RPG.

    Comprising over thirty interwoven voices, this beautifully produced book offers unprecedented insight into the craft and ambition behind the revered PlayStation RPG. An extended adaptation of Matt Leone’s celebrated 27,000 word history, published online by Polygon in January 2017, this physical version has been designed by Rachel Dalton and features sixteen specially commissioned illustrations by sparrows, eight new standalone interviews, and a foreword by series creator Hironobu Sakaguchi.

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    £23.70£28.50
  • Videogame Atlas: Mapping Interactive Worlds

    A dazzling look at modern videogame worlds seen through an architectural lens, utilizing maps, diagrams and graphic illustrations to offer new perspectives on the art of virtual world building.

    Videogame Atlas presents a journey through twelve well-known videogame worlds via panoramic maps, intricate exploded diagrams and detailed illustrations. The book offers a playful new way of seeing these beloved virtual worlds using the practices and academic rigour that underpins real-world architectural theory.

    Titles such as Minecraft, Assassin’s Creed Unity and Final Fantasy VII are explored in exhaustive detail through over 200 detailed illustrations of the micro and macro, each with supporting commentary and architectural theory. Taking influence from high-end architectural monographs, the book is carefully designed to the smallest of details and its production is intricately executed.

    This book, printed in five colours, with neon ink throughout, is a culmination of Luke and Sandra’s work, which includes founding the Videogame Urbanism studio at the Bartlett School of Architecture, UCL that promotes the use of game technologies in architectural education.

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    £28.90£38.00
  • Music: The Business (8th edition): (8th edition)

    This essential and highly acclaimed guide, now updated and revised in its eighth edition, explains the business of the British music industry.

    Drawing on her extensive experience as a media lawyer, Ann Harrison offers a unique, expert opinion on the deals, the contracts and the business as a whole. She examines in detail the changing face of the music industry and provides absorbing and up-to-date case studies.

    Whether you’re a recording artist, songwriter, music business manager, industry executive, publisher, journalist, media student, accountant or lawyer, this practical and comprehensive guide is indispensable reading.

    Fully revised and updated. Includes:
    · The current types of record and publishing deals, and what you can expect to see in the contracts
    · A guide to making a record, manufacture, distribution, branding, marketing, merchandising, sponsorship, band arrangements and touring
    · Information on music streaming, digital downloads and piracy
    · The most up-to-date insights on how the COVID-19 crisis has affected marketing
    · An in-depth look at copyright law and related rights
    · Case studies illustrating key developments and legal jargon explained.

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    £25.70£33.30
  • British National Cinema (National Cinemas)

    The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge’s new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author’ fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.

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    £34.20
  • Vision on: Film, Television and the Arts in Britain (Nonfictions)

    Vision On narrates the turbulent yet distinguished history of one of the fundamental pillars of British broadcasting–the arts. This volume chronicles the years of dynamic and often controversial collaboration between broadcasters and the Arts Council, a key player in bringing art films to the wider public audience. Beginning with the earliest TV documentaries, the arts became central to the remit of public broadcasters, and by the 1980s Channel 4 and the Arts Council were boldly redefining the relationship of the arts and the media by commissioning and airing exclusive and innovative films. With detailed discussion of the cultural role of television programmes such as Civilisation (1966) and Arena (1974 onwards), close analysis of over 25 films and exclusive access to the Arts Council’s collection of the 450 films supported between 1953 and 1999, this volume illuminates the vanguard role the arts have played in the proud history of British public broadcasting, and attempts to locate the place of arts broadcasting in today’s multi-channel, multi-media world.

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    £15.00£20.90
  • 1971: 100 Films from Cinema’s Greatest Year

    1971 was a great year for cinema. Woody Allen, Robert Altman, Dario Argento, Ingmar Bergman, Stanley Kubrick, Sergio Leone, George Lucas, Sam Peckinpah, Roman Polanski, Nicolas Roeg and Steven Spielberg, among many others, were behind the camera, while the stars were also out in force. Warren Beatty, Marlon Brando, Michael Caine, Julie Christie, Sean Connery, Faye Dunaway, Clint Eastwood, Jane Fonda, Dustin Hoffman, Steve McQueen, Jack Nicholson, Al Pacino and Vanessa Redgrave all featured in films released in 1971.

    The remarkable artistic flowering that came from the ‘New Hollywood’ of the ’70s was just beginning, while the old guard was fading away and the new guard was taking over. With a decline in box office attendances by the end of the ’60s, along with a genuine inability to come up with a reliable barometer of box office success, studio heads gave unprecedented freedom to young filmmakers to lead the way.

    Featuring interviews with cast and crew members, bestselling author Robert Sellers explores this landmark year in Hollywood and in Britain, when this new age was at its freshest, and where the transfer of power was felt most exhilaratingly.

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    £16.40£19.00
  • Irish cinema in the twenty-first century

    An accessible, comprehensive overview of contemporary Irish cinema, this book is intended for use as a third-level textbook and is designed to appeal to academics in the areas of film studies and Irish studies. Responding to changes in the Irish production environment, it includes chapters on new Irish genres such as creative documentary, animation and horror. It discusses shifting representations of the countryside and the city, always with a strong concern for gender representations, and looks athow Irish historical events, from the Civil War to the Troubles, and the treatment of the traumatic narrative of clerical sexual abuse have been portrayed in recent films. It covers works by established auteurs such as Neil Jordan and Jim Sheridan, as well as new arrivals, including the Academy Award-winning Lenny Abrahamson.

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    £15.30
  • Producing Bollywood: Inside the Contemporary Hindi Film Industry

    Producing Bollywood offers an unprecedented look inside the social and professional worlds of the Mumbai-based Hindi film industry and explains how it became “Bollywood,” the global film phenomenon and potent symbol of India as a rising economic powerhouse. In this rich and entertaining ethnography Tejaswini Ganti examines the changes in Hindi film production from the 1990s until 2010, locating them in Hindi filmmakers’ efforts to accrue symbolic capital, social respectability, and professional distinction, and to manage the commercial uncertainties of filmmaking. These efforts have been enabled by the neoliberal restructuring of the Indian state and economy since 1991. This restructuring has dramatically altered the country’s media landscape, which quickly expanded to include satellite television and multiplex theaters. Ganti contends that the Hindi film industry’s metamorphosis into Bollywood would not have been possible without the rise of neoliberal economic ideals in India. By describing dramatic transformations in the Hindi film industry’s production culture, daily practices, and filmmaking ideologies during a decade of tremendous social and economic change in India, Ganti offers valuable new insights into the effects of neoliberalism on cultural production in a postcolonial setting.

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    £21.80
  • Gaslight Melodrama

    Guy Barefoot explores Hollywood’s fascination in the 1940s, with late Victorian or Edwardian settings. All of the films studied are crime melodramas – films that feature a narrative pattern of sensation and reparation, and that involve crime, investigation and identification.

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    £28.70
  • Michael Balcon: The Pursuit of British Cinema

    , 128 pages, illustrated throughout with monochrome photographs, Michael Powell’s personal copy, DEDICATED by Bill Johnson ( an American Architect and trustee of Museum of Modern Art) and others to Michael Powell.

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    £4.30
  • Hollywood Word Search Puzzle: Challenging Puzzle Brain book For Adults and Seniors, More than 1500 words about Hollywood, Gifts For Christmas Birthday

    This word search puzzle book is perfect for adults , Seniors & Teens who like word puzzles.

    Features of the book:

      • 1500+ challenging words to find !

      • 80+ themed puzzles on a variety of topics

      • High-quality illustrations and paper

      • Beautiful soft mate cover, With Big size 8.5×11 inch: Large Print – Anti – Eye strain for Adults, Seniors.

      • If you do not know an answer or you may be tired, you have the solutions at the end of the book. It is great for both beginners and advanced Hours of fun!

      This is a beautiful & cute gift for anyone at any age who needs to keep their brain active & mind relaxed!

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      £6.60
    • Experiencing Cinema: Participatory Film Cultures, Immersive Media and the Experience Economy

      Film is often conceived as a medium that is watched rather than experienced. Existing studies of film audiences, and of media reception more broadly, have revealed the complexity of viewing practices and cultures surrounding cinema-going and its exhibition spaces. Experiencing Cinema offers the first in-depth study of participant engagement with a range of experiential media forms derived from cinema culture. From sing-a-long screenings to theatrical extravaganzas, a broad spectrum of alternative film-going practices and immersive spaces are explored and analysed in this original audience study.

      Moving from intimate community gatherings to blockbuster urban venues, from isolated farmhouses to Olympic stadia, Experiencing Cinema considers the lure and value of these popular events. Often attracting a diverse, intergenerational range of participants, from early-adopter urban hipsters to DIY rural communities, the growing demand for participatory cinema within the contemporary marketplace is analysed alongside broader debates circulating around the move away from traditional tiered seating and increased audience mobility and the de-centring of the film text.

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      £19.80
    • The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies (Studies of the Weatherhead East Asian Institute)

      In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films’ production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies.

      A Study of the Weatherhead East Asian Institute, Columbia University

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      £23.70
    • Where Lizards Play Saxophone: From Hollywood to the Himalayas: A tale of the positively true adventures of a corporate dropout his search for truth, love and the Seven Summits

      Where Lizards Play Saxophone is the story of man, confined by his own inability to express and understand his own feelings, having found himself in a life, rather than having chosen and continually choosing his life. He searches the world for answers to the questions he’s finally allowed himself to ask about truth, love and life. It’s a tale common to everyone who ever felt stuck in their lives, disconnected from themselves, for they journeyed on without reading the signs.

      Michael, was a Hollywood agent at the top of his game, representing the biggest stars when he loses his first client, and is in love with a woman he just can’t quite find.

      He takes us behind the scenes on an intimate journey into the inner circle and inner workings of 1990’s Hollywood, then around the world into every breath of climbing the highest mountain peaks of the Seven Summits.

      It was prior to 9/11 and the expansion of the internet, before smart phones and social media… It was the end of an era, when the word ‘unreachable’ was still attainable.

      This book is short, a one to two sit read… The reader should feel that they are in a constantly twisting water slide, moving fast being banged around, never really lingering in any environment too long but yet experiencing it’s essence, it’s understanding, until the end when right back to where you started – simple words said at the right time resonate to a feeling of peace and clarity, just like when you come out of that slide and into that warm pool and are free to swim at your own will again.

      This is Michael’s first book.

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      £14.10
    • Searching for Stars: Stardom and Screen Acting in British Cinema (Rethinking British Cinema S.)

      Explores the reasons behind British cinema’s failure to create its own stars. The text looks at the way theatre and music hall spawned their stars, and asks why so many of them found the transition to film so awkward. It compares the British star system with that of Hollywood. What sort of contracts were British stars offered? How much were they paid? Who dealt with their publicity? How did Britsh fans regard them? There are essays on key figures (Novello, Fields, Formby, Dors, Bogarde, Mason, Matthews), and assessment of how British stars fared in Hollywood, an analysis of the effects of class and regional prejudice on attempts at British star-making, and a survey of the British comedy tradition, and some of the questions about how genre affected the star system.

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      £61.70
    • Unruly Cinema: History, Politics, and Bollywood

      Between 1931 and 2000, India’s popular cinema steadily overcame Hollywood domination. Bollywood, the film industry centered in Mumbai, became nothing less than a global cultural juggernaut. But Bollywood is merely one part of the country’s prolific, multilingual cinema. Unruly Cinema looks at the complex series of events that allowed the entire Indian film industry to defy attempts to control, reform, and refine it in the twentieth century and beyond.

      Rini Bhattacharya Mehta considers four aspects of Indian cinema’s complicated history. She begins with the industry’s surprising, market-driven triumph over imports from Hollywood and elsewhere in the 1930s. From there she explores how the nationalist social melodrama outwitted the government with its 1950s cinematic lyrical manifestoes. In the 1970s, an action cinema centered on the angry young male co-opted the voice of the oppressed. Finally, Mehta examines Indian film’s discovery of the global neoliberal aesthetic that encouraged the emergence of Bollywood.

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      £19.20£20.90
    • Unscripted: Sex and Lies in Hollywood’s Most Powerful Company

      ‘Explosive’ Esquire
      ‘Epic’ Financial Times
      ‘Riveting’ Vanity Fair

      Sumner Redstone was the CEO of Hollywood’s most influential company: the powerhouse behind Indiana Jones and Star Wars, film studios and TV production companies, a fleet of private jets and tailor-made jewellery lines. He was notorious for his fearsome temper, his all-consuming ambition and his pledge to live forever. Until, one day, he lost control.

      Unscripted is the story of an empire embroiled in scandal, a will in tatters, and a family on the edge of self-destruction. It sounds too outrageous to be true – except it is.

      Longlisted for the Financial Times Business Book of the Year Award

      ‘A racy tale of big money, bigger egos and #MeToo disgrace.’ The Times

      ‘Addicted to Succession? Well, here’s the real thing.’ Hollywood Reporter

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      £9.60£10.40
    • Trivia for Seniors: 400 Multiple-Choice Memorable 50s-90s Events Questions and Answers. Large Print Activity Quiz Book to Challenge Your Memory and Keep Brain Young

      400 Multiple-Choice 50s-90s Questions and Answers for Seniors

      Do you remember when the world first marveled at the magic of color television? Or when we hummed to the tunes of Elvis Presley and later grooved to the beats of the Beatles? From the fascinating 50s to the innovative 90s, each decade brought joy, discovery, and sheer nostalgia.

      This Trivia Book for Seniors is designed especially for those who have witnessed the spectacular evolution of our world from the mid-20th century to the turn of the millennium.

      The book features:
      ✔️ Nostalgic Dive: Journey through the vibrant vignettes of the 50s to the 90s. Each decade shines through with 80 distinct multiple-choice questions, presenting options from “a” to “d”.
      ✔️ Brain Booster: Answering these multiple-choice trivia questions isn’t just fun and an excellent exercise for the brain.
      ✔️ Pure Positivity: Questions Crafted to Uplift and Inspire.
      ✔️ Large Print: With a font size of 16, we’ve ensured that the questions are easy on the eyes, making for a comfortable reading experience.
      ✔️Interactive Fun: You’re not just a passive reader. Engage with the book by circling your answers and later checking them against the solutions provided at the end.

      The benefits of engaging in such mental exercises are manifold:
      ✔️ Enhanced Memory: Regularly challenging your brain can help in sharpening memory.
      ✔️ Stress Reduction: Immersing yourself in a nostalgic activity can be a great way to relax and de-stress.
      ✔️ Social Engagement: Share this book with friends or family and indulge in friendly competitions or discussions.
      ✔️Knowledge Reinforcement: Revisit some iconic past events and learn something new!

      So, whether buying this for yourself or gifting it to a loved one, know that it’s more than just a book—it’s an experience, a journey back in time, and a celebration of the decades that defined us.

      Click on “BUY NOW” above and start your trivia!

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      £10.40
    • Investing in Movies: Strategies for Investors and Producers (American Film Market Presents)

      In this second edition of Investing in Movies, industry veteran Joseph N. Cohen provides investors and producers with an analytical framework to assess the opportunities and pitfalls of film investments.

      The book traces macroeconomic trends and the globalization of the business, including the rise of streamers, as well as the impact these have on potential returns. It offers a broad range of guidelines on how to source interesting projects and advice on what kinds of projects to avoid, as well as numerous ways to maximize risk-adjusted returns. While focusing primarily on investments in independent films, Cohen also provides valuable insights into the studio and independent slate deals that have been marketed to the institutional investment community. As well, this new edition has been updated to fully optimize the current film industry climate including brand new chapters on the Chinese film market, new media/streaming services, and the effects of COVID-19 on the global film market.

      Written in a detailed and approachable manner, this book is essential for students and aspiring professionals looking to gain an insider perspective against the minefield of film investing.

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      £34.20
    • Changing Heritage: How Internal Tensions and External Pressures are Threatening Our Cultural and Natural Legacy

      Changing Heritage presents the most comprehensive analysis of heritage issues available today. Critically analysing the complexity of the current and forthcoming issues faced by heritage, it presents insightful directions for the future.

      Drawing on the author’s many years of experience working in senior positions at UNESCO, the book presents discussions of heritage sites all around the world. Today, our cultural and natural legacies face significant threats due to social and economic developments, political pressures, and unresolved historical issues. This book delves into these threats from two distinct perspectives: internal tensions and external pressures. The internal tensions include the disregard for human rights and gender equality; the increasing exploitation of heritage for political purposes; the development of post-colonial perspectives; and the necessity to reassess the established notion of “universal value.” External pressures stem from global processes, unsustainable tourism, political conflicts, ethnic clashes, and religious strife that are causing destruction in numerous parts of the world. Examining the dynamics between heritage and these internal tensions and external pressures, Bandarin offers insights into the challenges faced and emphasizes the imperative role of civil society in safeguarding the value of heritage for present and future generations.

      Changing Heritage explores a wide range of issues surrounding the crisis in heritage management on an international level. It will be essential reading for heritage scholars, students, and professionals

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      £123.50
    • Ruth Asawa Through Line

      A groundbreaking examination of how the act of drawing was a vital component of Ruth Asawa’s multifaceted art

      “A revelatory exhibition. . . . [A] fine exhibition catalog.”―Nancy Princenthal, New York Times, “Critic’s Pick”
       
      Ruth Asawa (1926–2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa’s oeuvre throughout her career, featuring essays that examine the range of Asawa’s aesthetic maneuvers across materials and techniques; how Asawa’s drawing intertwined with the Bay Area arts community and her contributions to public education as a teacher and organizer; and the influence of Josef Albers’s pedagogy and Asawa’s lifelong adoption of his type of paper folding. Tracing Asawa’s artistic journey from her first formal art lessons in a Japanese American internment camp during World War II through her time at Black Mountain College and beyond, this comprehensive overview of the artist’s drawings includes reproductions of more than one hundred works―many of which have never been published―organized into eight thematic sections that cut through time, reflecting an art-making practice that was more circular or cyclical than linear.
       
      Distributed for the Menil Collection and the Whitney Museum of American Art
       
      Exhibition Schedule:
       
      Whitney Museum of American Art, New York
      (September 16, 2023–January 15, 2024)
       
      The Menil Collection, Houston
      (March 22–July 21, 2024)

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      £38.00
    • The Decisive Network: Magnum Photos and the Postwar Image Market

      Since its founding in 1947, the legendary Magnum Photos agency has been telling its own story about photographers who were witnesses to history and artists on the hunt for decisive moments. Based on unprecedented archival research, The Decisive Network unravels Magnum’s mythologies to offer a new history of what it meant to shoot, edit, and sell news images after World War II.
       
      Nadya Bair shows that between the 1940s and 1960s, Magnum expanded the human-interest story to global dimensions while bringing the aesthetic of news pictures into new markets. Working with a vast range of editorial and corporate clients, Magnum made photojournalism integral to postwar visual culture. But its photographers could not have done this alone. By unpacking the collaborative nature of photojournalism, this book shows how picture editors, sales agents, spouses, and publishers helped Magnum photographers succeed in their assignments and achieve fame. Bair concludes in the late 1960s and early 1970s, when changing market conditions led Magnum to consolidate its brand. In that moment, Magnum’s photojournalists became artists and their assignments oeuvres. Bridging art history, media studies, cultural history, and the history of communication, The Decisive Network transforms our understanding of the photographic profession and the global circulation of images in the predigital world.

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      £28.20

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