Roll over image to zoom in
Twenty Concepts in Woodblock Printing (Small Crafts)
£10.90£12.30 (-11%)
This inspiring book introduces twenty concepts for printmakers to use to enhance their work ranging from abstraction to composition, and from symbolism to boundaries. It focuses on woodblock printmaking but the principles it covers can be applied to all graphical and pictorial arts. Mainly pictorial, it includes fine examples of finished work from leading makers and students, and is a remarkable and thought-provoking addition to any maker’s library.
Read more
Additional information
| Publisher | The Crowood Press Ltd (18 May 2023) |
|---|---|
| Language | English |
| Paperback | 144 pages |
| ISBN-10 | 0719842174 |
| ISBN-13 | 978-0719842177 |
| Dimensions | 17.53 x 1.27 x 24.26 cm |
by AYdB
I just felt moved to write a review as I am arriving at concept 17 – shape. That’s what I have been wondering about – how to create bold shapes in my images.
The authors have done an exceptional job in bringing ideas of design to the reader, which is applicable to woodblock printing, but goes far, far beyond that to all forms of art. I see what they mean in my photography, for example, and can now likely assess my paintings to see how and why some are successful, and others perhaps less so.
I deeply appreciate the generosity in showcasing other artists’ work, and humility in sharing their own work (also when not totally successful), which results in a rich feast of images that cannot help but inspire.
I strongly recommend this book.
by jazzyjo
I was absolutely delighted to receive my order of “Twenty Concepts in Woodblock Printing.” As a professional printmaker who recently ventured into the realm of woodblock printing, I was eager to immerse myself in it over the long weekend!
The book itself is captivates with its wealth of invaluable information and practical insights. It serves as an indispensable guide, offering a comprehensive exploration of various aspects of woodblock printing that both novices and seasoned artists can appreciate. The authors, who are prolific printers themselves, generously share their expertise, shedding light on intricate techniques that are both accessible and inspiring.
The presentation of the book is lovely – simple and easy to read or skim, as well as filled with a multitude of striking examples, showcasing the mastery of the authors’ own works and a curated selection of remarkable pieces by renowned international artists. The visual feast of woodblock prints is a testament to the boundless creativity and artistic possibilities that this medium offers.
The authors have thoughtfully curated a collection of works that not only exemplify technical proficiency but also embody the depth of artistic expression achievable through woodblock printing and encourages readers to push the boundaries of their creativity, offering inspiration to explore new horizons in their own artistic journey.
Whether you are a beginner eager to embark on the woodblock printing adventure or an experienced printmaker seeking fresh perspectives, this book is an invaluable resource.
I know that this book will become a treasured companion that I will return to time and time again through my artistic journey and I wholeheartedly recommend it to anyone seeking to delve into the captivating world of woodblock printing or to expand their artistic repertoire.
by Amazon Customer
to expand my knowledge
by christine thery
This is a brilliant book, an unusual look at woodblock printing, often through the eyes and hands of Chinese artists, China being of course the home of the woodblock, it is the second book by the Merlyn and Rod team and a great companion to their first more ‘how to’ book, this is more of a how to think about printing book and will stand on my bookshelf in the great and comparable company of those classic and much mulled over art books, ‘The unknown Craftsman’ and ‘ The Beauty of Everyday Things’
by patricia millner
So much to enjoy. Twenty Concepts in Woodblock Printing is such a generous book. I read it as a print lover rather than a printmaker and was captivated by the the exploration of the processes, conscious and unconscious, that underlie the making process. The text is both poetic and practical. The illustrations are wide ranging in place and time with a useful blend of the How and the Why both in relation to the artists’ own work and that of the many others that they include to illustrate the twenty concepts. I’ve come away enriched and enlightened and will be revisiting it often.
by Peter Collins
Well written and beautifully illustrated, this book adds another dimension to how-to-do-it manuals on printmaking.