Gideon the Ninth: Tamsyn Muir: 1 (Locked Tomb)
£11.40
A USA Today Best-Selling Novel!
“Unlike anything I’ve ever read. ” –V.E. Schwab
“Lesbian necromancers explore a haunted gothic palace in space!” –Charles Stross
“Brilliantly original, messy and weird straight through.” –NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir’s Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy.
Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service.
Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon’s sword, Harrow will fail, and the Ninth House will die.
Of course, some things are better left dead.
THE LOCKED TOMB TRILOGY
BOOK 1: Gideon the Ninth
BOOK 2: Harrow the Ninth
BOOK 3: Alecto the Ninth
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by Sharron Joy Reads
Gideon is ready to escape but her lifelong enemy, Harrowhark, the Reverend Daughter and Necromancer of the Ninth House requires one final service, she needs a swordswoman. The Emperor orders the heirs of the eight houses and their cavaliers to travel to the First House and undertake a trial of skill and power. If Harrowhark succeeds she will become an all powerful immortal but she cannot succeed without Gideon. The trials begin and the first house becomes a death trap.
This is a techno gothic sci-fi murder mystery horror story and it is incredible. It is fantasy but the world building is shared as the story is told, it leaves the intricacies of this world to the reader to decipher, this is quite common in sci-fi , not so much in fantasy. I loved this as it enabled me to construct the world bit by bit in my head like a puzzle and I love puzzles! There are a lot of characters but they are all listed at the front if you get lost and after a while they are easy to remember.
The magic systems in this are gloriously gothic, living skeletons from fragments of dust, constructs of bone, flesh and sinew, it is so visceral! The solar system they are in is fuelled by the power of death and the energy of life.
Gideon is a hell of a woman, acerbic and irreverent, her contemptuous relationship with Harrow, who has tormented her since they were children, is vicious from both sides but with a rich vein of dark humour. I loved them both!
It is a murder mystery in a crumbling gothic mansion. It is Medieval knights on a quest, loyalty and fealty to one’s House, duty and honour. It is powerful sorcery using blood, bones and magic. It is trials to the death and solving the clues to find the key. It is a remarkable read and I cannot wait for the next book in the series!
by A. Whitehead
The orphaned Gideon Nav is a servant of the Ninth House, the guardians of the Locked Tomb, a position she despises. After her latest escape attempt is thwarted, she is recruited to join the House’s heir, the necromancer Harrowhark, on a mission to the First House. If successful, the Ninth will gain influence and power in the eyes of the Emperor. But strange tasks await scions of all the Houses, some of which will prove fatal even to those with power over the death.
Gideon the Ninth is the debut novel by Tamsyn Muir and the first novel in the Locked Tomb trilogy. It has attracted widespread critical acclaim, including being nominated for both the 2020 Hugo and Nebula Awards and coming third in the Goodreads Choice SF Awards in 2019. The novel defies easy categorisation, incorporating as it does elements from science fiction, fantasy and horror, with a tone that could perhaps be summed up as “Mervyn Peake writes Warhammer 40,000.”
The book is a technogothic thriller, where the mismatched Harrowhark and Gideon reluctantly work together with (and against) representatives of the other eight houses to investigate the mysteries of the First House to see who is worthy of becoming the new Lyctor, the right hand of the Emperor. The setting, an empire of nine planets circling a central star, is painted in vague strokes because our only POV character, Gideon, has only ever lived on the gloomy, depressing and death-obsessed Ninth and has no idea what the other worlds are like. Worldbuilding is drip-fed slowly into the narrative, painting a very intriguing picture of an empire which has endured for ten thousand years against remote, external threats thanks to the undying vigilance of the mysterious god-emperor, whose real history, motivation and even name remain a mystery.
Gideon, our main protagonist, is self-reliant, independent and resentful of authority, but is also fascinated by mysteries and yearns for freedom but isn’t entirely sure what to do if she was to achieve it. She is in a dubious, co-dependent relationship with the officious Harrowhark, who strives to be an enigma and be respected (qualities that do not always combine well) but finds this difficult to achieve due to her and Gideon’s mutual hatred. Their relationship is at the core of the novel and it’s probably not a huge spoiler to say they eventually find an accommodation and a way of working together against mutual, greater enemies, although I must admit I found the swing from outright enemies to banterish frenemies to be a bit abrupt. Gideon is a strong (if archetypical) protagonist whose more relaxed, informal and pomposity-puncturing form of speech can be a bit of a relief when things threaten to go Turned-to-Eleven Gormenghast in terms of oppressive atmosphere and baroque chicanery.
The book incorporates a small secondary cast of characters from the other houses, such as warriors like Marta Dyas, Naberius Tern and Jeannemary Chatur, and house heirs like Dulcinea Septimus and Palamedes Sextus. Muir has a superb way with names and paints the secondary cast with skill and wit, from Chatur’s youthful exuberance to Tern’s lethal confidence to Septimus’s wounded bird charm.
The story unfolds at a measured pace, perhaps a bit too measured: the first half of the novel is on the slow side of things and, given the rather limited number of characters and locations, it does feel like it takes a bit too long to get going. Once it does, though, it doesn’t stop. The second half of the book is a near-dizzying eruption of plot revelations, deaths and unexpected twists that is quite compelling.
The other major weakness that comes to mind is the book’s tonal dissonance between the ritual-obsessed, formal world and Gideon’s near-non sequitur pop culture references. Gideon’s informality and ability to take the mickey out of every situation is often entertaining, but on a few occasions (such as direct dialogue quotes from both the US version of The Office and The Simpsons) it lifts the reader right out of the world and story. These times are relatively rare, but feel a bit jarring.
Overall, though, Gideon the Ninth (****½) is a strong debut novel, a dark and bleakly humorous journey through a world of necromancers and grotesques. The novel is available now in the UK and USA. The sequel, Harrow the Ninth, will be published in August 2020.
by C. Ibbetson
The book appeared in a recommended list as i looked for material to read on holiday. I’ve read lots of Fantasy and SF and I can honestly say that this book’s storyline was highly original and the twists of the story were unpredictable from start to finish. Really enjoyed it, great story.