Social Sciences

‘Would you like to know where Putin comes from? What the Russians are like today? And why? Read this book’ SVETLANA ALEXIEVICH

‘Brilliant and immersive … reportage at its brave and luminous best’ OBSERVER

To be a journalist is to tell the truth. To be patriotic is to be critical, honest and fearless.

I Love Russia takes us to places that non-Russians have never seen and brings us voices we have never heard. It is Elena Kostyuchenko’s courageous attempt to document Russia as experienced by those whom it systematically and brutally erases: village girls recruited into sex work, queer people in the outer provinces, patients and doc­tors at a Ukrainian maternity ward, and reporters like herself.

At once uncompromising and deeply humane, it stitches reportage and personal essays into a kaleidoscopic, often other-worldly journey. Here is Russia as it is, not as we imagine it.

I Love Russia may be the last work from her homeland Kostyuchenko will publish for a long time – perhaps ever. She writes driven by the conviction that the greatest form of love and patriotism is criticism. And because the threat of Putin’s Russia extends beyond herself, beyond Crimea, and beyond Ukraine.

This is a singular portrait of a nation, and of a woman who refuses to be silenced.

‘Elena’s bravery and reportage are astonishing’ CHRISTINA LAMB

‘Kostyuchenko is an important guide to the twenty-first century’ TIMOTHY SNYDER

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From The Sopranos to streaming: the scandalous behind-the-screens story of the TV revolution by the author of the cult film classic Easy Riders, Raging Bulls.

The revolution has been televized. From The Sopranos to Stranger Things, the shows we watch – and the ways we watch them – have been transformed over the past fifty years. Out of the bland wasteland of ‘play-it-safe’ broadcasting came astonishing stories of sex, violence, and corruption shown first on cable, and then by way of streaming. Today, the power of viewers to select what they want and when they want it is greater than ever before. In short, we are living in a new golden age of television, but golden ages don’t last forever. Revolutions have a habit of eating their own, and the era of ‘peak TV’ may have an unhappy ending.

Pandora’s Box is a major new account of the small screen from cultural critic Peter Biskind. Through exclusive, candid and colourful interviews with writers, showrunners, directors and actors, Biskind brings us face to face with the people whose creations we encounter every day on our sofas, and reveals the dynamic interplay of art, commerce and technology. We follow executives down the corridors of power and see how their money and guile cultivate, then crush creativity; we witness the making – and unmaking – of TVs biggest hits. There has never been a more exciting time in entertainment history, and Peter Biskind, the ideal insider guide, captures it all.

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‘Ruskin Park is so much more than a memoir. It is tribute to an individual woman and a whole generation and class.’ – Justin Webb, The Sunday Times

‘Ruskin Park is Rory Cellan-Jones’s touching tribute to both his parents, but particularly to the mother he came to know more fully from the letters she left behind’ – Daily Mail

‘A captivating family detective story and a poignant social history of Britain.’ – Observer

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Can we ever really know the truth about our parents? From the popular journalist, podcaster and tweeter about his rescue dog #SophiefromRomania comes a moving memoir in search of the truth behind his isolated childhood and absent father.

Rory Cellan-Jones knew he was the child of a brief love affair between two unmarried BBC employees. But until his mother died and he found a previously unknown file labelled ‘For Rory’ he had no idea of their beginnings or ending, and why his peculiarly isolated childhood had so tested the bond between him and his mother. ‘For Rory,’ his mother had written on the file ‘in the hope that it will help him understand how it really was …’

This is a compelling account of what Rory uncovered in the papers, letters and diaries; a relationship between two colleagues (two romantics) and the restrictive forces of post-war respectability and prejudice that ended it. It is also an evocation of the progressive, centrifugal force at the centre of all their lives – the BBC itself.

Both tender and troubling, the drama moves from wartime radio broadcasts, to the glamour of 1950s television studios, to the golden era of BBC drama. His father may have directed The Forsyte Saga and Rory may have watched him from the corridors, but he would never actually meet him until much later in adulthood. Until then Rory’s life was bound to the one-bedroom flat he shared with his mother in Ruskin Park …

‘I loved this highly evocative, unpretentious memoir. It’s a small-scale BBC drama in itself.’ – The Times

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A NEW STATESMEN BOOK OF THE YEAR 2023

‘A lasting work of social history’ THE TIMES

‘A genuinely new history of our nation’ DAN JONES

‘This celebration of women is a triumph of popular history’ SPECTATOR

‘Philippa Gregory uses all her bestseller skills to weave a narrative with pace’ ANTONIA FRASER

FROM THE MULTI-MILLION BESTSELLING HISTORICAL NOVELIST COMES THE CULMINATION OF HER LIFE’S WORK

• Did you know that there are more penises than women in the Bayeux Tapestry?
• That the Peasant’s Revolt was started and propelled by women, protesting a tax on women?
• Or that celebrated naturalist Charles Darwin believed not just that women were naturally inferior to men but that they’d evolve to become ever more inferior?
  These are just a few of the startling findings you will learn from reading Philippa Gregory’s Normal Women. In this ambitious and ground-breaking book, she tells the story of our nation over 900 years, but for the very first time women – some fifty per cent of the population – are no longer invisible in this history of England, but are at its beating heart.

Using research skills honed in her work as one of our foremost historical novelists, Gregory trawled through court records to find highway women, beggars and shepherdesses, through newspapers and diaries to find murderers and brides, housewives and pirates, female husbands and hermits. The ‘normal women’ you will meet in her pages went to war, ploughed the fields, campaigned, wrote, and loved. They rode in jousts, flew Spitfires, issued their own currency and built ships, corn mills and houses as part of their everyday lives They committed crimes, or treason, worshipped many gods, cooked and nursed, invented things and rioted. A lot. They built our society to be as diverse and varied as the women themselves. They are there in the archives – if you look – and they made our history.

‘You’ll lose count of the number of things you learn about women and their skewed place in history … the book reframes the past … an essential read’ INDEPENDENT, FIVE-STAR REVIEW

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From the moment Star Wars burst onto the screen in 1977, audiences have been in equal parts fascinated and appalled by the half-man/half-machine hybrid Darth Vader. In 1999, creator George Lucas began the story of how Anakin Skywalker grew up to train as a Jedi under Obi-Wan Kenobi, found love with the Queen of Naboo, Padmé Amidala, before turning to the dark side of his nature and becoming more machine than man.

After driving the development of nascent digital technology, George Lucas perceived how he could create new creatures and new worlds on a grander scale than ever before. He created the first digital blockbuster, and met fierce resistance when he pushed for widespread digital cameras, sets, characters, and projection – all of which are now used throughout the industry. He essentially popularized the modern way of making movies.

Made with the full cooperation of George Lucas and Lucasfilm, this second volume covers the making of the prequel trilogy ― Episode I The Phantom Menace, Episode II Attack of the Clones, and Episode III Revenge of the Sith ― and features exclusive interviews with Lucas and his collaborators. The book is profusely illustrated with script pages, production documents, concept art, storyboards, on-set photography, stills, and posters.

About the series

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program―now more compact, friendly in price, and still realized with the same commitment to impeccable production.

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